Category Archives: Research

Ancient Design, Art, Articles, Esoteric Design, P-Articles, Research

The Mysterious Sun Symbolism

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According to Qabbalah the Son of God, RA, or RAY, who is Jesus, is the Light of the World.

2010’s most important celestial story may have been about another celestial disk, our Sun, waking up. To paraphrase astrophysicist Dr. Paul LaViolette, ‘Earth is under fire’ from our restless Sol. This is big news.

Scientists warn that from 2011 till mid 2013 we will see more and potentially destructive stellar activity as the Sun enters the most active part of its cycle known as “solar max.” Noting that this activity coincides with the end of the Mayan calendar, prophets warn this period will see dramatic signs in the sky (coinciding with even more tyrannical governance in the name of fighting terrorism, even louder high-pitched ringing in our ears, more body ache from scaling the new frequency or tone as we morph into a new species and, generally, more cosmic wonderment or weirdness).

Could the Sun’s awakening and light show be a ‘just in time’ cosmic anointing in tides of light and the prelude to fulfillment of Mayan and Christian End Time prophecy?


A full-disk multi wavelength extreme ultraviolet image of the sun taken by SDO on March 30, 2010. (Credit: NASA/Goddard/SDO AIA Team)

Increased solar activity could give residents of the continental U.S., southern Europe and Japan the chance to see the northern lights for the first time in several years

‘SUN, SON, SUN, HERE IT COMES…’

After an unusually long period of low activity, a series of powerful solar events took place on August 1, 2010, where nearly the entire Earth-facing side of the Sun erupted in a tumult of activity, with a large solar flare, a solar tsunami, multiple filaments of magnetism lifting off the solar surface, radio bursts, and half a dozen coronal mass ejections (CMEs).


SUN STORMS: NASA’s Solar Dynamics Observatory snapped this multi-wavelength extreme ultraviolet image of the sun, showing the Aug. 1, 2010, solar eruption that blasted charged particles toward Earth. The Class C3 solar flare triggered stunning aurora displays and geomagnetic storms on Earth that lasted about 12 hours. (Photo: NASA)

As the Sun awakens, NASA is keeping a close eye on space weather (and wondering what’s going on in our solar system and, indeed, the galaxy?!!!). Some are warning of potentially catastrophic events to come between now and mid-May 2012-2013. Others say they’ve been hearing this solar “kill shot” BS for years and nothing’s happened.

Richard Fisher, head of NASA’s Heliophysics Division, explains what it’s all about: “The Sun is waking up from a deep slumber, and in the next few years we expect to see much higher levels of solar activity. At the same time, our technological society has developed an unprecedented sensitivity to solar storms.” The intersection of these two issues is foremost on the minds of space scientists.

The National Academy of Sciences framed the problem two years ago in a landmark understatement entitled “Severe Space Weather Events—Societal and Economic Impacts.”

It noted how people of the 21st-century rely on high-tech systems for the basics of daily life. Smart power grids, GPS navigation, air travel, financial services and emergency radio communications can all be temporarily knocked out (or even wiped out) by intense solar activity. In other words, basically everything upon which our lives now depend is at risk in the coming years.

A century-class solar storm, the Academy warned, could cause twenty times more economic damage than Hurricane Katrina. That would be a two trillion dollar disaster!

Much of the damage can be mitigated if managers know a storm is coming. Putting satellites in ‘safe mode’ and disconnecting transformers can protect these assets from damaging electrical surges. Preventative action, however, requires accurate forecasting – a job that has been assigned to NOAA.

ATON ATONATIUH

Several prophetic traditions, including the Inca, foretell of immense changes during our time. As Kathy Doore observes, the Inca prophecies say that now, in this age, when the eagle of the North and the condor of the South fly together, the Earth will awaken. The eagles of the North cannot be free without the condors of the South.

The Aztecs also paid very close attention to the movement of the Sun and their calendar is second only to the Mayan in accuracy. For Aztecs, Tonitiuh was the god of sun and Tollan, the Aztec heaven. Interestingly, the original Mayan name homeland was called Tollan or Tula and it was from Tula where Quetzalcoatl ruled. Mayan prophecy says he’s expected to return in 2012.


The Aztec Calendar and the Sun. At the center of the Aztecs’ calendar stone is the sun god, Tonatiuh. He is surrounded 20 day symbols. Tonatiuh’s Face is the face of the sun, Lord of Heaven, around which takes place all daily and periodic phenomena


The face of Tonatiuh is in the center circle of the solar stone. Around the face are four squares called Nahui- Ollin, or Four Movement. According to Aztec legend, these squares represented the different ways that the four previous suns (or worlds) had come to an end: first by wild animals, then by wind, by fire, and by floods. The Aztecs believed they were living in the fifth and last world

I am fascinated by the similarity between the names and meaning of the names Tonatiuh (tona = to the sun and heat, tiuh = ir) and Aton, the name of the Disk during the reign of Akhenaton. This revolutionary thinker asserted that the Aton, “the Heat or Energy within the Disk” – also interpreted as the light that illuminates the Sun — transcended and comprehended all other images of Divinity.

A disk with rays extending from it symbolized the Aton. The rays culminate in delicate hands that offer the “ankh” or key of life symbol. No other image was allowed in the temples. It reminded worshippers that the Essence of the Sun – the “heat” or the “heat and light” within the Disk – is not confined to the Disk itself, but is present and active, and life giving wherever the rays of the Sun reach. In the Hymn to Aton, Akhenaton wrote that these rays even penetrate deep within the sea.

Akhenaton, Nefertiti and family are anointed by the rays of the Aton

The Aton disk with downward beams ending in hands

Pentecost by Duccio di Buoniseqna. The eternal force of the Aton reappears in the Christian concept of Pentecost. While the disciples of Jesus were indoors praying, a sound like that of a rushing wind filled the house and tongues of fire descended and rested over each of their crown chakras. The Holy Spirit manifests as flames atop the disciples heads. Pentecost marks the birth of the Christian church

“Suddenly a sound came from heaven like the rush of a mighty wind, and it filled the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit” (Acts 2:2-3)

As I discuss in SOUL RISING, Christian art portraying the Pentecost, or the anointing of the disciples by the Son in that cosmic energy called the Holy Spirit, is virtually identical to the Amarna depictions of Akhenaton and Nefertiti receiving the rays/keys of the Aton.

In these depictions it is possible to see the connection between the Key of Life and the Holy Spirit. So clear is the correspondence that one wonders if the Pentecost is a revival of an ancient Gnostic ceremony or mystery school teaching?

The disciples experienced the Radiant Energy of the Sun in the Upper Room at Pentecost


Mary receives the mystical rays of the Holy Spirit from a brilliant light at Pentecost (L). Akhenaton and Nefertiti bask in the rays/keys of the Aton (r)

Jesus/Lord/Sun/Son beams Aton-like rays of light to the disciples at Pentecost

If we substitute the Sun for the Son as the transmitter of this energy we can imagine a vibration coming from our star and illuminating the consciousness of the disciples, energizing and empowering them. Christian prophecy says it will be poured out on all flesh in the Last Days (Acts 2:16-21).

 

Ancient Design, P-Articles, Research, Spirituality, Symbols

Black Sun = Black Hole

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The Neo-Nazi Germanic black sun symbol depicts black hole. The doctrine of the Black Sun, reaching back to ancient Sumer and Akkadia, is that there are two suns, the “white” sun, the sun that we see at the center of our physical solar system, and the “black” sun, a “hidden” sun of (spiritual) illumination. In some versions of the myth, it is thought to reside at the center of our galaxy. Other embellishments place it as one of the causes of the immortality and reincarnation of the soul.

More information on the Third Reich and the Black Sun: http://www.bibliotecapleyades.net/sociopolitica/reichblacksun/chapter11.htm

Ancient Design, Esoteric Design, P-Articles, Research, Science, Spirituality, Symbols

Contemplating the Carbon Atom

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In sculpture class a.k.a, 3D design class, I was contemplating the carbon atom and its Vedic name, “ANU” or at least that’s what the Vedic mystics named THE atom, not specially the carbon atom. I was also contemplating the asymmetric universe and how Tom Bearden proved that it is a proven broken symmetric universe.

I then remembered that the Sumerian cuneiform for ANU (which is sky; heavens in sumerian) is a proven broken symmetric symbol.

Either the cuneiform for ANU is actually a really old symbol depicting the proven broken symmetric universe or there is another side of the carbon atom we have yet to discover but the Sumerians knew long before us….

Perhaps the triangles represent matter and the other virtual subquantal energy in the vacuum that proves that its’ a broken symmetric universe?!

EDIT: Another subliminal I found was that Carbon has 8 electrons… I was reading an article about the Science of the Dogon (which is a tribe in West Africa) and they were obsessed with the electron structure of water and carbon; water, 2 and Carbon, 8….

Archetypes, Art, Research, Science, Spirituality, Symbols

The Federation of Damanhur

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I’ve been meaning to post about this for awhile.

The Federation of Damanhur sounds like something out of a science fiction movie, but in reality is is a small country/spiritual community in Northern Italy. They are a social example of bringing back the sciences from the Atlantian period. They built a huge underground temple called the Temple of Mankind. It has been nicknamed the “eighth wonder of the world”.

This Temple acknowledges ALL ‘mainstream religions’ and the beauty and spiritual significance of art.

About: But the ‘Temples of Damanhur’ are not the great legacy of some long-lost civilisation, they are the work of a 57-year-old former insurance broker from northern Italy who, inspired by a childhood vision, began digging into the rock.

It all began in the early Sixties when Oberto Airaudi was aged ten. From an early age, he claims to have experienced visions of what he believed to be a past life, in which there were amazing temples.

Around these he dreamed there lived a highly evolved community who enjoyed an idyllic existence in which all the people worked for the common good.

More bizarrely still, Oberto appeared to have had a supernatural ability: the gift of “remote viewing” – the ability to travel in his mind’s eye to describe in detail the contents of any building.

“My goal was to recreate the temples from my visions,” he says.

Oberto – who prefers to use the name ‘Falco’ – began by digging a trial hole under his parent’s home to more fully understand the principals of excavation.

But it was only as he began a successful career as an insurance broker that he began to search for his perfect site.

In 1977, he selected a remote hillside where he felt the hard rock would sustain the structures he had in mind.

A house was built on the hillside and Falco moved in with several friends who shared his vision. Using hammers and picks, they began their dig to create the temples of Damanhur – named after the ancient subterranean Egyptian temple meaning City of Light – in August 1978.

As no planning permission had been granted, they decided to share their scheme only with like-minded people.

Volunteers, who flocked from around the world, worked in four-hour shifts for the next 16 years with no formal plans other than Falco’s sketches and visions, funding their scheme by setting up small businesses to serve the local community.

By 1991, several of the nine chambers were almost complete with stunning murals, mosaics, statues, secret doors and stained glass windows. But time was running out on the secret.

‘They are to remind people that we are all capable of much more than we realise and that hidden treasures can be found within every one of us once you know how to access them,’ says Falco.

Read more: http://www.dailymail.co.uk/news/article-495538/Eighth-wonder-world-The-stunning-temples-secretly-carved-ground-paranormal-eccentric.html#ixzz1GLTfH226

Ceiling of the Temple. YES that is a CEILING.

What is known as the Earth Hall.

Hall of Mirrors

Ancient Design, Esoteric Design, P-Articles, Research, Science, Spirituality, Symbols

Star of David = the geometry of the visible universe

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Of Light:

Light is the very essence of the collective consciousness, or the sub consciousness. In 1996, a fella, by the name of Attila Grandpierre, with a Ph.D. from the Konkoly Observatory of the Hungarian Academy of Sciences, issued a scientific paper called, The Physics of Collective Consciousness. It details the quantum electrodynamics physics of the collective consciousness. This is the very collective unconsciousness that Carl Jung experimented and conceptualized. This paper details the different levels of the mind and the power of electromagnetism. In his abstract he states that,

Nature uses the olfactory fields, the acoustic fields, the electromagnetic fields and quantum-vacuum fields. Fields with their ability to comprehend the whole organism are the natural basis of a global interaction between organisms and of collective consciousness.

Grandpierre’s paper on the Physics of the Collective Consciousness is a crucial paper to explaining that subliminal information does indeed exist, and that it aligns with the mystical text of Qabbalah. In Qabbalah, Kamilla states that light is thought,

Understanding how thought is a word, is sound, is vibration, is energy, that glows, which is light… makes it very obvious how thoughts can manipulate light. Thoughts are light. Light is the 3 dimensional form. Change the thought and you change the form. If a person becomes very adept at changing their thought process and manipulating the thought process of those around, this is called magic, because the illusory images appear real.

Kamilla continues,

Constant repetition of a certain idea or thought is hypnotic manipulation and is a concentration of light energy passed through the crystal prism of the human brain – this creates a hot spot of built up energy or thoughts. Thoughts are sounds, sounds vibrate, vibration is energy, energy glows, glowing is light and light is thought.

To achieve hypnotic control and to concentrate energy on the chosen topic being used for hypnotic manipulation the topic must be discussed endlessly and must appear to be natural – it must never appear that mind control and mass hypnosis is actually occurring otherwise the subliminal is no longer a subliminal and the suggestion is discovered making it of none effect – for this reason endless debates – meetings and stalling tactics are used to keep the topic constantly in the minds of the masses – thereby achieving the hot spot. This same formula for mind control applies to everything. Nothing occurs in the 3 dimensional spaces without suggestion first.

Interestingly science has discovered evidence that this physical universe does not exist. In 1982 a remarkable event took place. At the University of Paris a research team led by physicist Alain Aspect performed what may turn out to be one of the most important experiments of the 20th century. Aspect’s experiment is related to the EPR Experiment, a consciousness experiment, which had been devised by Albert Einstein, and his colleagues, Poldlsky and Rosen, in order to disprove Quantum Mechanics on the basis of the Pauli Exclusion Principle contradicting Special Relativity. Aspect and his team discovered that under certain circumstances subatomic particles such as electrons are able to instantaneously communicate with each other regardless of the distance separating them. It doesn’t matter whether they are 10 feet or 10 billion miles apart.

Somehow each particle always seems to know what the other is doing. The problem with this feat is that it violates Einstein’s long-held tenet that no communication can travel faster than the speed of light. Since traveling faster than the speed of light is tantamount to breaking the time barrier, this daunting prospect has caused some physicists to try to come up with elaborate ways to explain away Aspect’s findings. But it has inspired others to offer even more radical explanations.

University of London physicist David Bohm, for example, believes Aspect’s findings imply that objective reality does not exist, that despite its apparent solidity the universe is at heart a phantasm, a gigantic and splendidly detailed hologram. To understand why Bohm makes this startling assertion, one must first understand a little about holograms. A hologram is a three- dimensional photograph made with the aid of a laser.

To make a hologram, the object to be photographed is first bathed in the light of a laser beam. Then a second laser beam is bounced off the reflected light of the first and the resulting interference pattern (the area where the two laser beams commingle) is captured on film. When the film is developed, it looks like a meaningless swirl of light and dark lines. But as soon as the developed film is illuminated by another laser beam, a three-dimensional image of the original object appears.

The three-dimensionality of such images is not the only remarkable characteristic of holograms. If a hologram of a rose is cut in half and then illuminated by a laser, each half will still be found to contain the entire image of the rose. Indeed, even if the halves are divided again, each snippet of film will always be found to contain a smaller but intact version of the original image. Unlike normal photographs, every part of a hologram contains all the information possessed by the whole.

The “whole in every part” nature of a hologram provides us with an entirely new way of understanding organization and order. For most of its history, Western science has labored under the bias that the best way to understand a physical phenomenon, whether a frog or an atom, is to dissect it and study its respective parts. A hologram teaches us that some things in the universe may not lend themselves to this approach. If we try to take apart something constructed holographically, we will not get the pieces of which it is made, we will only get smaller wholes. To mathematicians and visual artists this is also known as fractals.

This insight suggested to Bohm another way of understanding Aspect’s discovery. Bohm believes the reason subatomic particles are able to remain in contact with one another regardless of the distance separating them is not because they are sending some sort of mysterious signal back and forth, but because their separateness is an illusion. He argues that at some deeper level of reality such particles are not individual entities, but are actually extensions of the same fundamental something.
This fundamental connectedness would correlate with The Fifth Element, and its mathematical proof of all aspects of the universe being energetically connected – Hal Puthoff’s assertion in his work on Zero-Point Energy of all charges in the universe being connected and that further mass is in all likelihood an illusion as well — and both of these modern day theories of physics being in accordance with ancient traditions and philosophies, which claim the same connectedness of the diverse parts of the universe.

To see in action: Mixing light w/ glowsticks

Ancient Design, Blog, Esoteric Design, P-Articles, Research, Symbols

Notes on my Birthday & Greek Key

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FROM: http://kachina2012.wordpress.com/2010/07/21/swastika-yinyang-and-the-evolution-of-the-greek-key-fret-pattern/

Meep so the notes below are from the above post which the author (raphael) thinks the same way I do…. anyway he has posted notes about my numerical birthdate (1/25)(or 1251) which I find very interesting.

 

More info to meditate on…the evolution of the KEY / fret / greek meander pattern….

 

Image

 

Image

 

Take a look at #6.

The numbers 2 5 are clearly visible…

But even better….we find Marko Rodin’s glorious 1251 :idea:

 

or am I zeeing zings?

 

NOTE the numbers 1251 clearly as one of the WEAVES leading to the EVOLUTION of the KEY FRET pattern?

HOW does MARKO RODIN’s VBM, Vortex Based Mathematics and the YIN YANG concepts collide?

Quote:

 

9 = 1251 = ABHA

9 = 2151 = BAHA

 

“…the unapproachable great name of god 2 1 5 1″

 

:flop: http://forums.abrahadabra.com/showthrea … #post37121

OR can we make out a 3 6 9 pattern from 1251125112511251?

 

namaste

 

p.s. NOTE: the year of the Magna Carta

1215 A.D.

 

Ancient Design, P-Articles, Research, Symbols

Medal Mosaic

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Yep. That right symbol with the double cross is a symbol for Nibiru and cold fusion.
Nibiru is said to be the planet that the Anunnaki that Sumerian race that have been said to have created humanity…. hmm… but the word nibiru means cross-over or crossing! Remember Sumeria is old old old old — go back to the source.

Found this while researching the ‘Greek Key’. Happy to say that I know what this means and the ancient scientific meaning behind it! =)

Wheeee!

The center represents cold fusion.
The outer ring represents the magnetic and electromagnetic twirl (as in DNA)
The Greek Key represents gravity, and its vertical, linear wave.
The outer circle that looks like sun rays reminds me of the water, and in South America they believe in the waters above and the waters below, and water represents emotion, which represents Time…

Time = Movement, movement = (differential) geometry, (differential) geometry = emotional expression, emotional expression = memory storage, memory storage = the mind

Questioning that gravitational waves are linear? looky:

Linear gravitational waves and electrodynamic formalism in cosmology

The propagation of linear gravitational waves is studied in open and multiply connected Robertson-Walker cosmologies. In order for the group velocity of the gravitational wave packets to coincide with the speed of light, the linear wave equation must be conformally coupled. This opens the possibility of using the electromagnetic formalism. The gravitational analogue to the electromagnetic field tensor is introduced, and a tensorial counterpart to Maxwell’s equations on the spacelike 3-slices is derived. The energy-momentum tensor for linear gravitational waves is constructed without averaging procedures, a strictly positive energy density is obtained, and it is shown that the overall energy of a gravitational pulse scales with the inverse of the expansion factor.

Regarding outer ring representing time…..

Figure 3. An initially horizontal dye line distorts in the resonant internal wave (top). The high shear associated with the resonant internal waves causes a Kelvin-Helmholtz instability (bottom)

From: Continental Slope: Resonant Internal Gravity Waves

Fluid physics is very important to studying energy. Anything that has been studied and found that water can do, energy can probably replicate it.

Ancient design win.

Ancient Design, Esoteric Design, History, P-Articles, P-Research, Research

Vedic Vastu – the ancient Indian Science and Technology of Design and Construction

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The design regime for the Vastu architect follows specific parameters:

1. Orientation and siting considerations
2. Building Layout with regard to a grid called “Vastu Purusha Mandala”
3. Dimensioning with regard to the client¹s birth time
4. Exterior door locations
5. Brahmastan
6. Room Placement
7. Height

Lesson 14 – the Vastu Design Process

While the ancient Vedic Vastu has to do with architecture and town planning, I’m positive that Graphic Design can be a two-dimensional mirror of architecture and that when one learns the principles of one design discipline they can apply it to other design disciplines.


MP3 on Vedic Vastu with Ron Quinn.

They are [Vastu] but Shastras replete with technological material and measures, based on unique Science of Energy and Matter, Time and Space & Space and Spatial Form, so far not recorded in the history of the land of their origin.

There is a Tamil [language of Vastu] expression for signifying death: “Kaalamanan”. This literally means that one has merged with “Time” or “dissolved in time”. This is very much expressive of the scientific concept of time as held in the Indian tradition of Vaastu. “Time” signifies growth of the physical body and the end of that body. Time creates, sustains and erases life. This concept is not only applicable to objects in the universe, but also the universe itself. The universe itself is a product of time.

In India the Tala measure is most familiarly applied to the field of Music and Dance, but that same Tala system has been in force for centuries in the domain of sculpture, architecture and poetry. This Tala measure is also denoted by another term, rhythm, which is used in the fields of music and dance all over the world. This Tala rhythm is used in the design of residential buildings, temple structures and sculptural forms. In the past, it was also used in designing furniture, vehicles and household utensils.

The science behind these measurements has its origin in the vibration of the amorphous space filling in and surrounding the universe. The universe itself is a hypersensitive living organism.

The human body itself has undergone this rhythmic growth. The full-fledged human body consists of eight units of measure: 1.3.2.2. This corresponds to the length of the face – 1 talam, torso – 3 talams, thigh – 2 talams and lower leg – 2 talams.

Angula Samkhya Table

The units of Time and Space

Table of Space units:
8 Anus = 1 Car dust
8 Car dusts = 1 Immi
8 Immi = 1 Ellu(sesame seed)
8 Ellu = 1 Nel(Unhusked paddy grain)
8 Nel = 1 Angula(Finger measure)
6 Angulas = 1 Taalam
12 Angulas = 1 Vitasti
24 Angulas = 1 Hasta
8 Hastam = 1 Dandam
8 Dandam = 1 Rajju

Table of Time units:
8 Ganam = 1 Lavam
8 Lavam = 1 Kaashtam
8 Laashtam = 1 Nimisham
8 Nimisham = 1 Tudi
8 Tudi = 1 Kuru
2 Tudi = 1 Druham
2 Druham = 1 Laghu
2 Laghu = 1 Kuru
3 Laghu = 1 Puvadam
4 Laghu = 1 Kaaka Padam

Table of Vaastu Units
1 Angula 1-3/8 inches
24 Angulas = 1 Hasta 33 inches

From these tables we can see that the number “eight” is a very significant quality of universal measure. When “eight is taken as “Time” it is called rhythm and when it is taken as “Space”, it is also called rhythm. The former is rhythmic time and the latter is rhythmic space. These rhythms are derived from universal time and space and represent a universal order. These rhythms we call Taalam.

The architectural octave is the Vastu Purusha Mandala. The Manduka Vastu Purusha Mandala Has the layout of 8 x 8 = 64 units. This energy grid or luminous grid is the picture of the Ultimate – the unitary atom – going into a split or explosion for manifestation in the pattern of 8 x 8 units. This atom is the ultimate visual manifest form of Brahman. Brahmin is the ultimate rhythm. It is the rhythm of Brahmin that we pattern for the design of the building.
Lesson 9 – Spatial Measures

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The Archetypal

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Lately I have been a mentor to a friend to interpret her dreams, and have had much success in using the thought-process of Qabalism, or just simply an abstract (archetypal) thought process.

Tonight, I found myself reading the The Rosicrucian Cosmo-conception manuscript on mystic christian teachings that the Rosicrucians have pass down since the time of the Pharaohs of Ancient Egypt…

In the chapter called the Four Kingdoms I have found this chart:

I almost never ever remember my dreams and therefore according to this chart I have trance-like sleep which is a deeper connection to the abstract thought..
Basically in dream consciousness the thoughts in the trance-like sleep state manifest.

According to the chart our dense body/physical body is mineral and thus is crystallized, thus then hold the vital body (or ether material), the desire (our soul/spirit) body is our emotional body and then the rest is the mind/body/soul complex.

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Geometry = Memory Storage, Michael Leyton, Geometer, Physicist

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In my ‘quest’ for truth and enlightenment I discovered one of the world’s leading physicists’ website regarding free energy and suppressed information about things we didn’t think existed but did.

To Tom Bearden in this physical realm TIME is a fourth dimensional energy. It is the Z axis of space. It is the movement that governs the physical realm. In his work he says GEOMETRY is the basis of everything. ASYMMETRICAL and SYMMETRICAL geometry. Architecture + Art + Science coming together to explain this realm. How cool!

ISN’T GEOMETRY apart of design as well as Qabalah? How do we define Geometry?! Shape!
Letterform! Numbers! Design! Art!…

What does our reference site for qabalah say about Geometry?!

One morning I woke up and got an intuitive message saying that life is a mesh of light. Underlying the physical nature of everything, in the subatomic structures of everything, it is a mesh of light. Armature, if you will.

The atom symbol is so completely symmetrical and geometric in its construction, that everything as pertaining to 3D manipulation, has to include, and cannot appear as 3 dimensional, unless it portrays geometry and symmetry to function and have an effect. This is the Sacred Geometry, or Sexual Geometry, that holds the conjured up illusion in tact. Without this mathematical wizardry, nothing would appear as 3 dimensional. – illuminatiMatrix.blogspot.com

Tom Bearden,

In Leyton geometry, a broken symmetry at a given level does not lose the symmetry information, and it also generates a new symmetry at the next higher level. Hence it increases the overall symmetry. This is necessary, in order for a negative entropy process to exist and for it to absorb and coherently integrate disordered vacuum virtual energy into real, observable, ordered EM energy.
Leyton’s discovery of the resulting hierarchies of symmetry {10a} is thus another giant revolution ticking away in physics.

What have we posted about regarding asymmetry and symmetry (order and unordered?). HEY quasicrystals!

Quasicrystals are structural forms that are ordered but not periodic. They form patterns that fill all the space though they lack translational symmetry.

According to Leyton, The Fundamental Laws of Art = The Fundamental Laws of Memory Storage. According to this, Shape functions as memory storage.

We have seen that the laws produce process diagrams, which give the actions stored in an artwork. That is, the diagrams actually represent the stored memory. Thus, according to this theory, the process of creating the work is that of loading histories into the work, and the process of understand the work is the process of recovering those histories. All the rules of art come from the First and Second Fundamental Laws of memory Storage. These are formulated respectively as the Asymmetry Principle and the Symmetry Principle. That is, the Asymmetry Principle and the Symmetry Principle are , in fact, the fundamental laws of art. Let us now make sure we carefully understand this, as follow: The Asymmetry Principle states that any asymmetry in the present is assumed to have arisen from a past symmetry. And the Symmetry Principle states that any symmetry in the present is assumed to have always existed. Furthermore, to use these two laws, one goes through the simple three-part prcedure given in section 1.4, for recovering the past. One merely partitions the present into its asymmetries and its symmetries. Then one applies the Asymmetry Principle to the asymmetries; and one applies the Symmetry Principle to the Symmetries.

Oh the silliness of the 3rd dimension,

Angles Are Angels
Sacred Geometry of the Great Architect of the Universe.

It should be noted that the word English, literally means, Angel-man. The word ANGEL is, in turn, derived from the word ANGLE. This is an extremely strong point to realize, as the whole power of the hypnotic trance working through the illusory body of humanity is based on the sacred geometry and the angles, or angels used, to develop the religious and scientific 3 dimensional space we exist in. There is actually no such thing as a spirit entity or an angel. The spirits that do appear to people from time to time, are only illusions, even as we, the physical person, are simply illusions. These illusions are actually there in a fake 3D sense, but they’re not spirit entities, other than that they’re illusory THOUGHT PATTERNS creating an IMAGE. They’re just hypnotic based manipulations of light, luciferian thought forms. There are only subliminal hypnotic suggestions, combined with geometric based formulas, incantations, chants, hymns, meditations, etc. Through this exercise, what is conjured up, is the illusion of a spirit, or magic. This is the basis of kabbalism, the Tree of Life, or, in more clear terms, HYPNOTIC MIND CONTROL. – illuminatiMatrix.blogspot.com

Sacred Geometry = mesh of light or Armature.
Oh the silliness of my intuitive self.

Michael Leyton,

1. Shape is memory storage
2. Artworks are maximal memory stores
3. Shape is the process-history recovered from the present state.
4. Tension goes from the present state to the past state, i.e; corresponds to the recovery of process-history.

[…] EMOTIONAL EXPRESSION = MEMORY STORAGE

Sigh. Emotional expression = memory storage is what designers and artists have been saying for decades. Mathematicians and Physicists are just getting?!

Pfft.
EMOTIONAL EXPRESSION = MEMORY STORAGE ;

The emotional expression is given by the configuration of tension.

but tension is recovered process-history.

Therefore emotional expression is recovered process-history (i.e., memory storage).

Thus our rules for the recovery of process-history, i.e., memory storage, are the rules of emotional expression.

This allows us to systematically and completely map out the emotional expression in an artwork.

Differential Geometry -> Emotional Expression

Oh Hey, Great Architect of the Universe, you and your ordered physical realm;

One time I was in NYC with the Art Department we were at the Museum of Art and Design (or MAD) and found the book, 101 things I learned in Architecture School by Matthew Frederick.

According to the principles of architecture; informed simplicity, which is an enlightened view of reality,

It is founded upon an ability to discern or create clarifying patterns within complex mixtures. Pattern recognition is a crucial skill for an architect, who must create a highly ordered building [our physical realm] amid many competing and frequently nebulous design considerations.

Fits with the whole sacred geometry and the mathematical wizardry patterns..
Hmm this is,

an investigation that describes and demonstrates a novel technique for the visualization of magnetic fields.

Two ferrofluid Hele-Shaw cells have been constructed to facilitate the imaging of magnetic field lines.

We deduce that magnetically induced photonic band gap arrays similar to electrostatic liquid crystal operation are responsible for the photographed images and seek to mathematically prove the images are of exact dipole nature.

Hmm, magnetism and geometry. More experiments need to be done to see if we can reproduce sacred geometry in the hele-shaw cells. However the above image PROVES that MAGNETISM is LINEAR and that FORM (shape) follows FUNCTION.

If differential geometry -> Emotional Expresssion then what happens if Differential geometry is incorporated into Design and Manufacture?

I found this silly paper called,

Interrogation of differential geometry properties for Design and Manufacture

And this one called “Shape Interrogation for Computer Aided Design and Manufacturing“, by Nicholas M. Patrikalakis and Takashi Maekawa, Springer-Verlag, Berlin, Heidelberg, New York, 2002, ISBN 3-540-42454-7, 408 pages

Michael Leyton reference: The Structure of Paintings – Michael Leyton

Ancient Design, Art, Articles, Esoteric Design, Form, Light, P-Articles, Research

So-called Angelic Script – light is the inspiration for script fonts?

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There is an esoteric side to everything, no doubt. That is why I like this school of thought.

Some say script is just the effect of primitive writing. Calligraphy was just a primitive writing style and things developed after the printing press into the print penmanship we know of today.

But one must ask, what made us use flowing inky lines? What in our subconscious told us that flowing lines were easier than architectural letters?

Some say is has to do with the flow of energy and some say it is actually the manifestation of our thoughts (which is light with sound attached).

THE GRIDWORKERS #74 5th dimensional Arcturian lightships assisting in healing and activating the planetary grid system. Vanadinite.

THE SCIENCE OF MIRACLES #71 Original innocence shifts the body consciousness into experiencing more joy and reverence for all of creation; divine creativity. Rhodochrosite

DIE EGO, DIE #67 Aboriginal Dreamtime Accelerator This image organizes the true inner management principals of the mind while gently unraveling the ‘old’ Ego Structure. Your strategies will falter and fail as this accelerator brings all inner conflicts to a halt.

PERCEPTIONTATION #73 Aboriginal Dreamtime Accelerator Serendipitous reunion; a portal into an unexplored dimension now ready to be explored; eliminates prejudice of off-planet creational processes; Higher Self bridge for accessing information of & to the Self; assists one with objective witnessing & infinite perspective.

THE VRIL POWER #75 Activates all energy centers in the body; also called the Kundalini Energy, each individual’s personal power located at the base of the spine; liquid light acceleration fluid. Sugelite and Carnelian.

PILLARS OF HERCULES #5 Manifests divine intervention; calls forth the ‘Power of the Gods’; harmony and balance; strength and courage; support & empowerment.

THE TITAN #62 Seven ships united, bringing the program for rebalancing Earth; ancient shield of protection to impact the current morphogenetic field, allows transcendence of time and space for co-creation; redistributes commonalities throughout the grid.

ETERNAL LIGHT #35 Spark of creation; divine custodian; ignites a chain reaction of sustained light within the physical body; designed by the Progress Helpers and the Superangels.

The artist, Bryan Deflores says about his work:

The channeled art pieces/accelerators contained within these galleries are designed to trigger a dramatic reconfiguration of our consciousness; assisting us to return to our original blueprints of divine perfection and connection. Although many of these images are intense and highly complex, it is important to understand that their primary purpose is to connect you with the new thought fields currently merging with our planetary matrix. All image originals are drawn ‘by hand’ in a matter of minutes and are often created several at a time. To manifest these art pieces, I use Prismacolor pencils and/or gold and silver metallic markers on Canson drawing paper.

Depending on your view of channeling (I prefer the word ‘transmission’) these can have a very powerful effect spiritually but are also a good source of design inspiration.

Ancient Design, Art, Articles, Esoteric Design, P-Articles, Research

The Magical Designs of the Shipibo Indians of Peru

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Have you ever wondered what inspired the designs of the indigenous peoples?

There are instances when design inspiration comes from an other worldly experience.

He reports that Shipibo shamans believe that taking Ayahuasca permits the shaman’s soul to leave his body in the form of a bird which then can fly to a distant enemy at night. This bird then changes back into the shaman’s human form so he can destroy the sleeping enemy. Shipibo WomanUnder the influence of the Banisteriopsis drink mixture, the Shipibo Indians often report seeing giant anacondas, poisonous snakes, and jaguars. Less frequently, other animals are observed in their visions. In addition, Harner reports that often a shaman, taking the drink, believes he acquires giant snakes which are to be his special demons to be used in protecting himself against other shamans in supernatural battles. The Shipibo shamans, under the influence of the drug, believe they imprison other persons’ souls with supernatural boats whose demon crews are led by a yellow jaguar and a black puma.

The pineal gland is your third eye. It is usually illustrated in art as a pinecone. This eye is actually a small gland in the center of the brain, which we’re told is to help balance both the left and right brain when working properly.

This gland secretes a serotonin known as DMT or Dimethyltryptamine that is nicknamed to be the spirit molecule, because it’s the very tryptamine that helps us fall asleep. This gland is called an eye because it has a retina and is built like our exterior eyes. This eye opens when lights are off, or we close our eyes. In Matthew 4:16 “the people sitting in darkness saw a great Light; and to those sitting in the region and shadow of death, Light sprang up to them,” Isa. 9:1-2. This eye is home to visions, dreams, ideas and imaginations. There has been an interesting study of the brain chemistry of schizophrenics and creative people. The basis of the conclusion of this was the chemistry from the third eye. Schizophrenic behavior occurs when the third eye is awake when the person is awake.

By Howard G Charing,

The intricate Shipibo designs have their origin in the non-manifest and ineffable world in the spirit of the Rainforest and all who live there. The designs are a representation of the Cosmic Serpent, the Anaconda, the great Mother, creator of the universe called Ronin Kene. For the Shipibo the skin of Ronin Kene has a radiating, electrifying vibration of light, colour, sound, movement and is the embodiment of all possible patterns and designs past, present, and future. The designs that the Shipibo paint are channels or conduits for this multi-sensorial vibrational fusion of form, light and sound. Although in our cultural paradigm we perceive that the geometric patterns are bound within the border of the textile or ceramic vessel, to the Shipibo the patterns extend far beyond these borders and permeate the entire world.

One of the challenges for the Western mind is to acknowledge the relationship between the Shipibo designs and music. For the Shipibo can “listen” to a song or chant by looking at the designs, and inversely paint a pattern by listening to a song or music.

The Shipibo believe that our state of health (which includes physical and psychological) is dependent on the balanced union between mind, spirit and body. If an imbalance in this occurs such as through emotions of envy, hate, anger, this will generate a negative effect on the health of that person. The shaman will re-establish the balance by chanting the icaros, which are the geometric patterns of harmony made manifest in sound into the body of the person. The shaman in effect transforms the visual code into an acoustic code.

A key element in this magical dialogue with the energy which permeates creation and is embedded in the Shipibo designs is the work with ayahuasca by the Shipibo shamans or muraya. In the deep ayahuasca trance, the ayahuasca reveals to the shaman the luminous geometric patterns of energy. These filaments drift towards the mouth of the shaman where it metamorphoses into a chant or icaro. The icaro is a conduit for the patterns of creation which then permeate the body of the shaman’s patient bringing harmony in the form of the geometric patterns which re-balances the patient’s body. The vocal range of the Shipibo shaman’s when they chant the icaros is astonishing, they can range from the highest falsetto one moment to a sound which resembles a thumping pile driver, and then to a gentle soothing melodic lullaby. Speaking personally of my experience with this, is a feeling that every cell in my body is floating and embraced in a nurturing all-encompassing vibration, even the air around me is vibrating in acoustic resonance with the icaro of the maestro. The shaman knows when the healing is complete as the design is clearly distinct in the patient’s body. It make take a few sessions to complete this, and when completed the geometric healing designs are embedded in the patient’s body, this is called an Arkana. This internal patterning is deemed to be permanent and to protect a person’s spirit.
The smaller flowing patterns within the geometric forms are the radiating power of the Cosmic Serpent which turns this way and that, betwixt and between constantly creating the universe as it moves. The circles are often a direct representation of the Cosmic Anaconda, and within the circle itself is the central point of creation.

In the Western tradition, from the Pythagoreans, and Plato through the Renaissance music was used to heal the body and to elevate the soul. It was also believed that earthly music was no more than a faint echo of the universal ‘harmony of the spheres’. This view of the harmony of the universe was held both by artists and scientists until the mechanistic universe of Newton.

Joseph Campbell the foremost scholar of mythology suggests that there is a universe of harmonic vibrations which the human collective unconscious has always been in communion with. Our beings beat to the ancient rhythms of the cosmos. The traditional ways of the Shipibo and other indigenous peoples still reflect the primal rhythm, and their perception of the universal forces made physical is truly a communion with the infinite.