Meep so the notes below are from the above post which the author (raphael) thinks the same way I do…. anyway he has posted notes about my numerical birthdate (1/25)(or 1251) which I find very interesting.
More info to meditate on…the evolution of the KEY / fret / greek meander pattern….
Take a look at #6.
The numbers 2 5 are clearly visible…
But even better….we find Marko Rodin’s glorious 1251
or am I zeeing zings?
NOTE the numbers 1251 clearly as one of the WEAVES leading to the EVOLUTION of the KEY FRET pattern?
HOW does MARKO RODIN’s VBM, Vortex Based Mathematics and the YIN YANG concepts collide?
The design regime for the Vastu architect follows specific parameters:
1. Orientation and siting considerations
2. Building Layout with regard to a grid called “Vastu Purusha Mandala”
3. Dimensioning with regard to the client¹s birth time
4. Exterior door locations
5. Brahmastan
6. Room Placement
7. Height
While the ancient Vedic Vastu has to do with architecture and town planning, I’m positive that Graphic Design can be a two-dimensional mirror of architecture and that when one learns the principles of one design discipline they can apply it to other design disciplines.
They are [Vastu] but Shastras replete with technological material and measures, based on unique Science of Energy and Matter, Time and Space & Space and Spatial Form, so far not recorded in the history of the land of their origin.
There is a Tamil [language of Vastu] expression for signifying death: “Kaalamanan”. This literally means that one has merged with “Time” or “dissolved in time”. This is very much expressive of the scientific concept of time as held in the Indian tradition of Vaastu. “Time” signifies growth of the physical body and the end of that body. Time creates, sustains and erases life. This concept is not only applicable to objects in the universe, but also the universe itself. The universe itself is a product of time.
In India the Tala measure is most familiarly applied to the field of Music and Dance, but that same Tala system has been in force for centuries in the domain of sculpture, architecture and poetry. This Tala measure is also denoted by another term, rhythm, which is used in the fields of music and dance all over the world. This Tala rhythm is used in the design of residential buildings, temple structures and sculptural forms. In the past, it was also used in designing furniture, vehicles and household utensils.
The science behind these measurements has its origin in the vibration of the amorphous space filling in and surrounding the universe. The universe itself is a hypersensitive living organism.
The human body itself has undergone this rhythmic growth. The full-fledged human body consists of eight units of measure: 1.3.2.2. This corresponds to the length of the face – 1 talam, torso – 3 talams, thigh – 2 talams and lower leg – 2 talams.
Angula Samkhya Table
The units of Time and Space
Table of Space units:
8 Anus = 1 Car dust
8 Car dusts = 1 Immi
8 Immi = 1 Ellu(sesame seed)
8 Ellu = 1 Nel(Unhusked paddy grain)
8 Nel = 1 Angula(Finger measure)
6 Angulas = 1 Taalam
12 Angulas = 1 Vitasti
24 Angulas = 1 Hasta
8 Hastam = 1 Dandam
8 Dandam = 1 Rajju
Table of Time units:
8 Ganam = 1 Lavam
8 Lavam = 1 Kaashtam
8 Laashtam = 1 Nimisham
8 Nimisham = 1 Tudi
8 Tudi = 1 Kuru
2 Tudi = 1 Druham
2 Druham = 1 Laghu
2 Laghu = 1 Kuru
3 Laghu = 1 Puvadam
4 Laghu = 1 Kaaka Padam
Table of Vaastu Units
1 Angula 1-3/8 inches
24 Angulas = 1 Hasta 33 inches
From these tables we can see that the number “eight” is a very significant quality of universal measure. When “eight is taken as “Time” it is called rhythm and when it is taken as “Space”, it is also called rhythm. The former is rhythmic time and the latter is rhythmic space. These rhythms are derived from universal time and space and represent a universal order. These rhythms we call Taalam.
The architectural octave is the Vastu Purusha Mandala. The Manduka Vastu Purusha Mandala Has the layout of 8 x 8 = 64 units. This energy grid or luminous grid is the picture of the Ultimate – the unitary atom – going into a split or explosion for manifestation in the pattern of 8 x 8 units. This atom is the ultimate visual manifest form of Brahman. Brahmin is the ultimate rhythm. It is the rhythm of Brahmin that we pattern for the design of the building. Lesson 9 – Spatial Measures
There is an esoteric side to everything, no doubt. That is why I like this school of thought.
Some say script is just the effect of primitive writing. Calligraphy was just a primitive writing style and things developed after the printing press into the print penmanship we know of today.
But one must ask, what made us use flowing inky lines? What in our subconscious told us that flowing lines were easier than architectural letters?
Some say is has to do with the flow of energy and some say it is actually the manifestation of our thoughts (which is light with sound attached).
THE GRIDWORKERS #74 5th dimensional Arcturian lightships assisting in healing and activating the planetary grid system. Vanadinite.
THE SCIENCE OF MIRACLES #71 Original innocence shifts the body consciousness into experiencing more joy and reverence for all of creation; divine creativity. Rhodochrosite
DIE EGO, DIE #67 Aboriginal Dreamtime Accelerator This image organizes the true inner management principals of the mind while gently unraveling the ‘old’ Ego Structure. Your strategies will falter and fail as this accelerator brings all inner conflicts to a halt.
PERCEPTIONTATION #73 Aboriginal Dreamtime Accelerator Serendipitous reunion; a portal into an unexplored dimension now ready to be explored; eliminates prejudice of off-planet creational processes; Higher Self bridge for accessing information of & to the Self; assists one with objective witnessing & infinite perspective.
THE VRIL POWER #75 Activates all energy centers in the body; also called the Kundalini Energy, each individual’s personal power located at the base of the spine; liquid light acceleration fluid. Sugelite and Carnelian.
PILLARS OF HERCULES #5 Manifests divine intervention; calls forth the ‘Power of the Gods’; harmony and balance; strength and courage; support & empowerment.
THE TITAN #62 Seven ships united, bringing the program for rebalancing Earth; ancient shield of protection to impact the current morphogenetic field, allows transcendence of time and space for co-creation; redistributes commonalities throughout the grid.
ETERNAL LIGHT #35 Spark of creation; divine custodian; ignites a chain reaction of sustained light within the physical body; designed by the Progress Helpers and the Superangels.
The artist, Bryan Deflores says about his work:
The channeled art pieces/accelerators contained within these galleries are designed to trigger a dramatic reconfiguration of our consciousness; assisting us to return to our original blueprints of divine perfection and connection. Although many of these images are intense and highly complex, it is important to understand that their primary purpose is to connect you with the new thought fields currently merging with our planetary matrix. All image originals are drawn ‘by hand’ in a matter of minutes and are often created several at a time. To manifest these art pieces, I use Prismacolor pencils and/or gold and silver metallic markers on Canson drawing paper.
Depending on your view of channeling (I prefer the word ‘transmission’) these can have a very powerful effect spiritually but are also a good source of design inspiration.
Have you ever wondered what inspired the designs of the indigenous peoples?
There are instances when design inspiration comes from an other worldly experience.
He reports that Shipibo shamans believe that taking Ayahuasca permits the shaman’s soul to leave his body in the form of a bird which then can fly to a distant enemy at night. This bird then changes back into the shaman’s human form so he can destroy the sleeping enemy. Shipibo WomanUnder the influence of the Banisteriopsis drink mixture, the Shipibo Indians often report seeing giant anacondas, poisonous snakes, and jaguars. Less frequently, other animals are observed in their visions. In addition, Harner reports that often a shaman, taking the drink, believes he acquires giant snakes which are to be his special demons to be used in protecting himself against other shamans in supernatural battles. The Shipibo shamans, under the influence of the drug, believe they imprison other persons’ souls with supernatural boats whose demon crews are led by a yellow jaguar and a black puma.
The pineal gland is your third eye. It is usually illustrated in art as a pinecone. This eye is actually a small gland in the center of the brain, which we’re told is to help balance both the left and right brain when working properly.
This gland secretes a serotonin known as DMT or Dimethyltryptamine that is nicknamed to be the spirit molecule, because it’s the very tryptamine that helps us fall asleep. This gland is called an eye because it has a retina and is built like our exterior eyes. This eye opens when lights are off, or we close our eyes. In Matthew 4:16 “the people sitting in darkness saw a great Light; and to those sitting in the region and shadow of death, Light sprang up to them,” Isa. 9:1-2. This eye is home to visions, dreams, ideas and imaginations. There has been an interesting study of the brain chemistry of schizophrenics and creative people. The basis of the conclusion of this was the chemistry from the third eye. Schizophrenic behavior occurs when the third eye is awake when the person is awake.
By Howard G Charing,
The intricate Shipibo designs have their origin in the non-manifest and ineffable world in the spirit of the Rainforest and all who live there. The designs are a representation of the Cosmic Serpent, the Anaconda, the great Mother, creator of the universe called Ronin Kene. For the Shipibo the skin of Ronin Kene has a radiating, electrifying vibration of light, colour, sound, movement and is the embodiment of all possible patterns and designs past, present, and future. The designs that the Shipibo paint are channels or conduits for this multi-sensorial vibrational fusion of form, light and sound. Although in our cultural paradigm we perceive that the geometric patterns are bound within the border of the textile or ceramic vessel, to the Shipibo the patterns extend far beyond these borders and permeate the entire world.
One of the challenges for the Western mind is to acknowledge the relationship between the Shipibo designs and music. For the Shipibo can “listen” to a song or chant by looking at the designs, and inversely paint a pattern by listening to a song or music.
The Shipibo believe that our state of health (which includes physical and psychological) is dependent on the balanced union between mind, spirit and body. If an imbalance in this occurs such as through emotions of envy, hate, anger, this will generate a negative effect on the health of that person. The shaman will re-establish the balance by chanting the icaros, which are the geometric patterns of harmony made manifest in sound into the body of the person. The shaman in effect transforms the visual code into an acoustic code.
A key element in this magical dialogue with the energy which permeates creation and is embedded in the Shipibo designs is the work with ayahuasca by the Shipibo shamans or muraya. In the deep ayahuasca trance, the ayahuasca reveals to the shaman the luminous geometric patterns of energy. These filaments drift towards the mouth of the shaman where it metamorphoses into a chant or icaro. The icaro is a conduit for the patterns of creation which then permeate the body of the shaman’s patient bringing harmony in the form of the geometric patterns which re-balances the patient’s body. The vocal range of the Shipibo shaman’s when they chant the icaros is astonishing, they can range from the highest falsetto one moment to a sound which resembles a thumping pile driver, and then to a gentle soothing melodic lullaby. Speaking personally of my experience with this, is a feeling that every cell in my body is floating and embraced in a nurturing all-encompassing vibration, even the air around me is vibrating in acoustic resonance with the icaro of the maestro. The shaman knows when the healing is complete as the design is clearly distinct in the patient’s body. It make take a few sessions to complete this, and when completed the geometric healing designs are embedded in the patient’s body, this is called an Arkana. This internal patterning is deemed to be permanent and to protect a person’s spirit.
The smaller flowing patterns within the geometric forms are the radiating power of the Cosmic Serpent which turns this way and that, betwixt and between constantly creating the universe as it moves. The circles are often a direct representation of the Cosmic Anaconda, and within the circle itself is the central point of creation.
In the Western tradition, from the Pythagoreans, and Plato through the Renaissance music was used to heal the body and to elevate the soul. It was also believed that earthly music was no more than a faint echo of the universal ‘harmony of the spheres’. This view of the harmony of the universe was held both by artists and scientists until the mechanistic universe of Newton.
Joseph Campbell the foremost scholar of mythology suggests that there is a universe of harmonic vibrations which the human collective unconscious has always been in communion with. Our beings beat to the ancient rhythms of the cosmos. The traditional ways of the Shipibo and other indigenous peoples still reflect the primal rhythm, and their perception of the universal forces made physical is truly a communion with the infinite.
My astrologer friend Jen did a solar return review and said,”And your mind will as usual be focused on the 9th house things of philosophy/spirituality/learning/the mysteries/wisdom…” not too surprising since that is all I seem to be thinking about these days since the summer of 09…
I can’t believe its’ almost been two years of constant research on philosophy/spirituality/the mysteries/wisdom. I have learned so much. Sometimes I feel like Gandalf lol. The Hermit, yeah, that’d be me. But these discoveries are so exciting to me because they relate to my career, so amazingly so. It is quite amazing how much mysticism is in design as well as philosophy and spirituality… just need to look at it in the right light 😉
Like for example, I’ve always thought the old symbols were a language of sorts and always believed that the older the things are, the closer they are to the source and therefore have more truth. Part of the reason why I keep referring to Kabbalah, since Kabbalah seeks to define the nature of the universe and the human being, the nature and purpose of existence, and various other ontological questions. It is a set of esoteric teachings meant to explain the relationship between an eternal and mysterious Creator and the mortal and finite universe (His creation). It is a school of thought concerned with the mystical aspect of Rabbinic Judaism. It can be traced back to the Sumerians. In agreement with biblical history, Sumerian texts documented stories of extraterrestrials called ‘star gods’ who interbred with human women and took the eartly kings to the stars. According to the Sumerians, the ‘star gods’ were from Mars, the star system Pleiades and the star Sirius. The Sumerian texts also contain drawings of the solar system.
Yayayaya.
HIS-STORY is not all what it seems, yeah.
History given to us is so fake lolz
yaya and the Egyptians colonized Scotland…
The Egyptologist, Lorraine Evans, ‘Kingdom of the Ark’, suggests that the colonists were led by Princess Scotia, daughter of Akhenaten and half sister to Tutankhamen. Scotia’s descendents went on to become of the High kings of Ireland at TARA in County Meath and then continued on to Scotland which means ‘Land of Scotia’.
Yaya, I believe it. Did you know England is also a big hot spot for crop circle activity and UFO sightings? It all has to do with secret socities 😉
Ancient symbolism time….
SWASTIKA.
Okay, was not just a nazi thing.
The swastika (Sanskrit: स्वास्तिक) is an equilateral cross with its arms bent at right angles, in either right-facing (卐) form or its mirrored left-facing (卍) form. Earliest archaeological evidence of swastika-shaped ornaments dates back to the Indus Valley Civilization of Ancient India.
WHAT WHAT WHAT.
Swastika.
Ancient India. INdus… INca…
Swastika… what did it mean and how did the INDUS used it?!
According to the esoteric student run magazine, Knowledge of Reality, the Swastika was used to explain Atomic theory! AYE.
The ancients used myth, folklore and symbolism to explain complex math and science.
WHY?
Cause they recognized the artistic, visionary, archetypal, graphic MIND. WHOO.
It is then NO surprise that a Graphic Designer by the name of Bryan Kemila outlined the reality of the 3rd Dimension using Kabbalah, stating that ALL things, are symbolic and mean something subliminally and all relate through ‘hypnotic suggestion’ or subliminal suggestion… this is ALL subconscious work! If you can’t recognize the subconscious being a reality you are too entranced within this realm 😉 Lighten up, seriously 😛
Subliminals are constructed through such techniques as simple shapes, sounds and colours, and then more complex, multi-layered methods, such as reverse imagery, reverse symbolism, distorted symbolism, reverse speech patterns, neuro-linguistic (brain language) programming techniques, and the elaborate use of the language and number systems, among other devious modes of manipulation.
From Knowledge of Reality,
The sages that oversaw its development, through their mystic insight and deep meditation, discovered the ancient symbols of spirituality: Aumkara and Swastika. They also discovered many scientific principles that they applied to develop a highly advanced technology. They gave the atom its sanskrit name “Anu”.
Anu… now where have we seen that prefix before? Oh hai Sumerian texts!!!
In Sumerian mythology and later for Assyrians and Babylonians, Anu (also An; (from Sumerian *An = sky, heaven)) was a sky-god, the god of heaven, lord of constellations, king of gods, spirits and demons, and dwelt in the highest heavenly regions.
Anubis was associated with the mummification and protection of the dead for their journey into the afterlife.
So this all means that the ATOM (ADAM?!) or ANU has everything to do with afterlife, death and life.
The TRINITY OF RELIGION
The negative female energy is represented by the electrons.
These particles are the smallest of the atom just as the woman is generally physically smaller than the male.
This is the mother goddess of religion – (Semiramis/Isis/Mary etc.) Everything we see in the 3 dimensional space is an electron. In other words, everything visible is the female, or the woman, seducing and distracting all from reality. Again, this is not good or bad, its just the way it is.
The positive male energy is represented by the protons.
The protons are larger than the female electrons.
This is the father god. – (Cronus/Jehovah/El etc.)
The neutral energy is represented by the neutrons.
The neutrons are almost as large as the protons and represent the seed.
This is the son of god. Because of the neutrality of the neutrons, this is the prince of peace – the mediator – (Tammuz/Horus/Zeus/Jesus etc.)
The SEED is ONE with the FATHER.
This is the source of the Triune Godhead in religion. This is the worship of the woman. The Father and the Son are embedded within the nucleus. The woman is revolving around the nucleus. The father and the son (the protons and neutrons) are one in the nucleus. This is recorded in religious writings – The Father and the Son are One. However, this is the worship of the woman due to the fact the electrons are whirling around the protons and neutrons at incredible speed, completely blocking out the protons and neutrons from the naked eye. All we see in the 3D realm are electrons, the female portion of the triune god. This is why everything we see is so captivating, it is the beauty and seduction of the woman.
The manipulation of a light beam produces symbols, shapes, colours and sounds, through thoughts, and the accompanying doctrine (dogma and incantations), directly and deceitfully throws a veil over our ability to connect to wisdom. This occurs because we have been tricked to believe we are physically created and that life is breathed into us. In reality we have always been present, but through hypnotic suggestion, we believed our physical and mental being is reality. Life wasn’t breathed into us. Quite the opposite! A thick veil of deceit, illusion and death, has been cast over us, all in the name of the pretty rainbow of light we refer to as coming from god.
Hypnotic suggestion follows the same routine again and again. We grow up being seduced by, and responding to, the female form. When we reach puberty, we start having thoughts – sexual thoughts. This leads to the hypnotically suggested sex act, which leads to the hypnotically suggested pregnancy, which leads to the hypnotically suggested birth of a baby. All was conjured by one thought after another. Thoughts are lies, without fail. Sex thoughts, as lovely as they are, are lies. The end product of sex is the birth of yet another illusion.
This is not who and what we are! The 3 dimensional body is just the luciferian egregore group thought form, toying with our awareness, and disconnecting us from our original wisdom state.
This manipulation of light, or the male and female (positive and negative) has also produced the sex ritual/fertility symbol in use since ancient Babylon. The 6 pointed star symbolizes the sexual union of the man and the woman, once again forming the seductive hexagon of darkness in the centre. (A white hexagon formed in ADDITIVE COLOUR MIXING is just as symbolically seductive).
The WORD has SOUND which VIBRATES. This VIBRATION is ENERGY that GLOWS, and GLOWING is LIGHT. And LIGHT is EVERYTHING YOU SEE. Everything you SEE is LIGHT, and God is supposed to be the LIGHT of the WORLD. Jesus is supposed to be the LIGHT of the WORLD. Jesus is also, the WORD, we’re told. The LIGHT – WORD – EGO – THOUGHT – SOUND – VIBRATION – ENERGY – GLOWING – all this is god, and is the visible 3D experience.
^ The beginning of the end.
All the above is related to Informed Simplicity or the ability to assimilate information into a bigger picture…
101 things I learned in Architecture School by Matthew Frederick, according to the principles of architecture visual syntax can be described as informed simplicity, which is an enlightened view of reality,
It is founded upon an ability to discern or create clarifying patterns within complex mixtures. Pattern recognition is a crucial skill for an architect, who must create a highly ordered building [our physical realm] amid many competing and frequently nebulous design considerations.
So studying architecture is crucial to understanding this dimension? yes.
So graphic design is ultimately 2D architecture? Yes.
So is it not a coincidence that the freemasons call their God the “Great Architect of the Universe”? yes.
Yeah know how we designers like clean inky lines on the computer using vectors and illustrator?? Well you can make similar designs in real life with ferrofluid and sound. Cymatics is teh study of sound moving matter and can be a really interesting project to do. More experimentation should be done regarding Hebrew sounds, matter and sound. But here is some inky ferrofluid goodness:
The last one is fun, but it just shows that sound energy (or energy in general) is spiral in nature. Why do you think the spiral is the most common form in nature?!
Subatomic Spiral – Tracks of the reaction between subatomic particles observed in the cloud chamber. This is a device, containing a gas saturated with the vapor of a liquid, which allows us to photograph the trajectory of subatomic particles having an electric charge, or better the track of droplets produced by them when traveling through the vapor.
This photo makes enough evidence that energy travels in a spiral, which is seen through out all nature. We are made up of subatomic particles.
Another source of esoteric design inspiration I flock to occasionally is the ever mysterious crop circle phenomenon. After reading Susan Rennison’s scientific research paper titled, 2012 Whats’ Really Happening I was struck with the most profound realization, connection, epiphany, whatever you call it, that the crop circle makers are what the Military complex calls, “radar angels”. The observations between crop circle sightings and “radar angels” are so similar it is hard to defy such a connection. From the Crop Circle Answers website it states
Many people, including ourselves, have witnessed a type of ‘physical luminosity’,invariably reported as a luminous ‘UFO’, that looks like a diffusely edged ‘fire ball’. Often amber-orange in colour, and ranging in size from a few inches to over a hundred feet in diameter, they are sighted in many regions of the world, including where non-manmade Crop Circle formations have also been found to form. Called ‘Earth Lights’ by Earth Mysteries researchers (a term first coined by Paul Deveraux), and ‘Plasma Vortices’, or ‘Ball Plasma’, by Earth science researchers, like Dr Terrence Meaden, and Dr W.C. Levengood, and others, they have been observed before, during, and after non-manmade Crop Circle creation.
The main lesson in UFOlogy is that we may have very high expectations of what other lifeforms look like. Just because they glow, and appear round, and are unidentified does not mean that they are ALWAYS saucer craft with little green men in it. They may in fact be only plasma itself, the fourth state of matter.
From Rennison’s paper,
Sky Creatures: Living UFOs [1976] published by Simon & Schuster, which is an updated and revised version of the underground classic The Cosmic Pulse of Life. He had come to the conclusion that most UFOs were native to our environment, but it was NOT what most ufologists wanted to hear. Here is a quote from this book:
“These living creatures, these bioforms, were neither what we wanted or what we expected…. They were for us at that time a definite emotional letdown… In the intervening time, I have observed with interest and fascination the disquieting, disturbing effect [the photos] have on all persons whose approach to UFOs is mechanistic.
“My pictures show that these aerial faunas are like unicellular life forms. Normally hidden from us because they are in the infrared range of the electromagnetic spectrum, critters occasionally emerge into the visible portion of the spectrum, pulsating with a reddish to orange glow, sometimes with blinding intensity. At such times they are invariably identified as UFOs — which they are, of course, although they are not constructed craft. They are living creatures. Failure to recognize this, and to distinguish creature from craft… has deeply confused UFO research.
“As living organisms, critters appear to be an elemental branch of evolution probably older than most life on earth, dating from the time when the planet was more gaseous and plasmatic than solid. They are part of what occultists term “elementals.” They live invisibly like fish in the ocean of atmosphere. Like fish, I estimate them to be of low intelligence. They will probably one day be better classified as belonging to the general field of macrobiology or even macrobacteria inhabiting the aerial ocean we call the sky.
“Critters are normally beyond the range of human vision for three reasons. First, as mentioned, their native habitat is the infrared. Second, their native state of existence is in the stratosphere and beyond at distances greater than unaided sight can see. Last, they propel themselves bioenergetically at extremely fast speeds, often disappearing like meteors before disappearing from view.”
[…]
Russian scientists, who felt duty bound to share the news of this incredible historical event, revealed what was taking place as, “a general reorganization of the electro-magnetosphere (the electromagnetic skeleton) of our planet”.
This is not all. They also stated that they had noted an “exodus” of these light beings and detailed of an incident now known as the “Belokurikha flame”. The documentation included a photograph taken in south eastern part of the Belokurikha massif, Russia and we are told, “The flame grew up from the Earth, then rolled itself into a bright ball, rapidly flew up and disappeared in the sky”. This is some serious confirmation of channelled sources who informed the metaphysical community that “placeholder entities” were living en masse and that there was “a changing of the guard”. Please note, there is now some serious two-way traffic taking place and this is now reflected in thousands of reports of lights in the skies.
“Witness Statement: Standing with my dog outside my house . There was low cloud and all of a sudden a bright light came down I thought it was a meteorite but it stopped all of a sudden and flew faster than anything I have ever known to the south. I have been a pilot for 33 years and this happened within the Gatwick Zone. I telephoned Gatwick Air Traffic Control for confirmation and they had seen it and called it “Little Angel” I was very frightened as there seemed to be no explanation as to what could travel so fast. This was confirmed by a resident in Horley in the local paper. Very frightening experience especially as I was and still am a pilot so I know what to expect in the air.”
In Medieval times ball plasmas were called cloud ships because they moved like a cloud. If we go back even further to Biblical times, the same type of language can be found in the bible in the book of Exodus.
Exodus 24:16 and the glory of the LORD settled on Mount Sinai. For six days the cloud covered the mountain, and on the seventh day the LORD called to Moses from within the cloud.
This is not all, even more research reveals that in Mesoamerica there is a lost pre-columbian civilization of Peru which talks about the Cloud People, Chachapoyas.
The Chronicler Pedro Cieza de León wrote of the Chachapoyas.
“They are the whitest and most handsome of all the people that I have seen in Indies, and their wives were so beautiful that because of their gentleness, many of them deserved to be the Incas’ wives and to also be taken to the Sun Temple.”
From Rennison’s paper we have,
In the book, The Keepers of Ancient Knowledge: The Mystical World of the Q’ero Indians of Peru [2002] by Joan Parisi Wilcox, details a comprehensive overview of peruvian mysticism, prophecies and interviews with the Q’ero, who are believed to be Inka descendents and are highly respected for retaining the Andean mystical-shamanic tradition, hence the reputation as “keepers of the ancient knowledge”. The prophecies outlined correspond with those of the Maya and Hopi that focus around the famous 2012 date, but their unique perspective, emphasises our participation in the conscious evolution of humankind. Thus we find:
“From approximately August 1, 1990, to August 1, 1993, according to Andean prophecy, the world experienced a pachakuti, an “overturning of space-time”. […] Within the prophectic tradition, the term pachakuti is applied to any cosmic transformation. Such a movement of energy, of consciousness, ripples through space-time, affecting every aspect of our sense of selfhood in time and space and of our sense of interconnectedness with the Great Web of Being. A pachakuti signals a dynamic point of intersection in space-time between human consciousness and kawsay, the multi-dimensional creative principle and the animating energy of the cosmos, an intersection from which the arrow of time for each possible future is nudged in one direction or the other.” pg 55
“According to Andean prophecy, such a cosmic reordering took place in the early 1990s, ushering in the formative years of the fabled Taripay Pacha, the Age of Meeting Ourselves Again.” pg 56
“During the Taripay Pacha, an intricate web of interaction will be rewoven between the human and non-human, the physical and metaphysical, and the natural and supernatural, an interaction that was once the ordinary state of being in the dim recesses of history. Thus Taripay Pacha is not so much the creation of a new form as the remembering of an ancient form, when we lived in sync with the pulse of the cosmos instead of, as we do now, with artificial rhythms of manmade time.” pg 61
“We are living in the time of the prophecy of the Taripay Pacha— the Age of Meeting Ourselves Again. This is the time during which we can transform our relationship to the kawsay pacha, evolving, stepping more fully into our energy bodies and generating heightened modes of awareness.” pg 49
These life forms and UFOs are all around us, invisible to our perception, and rarely detectable by our scientific detectors.
The bio-plasma bodies are composed of complex plasma of non-standard particles. Non-standard particles are particles that are outside the physicists” Standard Model and which are included in dark matter – matter that is ten times more prevalent in the known universe than ordinary matter.
These thermochromic aliens and their UFOs change colors at different temperatures in the visible and invisible spectrum. They can become transparent or translucent. Hence, they can apparently materialize and dematerialize.
They are able to pass through each other in the same way that objects composed of collisionless plasma or dark matter do. They achieve active transport is by sucking in energy particles in the direction of the motion. The suction generates a drift.
Intelligent bio-plasma aliens and their UFOs work on the same principles fast-moving plasma life forms will generate only weak sonic booms. This is because they are composed of collisionless plasma and have a very low rest mass. Ultra-sensitive instruments in close proximity to the entity should be able to pick up the weak sonic boom.
The information regarding who our crop circle makers are, is profound and makes mysterious events even more clear. These bio-plasma entities not only are intelligent in which they communicate through the crop circle designs, which are sacred geometry, but they also seem to communicate through Hebrew, or Hiburu as Enoch speaks of. As in the last post, Hiburu or Hebrew is the Language of Light. The Hebrews held their alphabet [which they call the autiot, or “signs”] in especial reverence. They have alluded to it as the Heavenly Alphabet, the Celestial Writing, the Writing of the Angels, the Bridge Twixt Heaven and Earth, the Passing of the River and Over the Waters (or space), just to name a few. Letters of the Hebrew alphabet formerly named all constellations in the Zodiacal Path and the seven planets.
Returning to the Andean prophecy,
“We are living in the time of the prophecy of the Taripay Pacha— the Age of Meeting Ourselves Again. This is the time during which we can transform our relationship to the kawsay pacha, evolving, stepping more fully into our energy bodies and generating heightened modes of awareness.” pg 49
Modern science teaches us that our double helix DNA is one wave of magnetism and one wave of electromagnetism it also rolls up into a dodecahedron ball, which expresses similar characteristics to the “Belokurikha flame”. It could very well be that our DNA is plasma material from these infrared entities who act as a direct connection to the Creative Flux or Source in which we call ‘God’. They also match the archetypal image of an angel; a being with flight, cloaked in white (light) and is intelligent as a human (the image of a human).
Genesis 1: 26 Then God said, “Let us make mankind in our image [reflection], in our likeness, so that they may rule over the fish in the sea and the birds in the sky, over the livestock and all the wild animals,[a] and over all the creatures that move along the ground.”
The next question to the Crop Circle Phenomenon is how are these made? I don’t know about you but these look at a lot like Hypotrochoids. Say what? What are Hyptrochoids? They are basically your elementary Spirograph.
Wikipedia defines them as,
A hypotrochoid is a roulette traced by a point attached to a circle of radius r rolling around the inside of a fixed circle of radius R, where the point is a distance d from the center of the interior circle.
This investigation describes and demonstrates a novel technique for the visualization of magnetic fields.
Two ferrofluid Hele-Shaw cells have been constructed to facilitate the imaging of magnetic field lines.
We deduce that magnetically induced photonic band gap arrays similar to electrostatic liquid crystal operation are responsible for the photographed images and seek to mathematically prove the images are of exact dipole nature.
The magnetically induced photonic band gap arrays similar to electrostatic liquid crystal allows the magnetism to become visible and one can see that is very similar to the ancient sacred geometric shape, “Seed of Life”.
The general consensus regarding the creation of crop circles is that it is light with sound attached to it. We know that according to Kabbalah,
…the Universe was created by the gods of Israel and it was created from nothing [or a dark room]. This is known as “Something from Nothing” (Yesh M’Ayin). This is the egregore thought form that forms the hypnosis trance state that makes everything appear in 3 dimensions. This is light energy with sound attached to it. Keep in mind that sound is a thought. Not only is sound a thought, but sounds are vibrations of energy, and energy is just light. There’s nothing there! Sounds are a deception and an illusion! In other words, sounds are lies. Therefore, all thoughts are lies.
The Study of how sound moves matter is called Cymatics the term coined by a fellow named Dr. Hans Jenny. However considering this is a carbon Universe one must consider the sound effects as it passes through a prism. In this 3 Dimensional realm is actually a prism that refracts the light to produce the image that we see and our consciousness detects as real objects. Since our physical world is created by a prism we could look at the effects of electromagnetism passing through a prism, or a crystal, or a diamond which is the evolved form of carbon. Harry Oldfield is a scientist and inventor who invented in the are of visual presentation of energy fields with computers, through to the image enhancement of microscopes and instruments utilising the special properties of crystals. In his portfolio he has, Crystal Sound, which is a system by which sound is generated from crystals. This process uses highly tuned electromagnetic waves to excite individual crystals so that they emit audible sound waves; each crystal has an individual note at which it resonates, that is vibrates and gives off sound energy.
In conclusion the creation of crop circles is only the 2 dimensional version of the 3rd dimensional realm. The bio-plasma ‘aliens’ are the creators that which we are apart of,
We are part of a very advanced Type IV extraterrestrial civilization. They created the universe and the breeding grounds for recycling life like earth all over the Hyperspace to become part of the immortal civilization in the chilled universe. Life forms in the physical 3D universe are the material manifestation of the modularized energy levels seeking higher levels. The integrated consciousnesses that form the basis of the chilled universe singularities and connect us all.
Crop circles may very well be consciousness communicating to us in the most primitive form.
Sumerian Cuneiform for An
