The phenomenon of unidentified flying objects (UFOs) has long captivated the human imagination, fueling debates, conspiracy theories, and countless investigations. While scientists and skeptics tend to search for natural explanations, some people have suggested a more otherworldly connection. In this blog post, we explore the intriguing and controversial idea that UFO lights could be the biblically accurate angels as described in the Bible.
The Biblical Angels
Angels play a significant role in the teachings of various religions, but in this post, we’ll focus on the biblical angels as described in the Christian tradition. In the Bible, angels are often depicted as heavenly messengers or divine beings who serve as intermediaries between God and humanity. These beings are described with dazzling radiance and light.
UFO Lights: Eerie Resemblance to Angelic Light
The connection between UFO lights and biblical angels arises from the perceived similarities in their descriptions. Consider the following points:
Glowing and Radiant: In the Bible, angels are often described as radiant beings, clothed in light. UFO sightings, particularly those involving unusual lights, often involve objects emitting bright, radiant glows. Witnesses commonly report seeing orbs of light or otherworldly beams shining from these objects.
Hovering and Descending: In many biblical accounts, angels are described as hovering above the earth or descending from the heavens. Some UFO sightings involve objects that seem to hover or descend slowly from the sky, much like the biblical angels.
Unearthly Speed and Maneuverability: Certain UFO sightings describe objects moving at speeds and making maneuvers that defy the laws of physics as we understand them. These extraordinary abilities are reminiscent of the miraculous actions attributed to angels in religious texts.
Non-human Features: Some witnesses of UFO encounters have reported seeing beings associated with these lights, and their descriptions occasionally echo traditional depictions of angels, with features such as luminous wings and ethereal, otherworldly appearances.
Possible Explanations
Before jumping to conclusions, it’s essential to consider alternative explanations for UFO sightings:
Natural Phenomena: UFO lights can often be attributed to natural phenomena such as weather balloons, meteors, atmospheric anomalies, or celestial bodies like stars and planets.
Man-made Technology: Many UFO sightings are linked to advanced military aircraft, drones, or experimental technology that the public may not be aware of.
Psychological Factors: Witness testimonies are sometimes influenced by psychological and perceptual biases, leading to misinterpretations of ordinary events.
Theological Perspectives
From a theological standpoint, the idea of UFO lights being biblically accurate angels is highly controversial. Traditional religious interpretations maintain that angels are divine beings created by God to serve specific roles, and they do not possess physical spacecraft or technology. However, some individuals within the UFO community have sought to reconcile these ideas by suggesting that angels could manifest using advanced technology beyond human comprehension.
Conclusion
The question of whether UFO lights are biblically accurate angels remains a fascinating but highly speculative topic. While there are perceived parallels between the two, definitive evidence remains elusive. It’s important to approach such claims with skepticism and open-minded inquiry, considering natural and scientific explanations before attributing supernatural or divine origins to unidentified flying objects. The convergence of science, religion, and the unknown will continue to spark curiosity and debate for years to come.
The tree of life symbol is prevalent in many cultures primarily the Celtics. Generally speaking, “The tree of life represents the afterlife, and connection between the earth and heaven. The bond and affection to trees is so deep that Celts believed the actual trees were their ancestors, gatekeepers to the Celtic Otherworld. As such, the tree of life in Celtic Culture is sacred.” However, reinterpreting this in the perspective of the Devas, the tree of life symbol could represent a portal, as it is representing a connection between two destinations, such as a doorway. In addition, there are similarities between the tree of life symbol and the magnetic field of the earth. Magnetic fields both follow the circular pattern that is shown in the symbol. With this in mind, my Magknotic project is born. Magknotic explores the connection between cultural knot work, and the strands of magnetic fields of objects. Other knot work in other cultures such as the ancient Chinese have similar connotations to this symbol.
Combining the textual interpretation of the symbol, a portal between two destinations and the reinterpretation – the strands of magnetic fields – we can see how the tree of life symbol reveals a bit more information about the importance of our time here on earth. To the Celtics, it seems that the physical earth is a doorway between the afterlife and heaven and another earth. That perhaps the earth we live on isn’t actually the real earth but rather the doorway, destination between the real earth and heaven, in this case the afterlife. Which reveals that we’re now living in the afterlife waiting to go to heaven. The ancient Dhara origin story could very likely be that original earth, and whatever has happened in the past propelled us to live in this afterlife awaiting entry to heaven.
This interpretation aligns with many of the religious texts and various evidences. As well as the various interpretations of death and what death means for each religion. A lot of the Christian mythology and symbolism point to entry into heaven during the book of revelations. A lot of Egyptian mythology points to a place called the watery underworld, which many have interpreted to mean a hell type of place. However, many of these ‘otherworld’ destinations are neutral in that they are neither good nor evil. In terms of a scientific explanation, what does then – magnetic fields – have to do with doorways and portals?
Between 2008-2012, scientists at NASA observed that there are ‘hidden portals‘ in the earth’s magnetic field that connects the earth to the sun. “We call them X-points or electron diffusion regions,” explains plasma physicist Jack Scudder of the University of Iowa. “They’re places where the magnetic field of Earth connects to the magnetic field of the Sun, creating an uninterrupted path leading from our own planet to the sun’s atmosphere 93 million miles away.” In Egyptian mythology, these earth-to-sun connections is represented by the Aton symbol, a disk with rays extending from it. The rays culminate in delicate hands that offer the “ankh” or key of life symbol. No other image was allowed in the temples. It reminded worshippers that the Essence of the Sun – the “heat” or the “heat and light” within the Disk – is not confined to the Disk itself, but is present and active, and life giving wherever the rays of the Sun reach. In the Hymn to Aton, Akhenaton wrote that these rays penetrate deep within the sea. To the Egyptians, it seems that the Essence of the Sun is fundamentally a ‘life force energy’ that penetrates all of life. If we substitute the Sun for the Son as the transmitter of this energy, we can imagine a vibration coming from our star and illuminating the consciousness of the disciples, energizing and empowering them. Christian prophecy says it will be poured out on all flesh in the Last Days (Acts 2:16-21).
Yggdrasil
Alchemical drawings of the tree of life are interesting and illuminating. It shows the earth as a disk with a dome over the surface of it. Below depict tree branches connecting to the earth disk. It also shows a doorway connected to a rainbow that arcs over to the earth disk. The whole illustration is reminiscent of a table shape, and also the doorway is reminiscent of those found in ancient Sumerian illustrations. It’s also interesting in the illustration that there seems to be a road type of element connected to the base of this table shape. The road element has visual movement that is reminiscent of magnetic fields warping around objects. Yggdrasill, is the tree that connects the nine worlds in Norse mythology. It is one example of the tree of life archetype found in many religions and cultures show a similar depiction. One may interpret the nine worlds as the nine planets. Below is an image of magnetic fields being visualized and captured in a ferrofluid cell. The magnetic lines in the image are eerily similar to the illustration above.
Alchemical drawings are illuminating because we are taught that they are mostly symbolic and metaphorical, but what if that interpretation is wrong? At some level, it may be accurate in terms of the structure of the earth. The symbols involved are representative of certain knowledge and spiritual power that was transmuted to the scribes by the Devas and it’s turned into these illustrations. How the Devas explained the earth’s mechanics and underworkings both on a physical and spiritual level. The tree of life symbol is a reductive symbol to represent the earth’s purpose in this reality. The illustration is the earth, and the tree of life symbol simply is a part of it.
Magnetic Fields in a ferrofluid cell
In the illustration above, we have a snake eating it’s tail, which is a reference to the Ouroboros symbol. In the Deva’s interpretation, this symbol represents the centrifugal force. This force is a part of every celestial body in the social system. The clouds around the dome and disk in the illustration above represents the physical atmosphere. Above the clouds show a hawk, which is significant in many cultures especially the native ones. A tall tree represents the earth’s core extending its roots to the very depths of the earth to the leaves reaching to the heavens. It’s also interesting to note that below the roots of the tree show a civilization or city of some sort. Despite the main civilization on the disk, there is another one, one more subtle and hidden below the earth’s surface.
Yggdrasil (Old Norse, Yggdrasill or Askr Yggdrasils) is the mighty tree whose trunk rises at the geographic center of the Norse spiritual cosmos. The rest of that cosmos, including the Nine Worlds, is arrayed around it and held together by its branches and roots, which connect the various parts of the cosmos to one another. Because of this, the well-being of the cosmos depends on the well-being of Yggdrasil. When the tree trembles, it signals the arrival of Ragnarok, the destruction of the universe. In many parts of the world, a half man-half horse in that being known as Orion, is recognized as the creator of the universe. It’s depicted in many early petroglyphs and other early writing methods. Odin was identified as Orion by his spear Gungnir.
It can be said that what the scientists at NASA observed the ‘hidden portals’ in the earth’s magnetic field that connects the earth to the sun is the visual manifestation of the tree of life as depicted in Norse mythology. While, this magnetic connection between the earth and the sun is only tangible it makes a strong case for what the Norse mythology was describing. Where this information came from remains a mystery, unless you take into account the Devas and them encrypting their knowledge of the universe into signs and symbols.
4 After these things I looked, and behold, an open door in heaven, and the former voice that I had heard like a trumpet speaking with me was saying, “Come up here and I will show you the things which must take place after these things.” 2 Immediately I was in the Spirit, and behold, a throne was set in heaven, and one was seated on the throne. 3 And the one seated was similar in appearance to jasper and carnelian stone, and a rainbow was around the throne similar in appearance to emerald. 4 And around the throne were twenty-four thrones, and seated on the thrones were twenty-four elders dressed in white clothing, and on their heads were gold crowns. 5 And from the throne came out lightnings and sounds and thunders, and seven torches of fire were burning before the throne, which are the seven spirits of God. 6 And before the throne was something like a sea of glass, like crystal, and in the midst of the throne and around the throne were four living creatures full of eyes in front and in back. 7 And the first living creature was similar to a lion, and the second living creature was similar to an ox, and the third living creature had a face like a man’s, and the fourth living creature was similar to an eagle flying. 8 And the four living creatures, each one[a] of them, had six wings apiece, full of eyes around and inside, and they do not have rest day and night, saying,
“Holy, holy, holy is the Lord God All-Powerful,[b] the one who was and the one who is and the one who is coming!”
9 And whenever the living creatures give glory and honor and thanks to the one who is seated on the throne, the one who lives forever and ever[c], 10 the twenty-four elders fall down before the one who is seated on the throne and worship the one who lives forever and ever[d], and put down their crowns before the throne, saying,
11 “You are worthy, our Lord and God, to receive glory and honor and power, because you have created all things, and because of your will they existed and were created.”
Aside from textual evidence of the Devas, there is potentially stronger evidence in some of the most popular renaissance paintings of the gods and goddesses. After all the word renaissance itself means ‘rebirth’. In the Devas origin story paper; Ouranos – From Creation to Creation, it’s mentioned that the renaissance paintings may -indeed- have actually happened, and not just a figment of the artists’ imagination. However, modern human comprehension has not witnessed a Deva in human form, or anything of religious origin in every day mundane life, therefore these paintings appear mythological, fantastical, imaginary and fantasy based.
One example is the Birth of Venus painting;
The Birth of Venus (Italian: Nascita di Venere[ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art). The painting is in the Uffizi Gallery in Florence, Italy.
In the centre the newly born goddess Venus stands nude in a giant scallop shell. The size of the shell is purely imaginary, and is also found in classical depictions of the subject.[3] At the left the wind god Zephyr blows at her, with the wind shown by lines radiating from his mouth. He is in the air, and carries a young female, who is also blowing, but less forcefully. Both have wings. Vasari was probably correct in identifying her as “Aura”, personification of a lighter breeze.[4] Their joint efforts are blowing Venus towards the shore, and blowing the hair and clothes of the other figures to the right.[5]
wikipedia
The Birth of Venus is depicting a mythological event that actually happened! The goddess of Venus appeared/materialized in human form for the first time (‘birth’) with the help of the water and air elements/gods and goddesses. The full name of Venus is, Venus Anadyomene[1] (from Greek, “Venus Rising From the Sea”), and coincides with other instances of fish and human combinations.
Our destination, says Revelation, is Sion, a mystical place that gave its name to Sion (or Zion), the sacred mountain of the Jews and to Jerusalem, although Mormons believe Sion is a place in America. Both traditions agree that only the “pure in heart” can enter and dwell in Sion.
The Book of Hebrews 12:22-23 says Sion is “the Holy City of the living god, the heavenly Jerusalem, and (arrival there marks) our acceptance into an innumerable company of angels and just humans made perfect”.
Just ‘upright’, ‘righteous’, ‘balanced’.
Humans ‘a member of the species homo sapien,’ ‘no animal, divine, or machine’.
Clearly, we are being told Sion is a Spiritual place beyond the physical realm. Also, Sion’s godly inhabitants are actually transformed or ascended humans, ‘just humans made perfect,’ who live in the company of angels in the heavenly city. The good people of Sion are (w)holy otherworldly beings.
Achievement of perfection or completion (full human potential), and purity (‘righteousness’), is the aim of many spiritual traditions. I will particularly view perfection through the Gnostic Christian and Tibetan tradition, where we find the Great Perfection or “Great Complete” teaching.
The achievement of Perfection is attained by raising or accelerating the vibration of the human body until it dissolves, leaving behind only hair, toe and fingernails, which have no nerves to be transmuted. It then morphs into a vortex of five-colored, rainbow light or what is called the Rainbow Body.
I believe this glowing body is the same as the Beaming Garment. This explains why, in Christian art, the resurrected or perfected Jesus is shown on or in a rainbow ring that forms his body and his throne.
The means to Perfect the Beaming Garment is the Secret of Secrets, and the Secret of Sion, for in order to enter Sion we must transform into perfect or light beings.
The aim of the Great Perfection is to awaken the individual to the primordial state of enlightenment, which is naturally found in all beings. The initiate’s goal is to integrate enlightenment into all his or her activities and to unite the physical body with the energy of Nature. The supreme realization of which lies in the manifestation of the “Rainbow Body” or body of light. Hence, those who have achieved the Great Perfection are depicted on or in a rainbow.
There is an exact parallel between the Tibetan depictions of the perfected ones and the Christian images of the resurrected Jesus. It is possible that Jesus learned the secrets of the Great Perfection while living in India and/or Tibet during His so-called ‘lost’ or ‘missing’ years between the ages of twelve and thirty.
The “rainbow Bridge” symbolizes the link between Heaven and Earth. It appears in many religions and mythologies, especially in the early goddess traditions. In some Tibetan tangkas (sit paintings that depict the life of the Buddha), the circular rainbow stands for the actual presence of the Buddha Samantabhadra, the All-good. In the Thai Buddhis mythology, the rainbow is a staircase linking the heavens through which a tribe of wise serpent beings called nagas travel. It is safe to say that when you see a rainbow in sacred art it is usually viewed as a link between heaven and earth. Hence, it symbolizes ascension, and also the Stargate.
