Category Archives: Research

Form, Inquiry, Observations, Research, Symbols

Quatrefoil vs Vortex

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Below is an old art history paper; it discusses the material and militaristic view of space travel versus the spiritual, consciousness expanding space travel through the vortex symbol and the quatrefoil symbol.

figure 1
Artist: Paul Feeley
Subgenre: Sculpture and paintings
Media: wood and paint
Date: 1960s

 

 

 

 

 

 

figure 2
Artist: Janet Echelman
Subgenre: Sculpture
Media: Poles: 105 feet, 125 feet and 145 feet tall Rings: Outer: 100 feet wide; Inner: 30 feet wide Cable: 1 ¾ -inch cable; 1-inch cable Net Dimensions: 100 feet wide at the top – 15 feet wide at the bottom The lowest part of the net hangs 38 feet above the ground. The highest rises to about 100 feet. Wind Load: designed to withstand summer monsoon winds.
Date: 2009

 

 

 

 

 

For my design comparisons I chose sculpture by 1960s’ artist Paul Feeley and contemporary sculpture artist Janet Echelman. I had chosen Echelman’s piece first because the exquisite use of light and color, shape and form really struck a chord with me. I am personally attracted to color and shape as they are often used in symbols and signs… for me, color and form in sculpture is like a really large 3dimensional symbol. The sculptures take on a symbol of their own. For some reason, the 1960s really came to mind when I saw Echelman’s sculpture. I then googled for an artist that resembled Echelman’s pieces and fell upon Paul Feeley. Unfortunately there is not a lot on Paul Feeley. The same symbolic appeal that Echelman uses in her works are mimicked in Feeley’s childlike wooden sculptures.  Echelman’s is almost like a sophisticated contemporary version of Feeley’s sculptures.
Feeley appears to be more of a painter than a sculpturer. He’s taken simple shapes and elaborated them using repetition and distortion to the original form. However, the way Feeley uses shape and color in his sculptures and especially his paintings create a subliminal affect of being symbols. His paintings are not symbolic, they are, rather more like patterns… but even then they are not exactly like a tile pattern. Sometimes a form is repeated through out his paintings, sometimes it is just in a certain location in his paintings. He works a lot with the Gestalt Theory and its’ Law of Figure-ground. Echelman also works with the Law of Figure-ground whether it was intentional or not.

In figure 1, remind me of a particular symbol and sign that is often used in religious architecture is the quatrefoil.  This quatrefoil has a lot of significant esoteric influence on religious architecture. Perhaps Feeley was influenced by such a shape that he felt compelled to sculpt. And while we may never know that Feeley was inspired by the quatrefoil we do know quite a bit about the religious and esoteric influence the quatrefoil has. A blog I follow called, “Reconciliation of Science and Religion” uses art, symbols and signs as a foothold to deliver and reveal many esoteric secretes that were once taught in the ancient mystery schools but have been eliminated from “modern” consciousness. In ancient history the mystics where known as the priest-scientists who devised and developed systems and languages of symbols and signs to preserve knowledge. Mystics preserved ancient knowledge through paintings and cosmologies that often times conveyed scientific meaning through a complex system of mythological themes, symbols, storylines, and words. This method has long been lost to humanity because of the so-called Enlightenment era,

[The] Enlightenment was a desire for human affairs to be guided by rationality rather than by faith, superstition, or revelation; a belief in the power of human reason to change society and liberate the individual from the restraints of custom or arbitrary authority; all backed up by a world view increasingly validated by science rather than by religion or tradition. (Dorinda Outram, historian)

On the blog, “Reconciliation of Science and Religion” the author, known as “Raphael” writes about the constant associations each symbol has to each other and is determined to prove Einstein’s “Theory of Everything”. Dr. Timothy Leary, a professor at Harvard University during the 1960s who was fired due to his experiments with LSD and his belief that this drug was a positive stimulant that could be used for expanding awareness of subconscious structures and aspects of the world not perceived in a normal consciousness state, has propagated the quatrefoil sign as a symbol for the League for Spiritual Discovery, or LSD.  Raphael writes,

ASYMMETRY is KEY, and it is easy to prove the ancients were aware of asymmetry. Yes they were AWARE, and we are rather ignorant of this fact, that they were more aware of asymmetry than we appear to be. It seems we have been focused on SYMMETRY far too much, far too long…probably because symmetry implies perfection, and perfection is ‘god’.

It is illustrated that a quatrefoil is produced when inverting a swastika, a sign that is known for being symmetrical in nature. According to the mystic Hindus the swastika was

originally developed to explain the nature of duality; clockwise represents the physical and counterclockwise represents the spiritual. Now it seems that the inversion of a swastika represents subconscious, inter-dimensional expansion, etc and in the version represents the grounding and a conscious state… of being present. From the student-produced magazine, Knowledge of Reality they write,

The electron’s high probability zone formed spiral standing waves around the carbon atom’s nucleus. When this configuration was viewed from certain angles the physicist was surprised to find that the spirals formed recognizable symbols. In the first view a 3–dimensional Aumkara could be seen. From a different angle that Aumkara became a flat, 2-dimensional Swastika. The Swastika, he concluded, was actually 2-D representation of the 3-D aumkara.

What both sculptures have in common is their symbolic associations. According to Raphael’s writing and findings, the quatrefoil represents finding the reality and natural existence of different dimensions in plain view (LSD, consciousness expansion, etc) and then in Echelman’s piece, which visually depicts a vortex, or a kind of inverted wormhole; a technological concept that is used in science-fiction as a means of intergalactic and dimensional travel. One, the quatrefoil, is a rather spiritual version of intergalactic and dimensional travel and the other, the vortex, is a superficial kind of concept for intergalactic and dimensional travel.

 

Inquiry, Mystical Life, Philosophy, Research, Science, Spirituality

Physicists Study Homer’s Iliad and Other Classics for Hidden Truths

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ScienceDaily (July 23, 2012) — The truth behind some of the world’s most famous historical myths, including Homer’s epic, the Iliad, has been bolstered by two researchers who have analysed the relationships between the myths’ characters and compared them to real-life social networks.

In a study published online 25 July, in the journal EPL (Europhysics Letters), Pádraig Mac Carron and Ralph Kenna from Coventry University performed detailed text analyses of the Iliad, the English poem, Beowulf, and the Irish epic, the Táin Bó Cuailnge.

They found that the interactions between the characters in all three myths were consistent with those seen in real-life social networks. Taking this further, the researchers compared the myths to four known works of fiction — Les Misérables, Richard III, Fellowship of the Ring, and Harry Potter — and found clear differences.

“We can’t really comment so much on particular events. We’re not saying that this or that actually happened, or even that the individual people portrayed in the stories are real; we are saying that the overall society and interactions between characters seem realistic,” said Mac Carron.

To arrive at their conclusions, the researchers created a database for each of the three stories and mapped out the characters’ interactions. There were 74 characters identified in Beowulf, 404 in the Táin and 716 in the Iliad.

Each character was assigned a number, or degree, based on how popular they were, or how many links they had to other characters. The researchers then measured how these degrees were distributed throughout the whole network.

The types of relationships that existed between the characters were also analysed using two specific criteria: friendliness and hostility.

Friendly links were made if characters were related, spoke to each other, spoke about one another or it is otherwise clear that they know each other amicably. Hostile links were made if two characters met in a conflict, or when a character clearly displayed animosity against somebody they know.

The three myths were shown to be similar to real-life networks as they had similar degree distributions, were assortative and vulnerable to targeted attack. Assortativity is the tendency of a character of a certain degree to interact with a character of similar popularity; being vulnerable to targeted attack means that if you remove one of the most popular characters, it leads to a breakdown of the whole network — neither of these appears to happen in fiction.

Of the three myths, the Táin is the least believed. But Mac Carron and Kenna found that its apparent artificiality can be traced back to only 6 of the 404 characters.

“In terms of degree distributions, all three myths were like real social networks; this wasn’t the case for the fictional networks. Removing the eponymous protagonist from Beowulf also made that network assortative, like real networks.

“For the Táin we removed the ‘weak links’ associated with the top six most connected characters which had previously offset the degree distribution, this adjustment made the network assortative,” continued Mac Carron.

The researchers hypothesise that if the society of the Táin is to be believed, the top six characters are likely to have been fused together from other characters as the story passed orally through the generations.

The researchers acknowledge that there are elements of each of the myths that are clearly fantasy, such as the character Beowulf slaying a dragon; however, they stress they are looking at the society rather than specific events. Historical archaeological evidence has been interpreted as indicating that some elements of the myths, such as specific locations, landmarks and characters, are likely to have existed.

History, Inquiry, Light, Mystical Life, Research, Science, Spirituality, Storylines, Symbols, Theory

The Secret of Sion – William Henry

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I’ve been reading a few books lately. I’m still working on David Wilcock’s The Source Field Investigations but I recently had a burning desire to read William Henry‘s master piece, The Secret of Sion.

I bought the e-book version on my ipod touch for the kindle app. The paper back price was $85 dollars and the e-book version was $10! It was worth $10 too cause I found a lot of grammatical errors along with typos as well. I hope it was only the e-book version.

But I couldn’t put this book down. It is right on cue with what I’m into as an artist. Finally, we have a modern thinker whose got a good handle on what the purpose of religion is. His work is really convincing and makes a heck of a lot of sense. I don’t recommend the book for those who are more inclined to be skeptic, you have to acknowledge first that the artwork done back in the medieval/renaissance time periods were alchemical and not just for aesthetics. In ancient/medieval/renaissance art had a practical purpose and that was to convey information and knowledge that only the “pure hearted” a.k.a the “initiate” would be able to understand. I watched a documentary awhile ago about the science/religion of ancient Egypt called, “The Invisible Science” and it said that symbolism and mythology was the first veil to receiving knowledge to become enlightened.

I highly recommend this book, but definitely buy the e-book version.

 

Esoteric, Esoteric Design, Inquiry, Research, Tarot

Tarot Deck Project: 01

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I am beginning to finally think about my tarot deck project and hopefully getting it published at Llewellyn.

I am going with simple iconography and meanings based on my philosophy.

 

0 – fool – godhead

1 – magician – Visual (consciousness)

2 – high priestess – information (symbols & words, Unconscious)

3 – empress – female energy – positive

4 – emperor – male energy – negative

5 – hierophant – Law of Attraction

6 – Lovers – sperm/egg – yin/yang

7 –Chariot – wormhole/merkaba?

8 – Strength – Combustion

9 – Hermit – pineal gland – pine cone

10 – Wheel of Fortune – Time – Motion ye Holy Ghost – electron spin

11 –Justice – balance

12 – Hanged man – subtle energy

13 – Death – rainbow

14 – Temperance – as above and so below

15 – Devil – material world

16 – Tower – electricity

17 – Star – light body

18 – Moon – shadow of the heart/shadow/spheres

19 – Sun – stargate – gateway – portal

20 – Judgement – transfiguration

21 – World – galaxy – sion

Inquiry, Research, Theory

Creativity is Intelligence at Play

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At the beginning of my artistic quest.. I read a book called The Holy Science by Sri Yukteswar. In it he states that man’s intelligence (creativity) increases as the sun’s position moves closer to the galactic center. In the Secret of Sion by William Henry he states that a consistent force exists at the center of the galaxy. This force is creative/spiritual and is said to be home to intelligent beings who reside at the center (Sion). This advanced race helps the creative/spiritual evolution process in all galactic races. It is assumed that this force is responsible for the natural intelligence of Man (which is creativity). I just thought I’d mention that the world seems to be getting more and more expressive. In movies we have 3-D technology where the movies literally are “expressive” and we have highly expressive individuals such as Minaj, Perry and Lady Gaga, etc. Not to mention three years ago, “Social visioning” was created through the pinboard style website: Pinterest. Is it just me, or is the world getting more creative?

 

Einstein said himself that, “Creativity is Intelligence at Play”. I suppose when most people begin to spiritually wake up that same spiritual energy is transmitted into creative energy.

Dreams, Mystical Life, Research

RIP

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For the past year or so a former classmate of mine has been on my mind. I never really knew her but I think I had at least one design class with her. For whatever reason her name could not escape from my mind. Then two days ago I had a dream about a wedding, and dreams for me are rare. I don’t remember them but when I do they are usually prophetic in nature and the events that are prophesied during the dream happen within 6 months of the dream. Well in most dream symbol websites dreaming of being wedded suggests a death. On Saturday that former classmate of mine passed away due to complications with pneumonia. Its crazy because I’ve had pneumonia twice and perhaps that’s why I couldn’t get her off my mind because at some level we resonated… who knows.

 

Quotes, Research, Spirituality

The Way of Light

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“For the awakened Gnostic, Christ is a being of light and the Christ narrative is an allegory of a universal internal spiritual experience, the Way of Light.[…] This is the ancient spiritual journey of the Wayshower, Jesus demonstrated. We follow (and will complete) this light path both individually and as a species…” (Secret of Sion, William Henry)

hmm I wonder where I’ve heard ‘the Way of Light’ before… oh wait that’s Moravian’s motto: Via Lucis.

Articles, Research

Gravity Nullification

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[vc_row][vc_column width=”2/3″][vc_custom_heading text=”Inquiry: the Need for Survival in Plant-Based Cultures?” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:100%20light%20regular%3A100%3Anormal” el_class=”widget-title”][vc_column_text]Gravity. The force that is ultimately what is keeping us chained to Earth and it is also the force that is keeping us from being propelled into the future. What is gravity? Physics tells us that gravity may be two forces but it may just be a principle that’s explained simply and that has been over looked.

In September 1927 Issue of Science and Invention an article was published about a scientist, Dr. Kowsky and his partner, Engineer Frost, discovered that when a crystal is beamed with a high-frequency energy it looses molecular weight and floats up into the air. From the article it states,

It seems as if a dispersal of electrons from a molecule resulted, which as it is irreversible, changes the entire structure of the crystal, so that it cannot be restored to its former condition. The stretching out, as we may term this strange property of the crystal, explains the reason for its transparency. At the same time a change takes place in its specific gravity. Testing it on the balance showed that after connecting the crystal to the high tension current, the arm of the balance on which the crystal with the electrical connections tests rode into air.

In mineralogy and crystallography, crystal structure is a unique arrangement of atoms or molecules in a crystalline liquid or solid. A crystal structure is composed of a pattern, a set of atoms arranged in a particular way, and a lattice exhibiting long-range order and symmetry. Patterns are located upon the points of a lattice, which is an array of points repeating periodically in three dimensions. The points can be thought of as forming identical tiny boxes, called unit cells, that fill the space of the lattice. The lengths of the edges of a unit cell and the angles between them are called the lattice parameters. The symmetry properties of the crystal are embodied in its space group. (source of text)

In mysticism, El, spelled E L, is mentioned as the father of all gods in Egyptian mythology. El is the inspiration for the term EL-ectricity. Electricity is produced by the elect lady, the electrons of the atom. All those who were faithful to this god El, the god of matter, became the elect, the chosen and faithful.

If crystals are atoms, which are just electrons of electricity, focusing a high-frequenecy energy on a crystalized piece of matter and having it stretch out to loose weight would make sense — it goes with the expansion and contraction principle. It is said that in every planetary body there is a piece of matter that is crystalized. Perhaps gravity is not a force, but rather an effect caused by high-frequencies or low-frequencies – expanding and contracting. If we take the observation that when beamed with high-frequencies a crystal looses weight, then perhaps when beamed with low-frequencies the crystal becomes extremely dense and produces a dense gravity field.

Theoretically, perhaps gravity is caused by a kind of breathing sensation in which high-frequency energies and low-frequency energies create a similar rhythm to breathing. This idea would correspond to an ancient idea that there is a circuit that connects all living things with the entire universe. It wasn’t until more than half a century later in 1952, when the German physicist Professor W.O.Schumann of the Technical University of Munich predicted that there are electromagnetic standing waves in the atmosphere, within the cavity formed by the surface of the earth and the ionosphere. This came about by Schumann teaching his students about the physics of electricity. During a lesson about ball condensers he asked them to calculate the frequency between the inner and outer ball, meaning the earth and ionosphere layer. They came up with a calculation of 10Hz. This was confirmed in 1954 when measurements by Schumann and König detected resonances at a main frequency of 7.83 Hz. In the years following this discovery, several investigators worldwide have researched “Schumann resonance” and a number of properties and characteristics have now been established. (source of text)


These “Schumann resonances” have been called the Earth’s breath and with this new perspective the Earth is considered to be a living organism.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_widget_sidebar sidebar_id=”sg498_8790gxe”][vc_custom_heading text=”Support the Research” font_container=”tag:h2|font_size:25px|text_align:left|color:%2311322a” google_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_custom_heading text=”New Products” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:100%20light%20regular%3A100%3Anormal” el_class=”widget-title”][vc_masonry_grid post_type=”post” max_items=”4″ element_width=”6″ gap=”10″ item=”basicGrid_NoAnimation” grid_id=”vc_gid:1568586645669-03f3b365-bab7-0″ taxonomies=”579, 632, 631, 580, 582, 581″][vc_custom_heading text=”Other Posts” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:100%20light%20regular%3A100%3Anormal” el_class=”widget-title”][vc_masonry_grid post_type=”post” max_items=”4″ element_width=”6″ gap=”10″ item=”basicGrid_NoAnimation” grid_id=”vc_gid:1568586645718-4f92aa2b-529d-3″ taxonomies=”132″][/vc_column][/vc_row]

Form, Light, Research

Solving E=mc2 ?

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While thinking about the conversation I had lately about the manifest world being an interference and that spirals are expressions of intersections of light, I thought about Einsteins’ equation… and remembered that not too long ago I applied the golden mean, 1.61 to Einsteins’ E=MC2… I think I may be getting somewhere with all this physics stuff and think that conventional physics is extremely wrong in some things… but then I realized I already came to this conclusion last March when I wrote my “Traveling Faster than the Speed of Light” post.

E = 12.0107 (amu of carbon) x 2.61803399 (golden mean squared, c2).

E= 31.4444

If we move the decimal point over, it would be E=3.14 and that would be Pi; or the intersection of linear and non-linear reality!

So Carbon would travel 3.14 miles per second*. 

E= 15.9994 (amu of oxygen) x 2.61803399 (golden mean squared, c2).

E= 41.8869 or E=4.1886  … oxygen would travel 4.18 miles per second. 

* this means that it would travel 3.14 miles each second

 Silver would travel…

E= 107.8682 amu (amu of silver) x 2.61803399 (golden mean squared, c2).

E= 282.4026 … E=28.2402 miles per second

According to this treatise… Pi (3.14) is the intersection of linear and non-linear reality. This would also correspond to the idea that spirals are expressions of intersections of light. If carbon is a fundamental element of the manifest world, it could perhaps speed up or slow down light helping to create the interference. Pi creates a spiral, which is seen in nature… http://www.maa.org/mathland/mathtrek_09_02_02.html

E= 1.00794 (amu of Hydrogen) x 2.61803399 (golden mean squared, c2).
E= 2.6388 / 10
E= 0.2638

Hydrogen would travel 0.2638 miles per second

If we wanted to find how fast water traveled, it would travel 4.7162 m/s. ( Hydrogen + Hydrogen + Oxygen)

0.2638 + 0.2638 + 4.1886 = 4.7162 miles per second

Blog, Research

New Setup

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This week my parents and I went off and got me my graduation present. So I have a new setup now!! 
This motivates me to clean the studio a bit. My table is messy as well as the rest of the room. Old art work everywhere and shit. I think I’ll occasionally work on it this summer, been wanting to clean it up since I came home from college so I could have room to continue yoga. I realized how much I missed doing it when I took the P.E course last Fall. It really helped with my hypothyroidism. It gave me energy and helped me through the week since it was on a Wednesday. Now that I have a bit more energy I would be motivated to do it on my own. I have applied to one job where I couldn’t imagine it being more perfect for me so now I’m doing the waiting game. I’ve just been working on my musics and researching — playful things, taking a bit of a break on art and design related stuff. 🙂 

I found this interesting website that focuses on protein and how it reacts to music. Apparently it sings when it reacts or is in the presence of music: http://www.bekkoame.ne.jp/~dr.fuk/IndexE.html.

Form, Light, Research, Sound, Theory

The Manifest world is an Interference.

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[vc_row][vc_column width=”2/3″][vc_custom_heading text=”Inquiry: The Manifest world is an Interference.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:100%20light%20regular%3A100%3Anormal” el_class=”widget-title”][vc_column_text]I have one — er, colleague — that I theorize with on occasion because we both study light, sound and form in a similar fashion. For me, its a bit more formal, but she is interested in light, sound and form as well in the same view. We’re often theorizing about ideas and old hypotheses in hopes of retrieving some kind of truth, whatever it may be.

Last night, while procrastinating packing my dorm room up, I ran across an alternative science database that I haven’t found before and this article. The article focused on the age-old idea that the earth is flat. I have had written ideas before suggesting that the earth/universe could indeed be flat: Holographic Reality and the World is Flat and the Universe is Flat. Apparently there are a few people out there that still believe that the world is flat.

We got into an interesting discussion about the possibility of the Earth being flat and how it could possibly function as a flat surface.

I posted this link onto my colleague’s facebook wall and the conversation began like this:

She commented jokingly, “All photographs of Earth from space are taken with FISH EYE LENSES to TRICK US!!!” 

In all seriousness, I then asked, “No, seriously have you thought about it though?“

She responded, “About a flat Earth? Not with my understanding of physics, which may or may not be faulty. But the Sun is visibly spherical, the moon is spherical, and the planets I’ve seen through a telescope also have the same light shading as a sphere rather than a disc. I wouldn’t consider the Earth to be a special case.

Expanding Earth, that I’ve considered. “

“But isn’t there always a dual option though in this world? What’s the opposite of spherical? Flat. If everything is an illusion in this manifest world, things that would appear flat, would be spherical and vice versa, theoretically,” I insisted.


She then replied, “I don’t really believe the world operates on duality as much as a refracted spectrum of plurality. We could divide numbers as even or odds, but we could also differentiate by multiples of three or fives. I feel it has much more to do with perspective than duality. All illusions are equally false.“

And then added, “Can we count a Mobius strip as being flat?“

“It looks like its technically a spiral, so yes,” I answered.

Continuing, she said, “I don’t know if there’s physical evidence to support this, but I still think of the universe as expanding from a central point and collapsing back into itself when its expansion is no longer enough to overcome its gravity.“

“Yes. I’ve seen that in Tibetan art,” I said confidently. 

Then I asked, “what if our eyes are natural fish eye lenses?“

She answered, “That’s still assuming physical matter is actual rather than perceptual. But we could also be light, shining onto inert information and perceiving it as experience…“

I then asked, “Light shining upon light equals what?“   

“Experience,” she said simply.

Then she added, “We could equate light with attention, as we equate darkness with the unseen. There has to be an interaction of some sort for there to be anything to experience.”   

“A world between worlds,” I said.
 
 Then she asked, “If we perceive no opposition, interference, interaction, can we perceive otherness or plurality?“

“Are we built to do that? I don’t think so, if we could, there would be no division,” I responded.

“Light absorption,” I then added.

 “That would be the point where illusion refracts as a distortion of reality. We can take a flat sheet of paper and pinch it somewhere, perceiving it as something other than paper, just because it has an apparent shape other than that which surrounds it. It’s still the same thing though,” she responded.

“Exactly,” I said.

Then I added, “If we are beings of light, entering a world of light — a different kind of light — we would distort that reality because the present reality of who we are is already light … the distorted reality is the reality we perceive to be real, as in the world we exist in now.“

Continuing, she said, “Holographic apparitions rather than solid, actually separate entities. Perhaps this is why dimensions intersect each other at 90 degree angles. It’s just us coming back on ourselves in new ways to experience multiplicity.

So particles are twists of space-time… ”  

“Intersections of light. And! If absolute zero is no vibratory motion of any particle, it’s because there is no interaction. It would be uninterrupted flatness,” she added.

 “Ah ha! Flat,” I exclaimed.
  
Then she asked, “We can extend on forever uninterrupted, but projecting requires an other to bounce off of. 0D as a source?” She laughed.


Laughing with her, I responded, “0D would be light though, it has to be.“

Thinking out loud, I said, “but things can’t bounce off if there is no density to it…“

“It’s pretty awesome that we had the same thought train about interrupted light and projections,” she said.

Then she asked, “But what -is- light? Consciousness? Beingness? That Which Is or the attention thereof? We seemingly innately equate it with positivity. So that which we see is light and that which we refuse to attend to is dark? I feel like the metaphor works in a literal way, I’m just not sure how.“

“Oh shiny!!” I exclaimed.

“Actually, I think “oh shiny” may be the answer to your question,” I added.

Pondering, she asked, “How does the light in a holograph work? Bounced off of a reflection?“

“What happens when physical light reflects off a metallic surface? It catches our attention, because we somehow can relate to it, for whatever reason,” I said.

Continuing, she said, “That is precisely why, as I’ve gotten older, I’ve become more interested in sparkly sorts of things. Every living thing flourishes with light, and many animals instinctively collect shinies.“

Finishing the conversation, I said, “By the way… spirals as expressions of light intersecting with each other? perhaps why they appear -everywhere- in nature?” [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_widget_sidebar sidebar_id=”sg498_8790gxe”][vc_custom_heading text=”Support the Research” font_container=”tag:h2|font_size:25px|text_align:left|color:%2311322a” google_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_custom_heading text=”New Products” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:100%20light%20regular%3A100%3Anormal” el_class=”widget-title”][vc_masonry_grid post_type=”post” max_items=”4″ element_width=”6″ gap=”10″ item=”basicGrid_NoAnimation” grid_id=”vc_gid:1568586724161-78f7f6e9-710a-0″ taxonomies=”579, 632, 631, 580, 582, 581″][vc_custom_heading text=”Other Posts” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:100%20light%20regular%3A100%3Anormal” el_class=”widget-title”][vc_masonry_grid post_type=”post” max_items=”4″ element_width=”6″ gap=”10″ item=”basicGrid_NoAnimation” grid_id=”vc_gid:1568586724219-ee2cf1dd-6b9e-0″ taxonomies=”132″][/vc_column][/vc_row]