Category Archives: Esoteric Design

Esoteric Design, Research

The Quarantine and Military Logos

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Article by David Wilcock:

“THE RULES”

As you may already know, I have been fortunate enough to interact with multiple witnesses who have worked in various levels of the UFO cover-up — some at levels significantly above the need-to-know basis of the President of the United States.

When you speak with the top-level insiders in the black-ops community, you often hear them mention THE RULES.

These projects are so compartmentalized that only the high-level people are even aware that THE RULES exist — or of how far-reaching they are.
It has taken me years of interviews to explore and unravel this strange subject — particularly because of the potential for confusion.
Sometimes, when insiders talk about THE RULES, they are talking about guidelines their own group insists they follow — such as secrets they must keep, disinformation they are expected to pass along, who gets to know how much, what mistakes are bad enough to get you killed, et cetera.
However, over the course of many conversations, I increasingly realized there was another level of THE RULES — a level they have absolutely no control over. 

WHAT ARE “THE RULES”?

In this greater cosmic sense, THE RULES are a set of principles that the insider black-ops community has felt, for at least the past century, were as fixed and unchangeable as the Universe itself.
They also believed THE RULES would continue, unaltered, for millions of years. Apparently they have time-viewing technology that led them to believe this was the case.

The idea that this was a manipulated timeline, and not necessarily the real future, was far too mind-blowing for them to ever consider — particularly since you have people living within these timelines, and you can go and visit them and live there yourself.
Nonetheless, all ETs visiting the Earth must operate within THE RULES. It is impossible for them not to.

WHO MAKES “THE RULES?”

One day, only a few weeks ago, I finally got smart enough to bluntly ask one of my main contacts, “Who makes THE RULES?”

The reply was: “Who makes gravity? Who makes the sun rise and set? Who makes the Galaxy spin?

“We don’t know who makes THE RULES, David, but we have no choice but to follow them. There is no workaround. There is no other way. That’s why they’re THE RULES.”

This is a strange subject, and will undoubtedly lead to some folks laughing and thinking I’m crazy… but this is what you hear about when you talk to these insiders yourself.

At the highest levels of the UFO cover-up, it is well-understood that events on Earth, and indeed throughout the inhabited galaxy, are being managed and controlled — by unseen forces.

Some things are allowed to happen… and others are not.

THE ‘QUARANTINE’

As one key example of THE RULES, our Earth is under a ‘Quarantine’ that prevents most ETs from being able to enter our airspace in a way that would be visible to the naked eye — except in rare, unpredictable and brief bursts of time.

This is the main reason why we don’t see more visible UFOs — particularly in the case of negatively-oriented ETs. In fact, without this Quarantine, negative ETs would have invaded and taken over this planet eons ago.

This Quarantine also appears to allow those planetary controllers here on Earth to do whatever they want. Or so they thought.

The Quarantine is maintained by a vast network of super-advanced, indestructible satellites surrounding the Earth — built by very high-level ETs. These satellites keep humanity locked in — and everyone else locked out.

The insiders do not know who built these satellites, nor precisely why they are there. It’s simply another part of THE RULES.

When you view the patches of US Space Command or Navy Space Command, they picture the Earth surrounded by two circles, similar to the typical depiction of electron orbitals around an atom.

This symbolizes the Quarantine — which protects us from the bad guys.

LET’S SEE SOME PATCHES

On this official military website, you can find a patch commemorating the 25th anniversary of Air Force Space Command — from 1982 to 2007. You can see the two rings around the Earth clearly depicted, as well as a stylized image of a back-engineered ET spacecraft in flight:

From what I’ve heard, these triangular craft are enormous in size — taking quite some time to walk from one end to the other — and are already in operation throughout the galaxy. The shape you see in these emblems is almost exactly what they look like.

UNITED STATES SPACE COMMAND

If you read this US Space Command page, you will find very specific information about who was in charge, when they were in charge, and what they allegedly were up to… and it includes the following emblem, featuring the rings I’m talking about:

Notice the crosses on each of the rings. We’ll get back to that in a minute.

You can also read about US Space Command in this article on Space.com — in an interview with Gene McCall, chief scientist for the Air Force Space Command. Naturally, the article attempts to put a mundane spin on the story and does not include any real ‘juice’ of Disclosure.

AIR FORCE SPACE COMMAND

You again see the rings around the Earth in the Air Force Space Command patch. This was originally featured on the official Air Force Space Command website, which has since been taken down.

However, at this website, there is a comprehensive series of mirrored links to what was originally on these official websites — along with the now-defunct links. I suggest saving your own copy in case it gets taken down.

When you go to this mirror site and sort through the images and text, this triangular metallic flying machine image appears over and over again on various badges and emblems — along with the two “quarantine rings”:

Also, again notice the two crosses on either side of the delta-shaped spacecraft — crosses that directly contact the rings.

These, I believe, are meant to be Knights Templar crosses.

THE “KNIGHTS TEMPORAL”

In a Project Camelot interview, Gordon Novel revealed that these insiders like to refer to themselves as the Knights Temporal:

http://www.projectcamelot.org/lang/en/gordon_novel_interview_transcript_en.html

K: When you say “we,” who’s we?

The Knights Temporal

G: Well, I have a group of folks that I call the Knights Temporal.

The most prominent aerospace engineers and physicists in the world today are all part of a team we call the RAM group. We call ourselves the Knights Temporal.

We took a page out of the idea of the Templars, who basically blackmailed the Pope to give them the fiefdoms over Europe. They created the banking orders we have today.

Since we believe the technology is rooted in time, we call ourselves the Knights Temporal. The alien technology, the UFO, is basically a flying time machine. That’s what we believe, and it’s all we know about it.

What Novel does not say here is that these international bankers did not merely “take a page out of the idea of the Templars.” These groups are the direct descendants of the Knight Templars — and have still kept all their secrets.

NAVAL SPACE COMMAND

The same two “quarantine rings” appear in the emblem for the Naval Space Command, also mirrored at the above site:

“TOP HAND” AT VANDENBURG AFB

This next patch can be found on the official Vandenburg Air Force Base website on Strategic Air Command.com.

Again we see a cross on one of the Earth’s protective rings. The sword, as we shall see, appears to be a Knight Templar blade.

With the line “Strengthen the Shield,” there is a clear implication here that the two rings around the Earth could be some sort of ‘shield’ that we want to make sure stays strong.

Further, there is the suggestion that this shield may be at least partially enforced by that same weird delta-shaped craft:

AFSST 76TH SPACE OPS

Also check out this “AFSST 76th Space Ops” patch from the same site — the official Vandenburg Air Force Base website on Strategic Air Command.com.

Again we see one of the “quarantine rings” as well as the same flying metallic triangle — this time with wings around it just in case you didn’t get the point that it flies.

Two smaller delta-shaped craft also flank the AFSST acronym at the bottom:

JOINT FUNCTIONAL COMPONENT COMMAND FOR SPACE

The “quarantine rings” and flying metallic triangles show up again in the emblem for the Joint Functional Component Command for Space, which has its own official Wikipedia page here:

As it says on the Wikipedia page, according to Lieutenant General William L. Shelton, “Our prime mission directive in JFCC SPACE is to ensure our freedom of action in space, while preventing adversary use of space against us.”

SCHRIEVER AIR FORCE BASE

These badges from Schriever Air Force Base follow the same theme — quarantine rings and peculiar aircraft operating far outside the Earth’s atmosphere — including an orange object that could be a comet, but could also be a saucer-shaped craft.

Notice the difference in size between the small black delta-shaped craft and the larger metallic delta-shaped craft in the first badge below.

That size difference may not be an indication that one is closer than the other — it may acutally be a direct indication of how huge the larger craft is in comparison to the black one:

More Here

Esoteric Design, Research

And into the Void came a Thought… reflections

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So I have been meaning to reflect on the following quote:

“Know ye, O Thoth, in the beginning there was a VOID and nothingness, a timeless, spaceless, nothingness. And into the nothingness came a thought, purposeful, all-prevading, and it filled the VOID… In the beginning, there was eternal thought, and for thought to be eternal, time must exist. So into the all-prevading thought grew the Law of Time… Time changes not, but all things change in time. For time is the force that holds events separate, each in its own proper place. Time is not in motion, but ye move through time as your consciousness moves from one event to another. Aye, by time yet exist, all in all an eternal one existence. Know ye that even though in the time ye are separate, yet still are ONE, in all times existent… within thee is all time and space.” – The Emerald Tablet

The Emerald Tablet, also known as Smaragdine Table, Tabula Smaragdina, or The Secret of Hermes, is a text purporting to reveal the secret of the primordial substance and its transmutations. It is one of many of the different mystical texts that supposedly contains the Ultimate Truth. Thoth is the Egyptian God, THOUGHT who was known in many traditions as Hermes, Merlin and Enoch. The Hebrew Bible, is said to be based off of jewish mysticism. But a very shortened version of the texts… the compact and cryptic text was highly regarded by European alchemists as the foundation of their art, in particular of its Hermetic tradition.

Genesis 1:3 And God said, “Let there be light,” and there was light. 4 God saw that the light was good, and he separated the light from the darkness. 5 God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day.

Its interesting that the writer of the Emerald Tablets, states that we all perceive time and space within ourselves. So this means that time and space outside our body does not exist.

Its also interesting to note that many of these ancient tablets were written in stone, the fabled, Ten Commandments, the Emerald Tablet, etc. According to Light Stream Technologies,

Stones have a great hidden purpose in nature. They possess a great untapped power. They have memory! Stones hold vibrations and they can transmit vibrations!

The mystery is the greatest unknown secret of the Stone Masons of the highest 33rd degree. Stone has electrical capacitance, and where there is electrical capacity, memory and vibration can be stored. God placed a secret vibration in the stone to allow humans to contact the Divine.

Even though there is aesthetic beauty in stone masonry, architecture and design of the spiritual temples of all religions, we strayed away from God’s purpose in placing spiritual vibration in stone by instead placing symbols, letters, design and numbers in stone, giving these symbols more importance than spiritual vibration.

One translation, by Isaac Newton, found among his alchemical papers as reported by B. J. Dobbs in modern spelling:

1. Tis true without lying, certain most true.
2. That which is below is like that which is above that which is above is like that which is below to do the miracles of one only thing.
3. And as all things have been arose from one by the mediation of one: so all things have their birth from this one thing by adaptation.
4. The Sun is its father, the moon its mother,
the wind hath carried it in its belly, the earth its nurse.
5. The father of all perfection in the whole world is here.
6. Its force or power is entire if it be converted into earth.
7. Separate thou the earth from the fire, the subtle from the gross sweetly with great industry.
8. It ascends from the earth to the heaven again it descends to the earth and receives the force of things superior and inferior.
9. By this means ye shall have the glory of the whole world thereby all obscurity shall fly from you.
10. Its force is above all force. for it vanquishes every subtle thing and penetrates every solid thing.
So was the world created.
11. From this are and do come admirable adaptations whereof the means (Or process) is here in this.
12. Hence I am called Hermes Trismegist, having the three parts of the philosophy of the whole world.
13. That which I have said of the operation of the Sun is accomplished and ended.

Source: http://www.lightstreamtechnologies.com/light.pdf

Esoteric Design

Luxatone: the Color Organ, turning sound in color

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Source: http://www.rosicrucians.org/salon/inventions/inventions.html
H Spencer Lewis

     Among H Spencer Lewis’ many talents
was that of designer and builder of unusual electrical inventions and prototypes
for the purpose of demonstrating the mystical principles and natural
law found in the teachings. If he were alive today he would probably
be called a hardware hacker in the best sense of the term.
     When the first AMORC Rosicrucian Temple 
was opened in 1915 in New York City it had a ‘wireless’ radio with HSL
often putting on headphones and scanning the airwaves to hear what was
out there.
    Indeed, part of the description of a Rosicrucian
throughout the ages is a mystic who can embrace new technologies to
help spread the Light.    Modern Rosicrucians have adapted
the new Internet technology in much the same way to stay in touch, participate
in forums, distribute materials, get research help, learn about local
activities and visit web sites like this one.
     So, with the goal of inspiring others
to find new ways to use new technologies to spread the Light I offer
for your entertainment this collection of strange devices from the night
gallery of the occult.
organ
   The Color Organ was a device that converted
portions of the audio spectrum into portions of the color light spectrum.    
The microphone was used to input speech or music and the display screen
would display the colors and their intensity in sync.   The
man on the left is Ralph M. Lewis before he became the 2nd Imperator
of AMORC.
     It’s primary use was to demonstrate
the Cosmic Keyboard as taught by AMORC that there are octaves of manifestation
and that each musical note has a harmonic correspondence to a specific
color in a higher octave.
     The design principle was fairly simple
though innovative for it’s time.   The screen was a triangular
box with a translucent piece of glass on the front.  Within the
box in each corner was a red, blue or green colored light bulb whose light
would glow and be visible through the glass viewing screen. 
Organ

     Within the console itself was a complex
circuit built from vacuum tubes and radio components.  There was
one primary detection channel or circuit.   When a sound frequency
was detected via the microphone the circuit would measure the frequency
and power the colored light bulbs in combination to mix the desired color.  
The three light bulbs represented the three primary colors from which
all other colors could be mixed by lighting the bulbs in varying intensity
with the blended color appearing in the center of the triangular display.
organ

The guts of the Luxatone
with vacuum tubes and a hefty power transformer.

cover
     After the Luxatone was demonstrated
with success this booklet was published and sent out to members of the Order
and the newspapers.  Here’s scans
of the complete booklet.

     If you were in college in the 1960’s
or 70’s you may have owned a modern version of the Luxatone sold by
Radio Shack that connected to the speaker terminals of your stereo and
blinked colored lights in rhythm with the music.  Far out, man! 
And a very entertaining scientific demonstration of the Cosmic Keyboard
principles.
    One other thing….. the Luxatone built
by H Spencer Lewis bears a surprising resemblance to the ‘Interoscitor’,
a communications device built by space aliens in the 1950’s sci-fi classic
movie This Island Earth.  Take a look and see what you
think!  🙂
alien

The Cosmic Ray Coincidence Counter

CRCC

    The Cosmic Ray Coincidence Counter appears
to have been a very early prototype of a Geiger counter to detect and
register ambient levels of radioactivity which at that time in the 1930’s
was still an largely unknown frequency spectrum and scientific mystery. 
     Just as radio had years earlier proven
that speech and music could be transmitted via an unseen and wireless
‘ether’ it could now use that same radio technology to contact and demonstrate
the existence of an even high rate of vibration that was closer still
to the divine vibration of creation.
CRCC

     The two long tubes on the front were
used as transducers to detect the Cosmic Ray particles just like a radio
antenna or sensor probe of a giggler counter.  These were rotated
and adjusted along with the dials to set the frequency range and detection
sensitivity. 
     Now if you  look carefully at the
photos showing the rear of the unit you’ll see a  vacuum tube driven
radio receiver and audio amplifier connected to a round speaker from
which the audience could actually hear the Cosmic Ray particles.   
The metal box on the bottom shelf was the AC power supply.
     This device was used for demonstration
purpose at conventions and RCU during the late 1930’s to early 1940’s
to demonstrate the existence of higher frequency manifestations and the
ability to contact these forces through the use of the principles of attunement.

Sympathetic Vibration Harp

Harp
   One of the keystone teachings
of AMORC was the principle of resonance or sympathetic vibration which simply
states that one object vibrating at a particular frequency with resonate
with another object that is also tuned to the same frequency.

     H. Spencer Lewis built a simple harp from wood with
12 strings tuned to the 12 musical notes of the scale. You would then strike
one of the tuning forks and hold it close to the strings so the one string
tuned to that note would sound.  Pitch pipes were also used as were violin
bows stroked against a pane of glass (see above).

Here’s a paper on Chromoacoustics: The Science of Sound and Color

Esoteric Design

And into the Void came a Thought

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“Know ye, O Thoth, in the beginning there was a VOID and nothingness, a timeless, spaceless, nothingness. And into the nothingness came a thought, purposeful, all-prevading, and it filled the VOID… In the beginning, there was eternal thought, and for thought to be eternal, time must exist. So into the all-prevading thought grew the Law of Time… Time changes not, but all things change in time. For time is the force that holds events separate, each in its own proper place. Time is not in motion, but ye move through time as your consciousness moves from one event to another. Aye, by time yet exist, all in all an eternal one existence. Know ye that even though in the time ye are separate, yet still are ONE, in all times existent… within thee is all time and space.” – The Emerald Tablets

Esoteric Design

Creative Process of the Dogon..

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In The Pale Fox, Griuale and Dieterlen describe a basic approach to the act of creating that is defined within the framework of Dogon mythology. This approach includes four phases or stages and, for the Dogon, applies equally to any creative project, whether it be a creative act of Amma or an undertaking of man – for example, the building of a dwelling. The first of these is the conceptual stage, in which an idea is conceived, and which the Dogon call Bummo. Aat this stage, the project exists only in signs or seeds – symbols that represent the final thing to be created. For a middle school student assigned to write a report, this would be the equivalent of seelecting a topic. In the second stage, called the yala, the project is conceptualized in broad strokes that identify the boundaries of the object tobe created. This compares roughly to our middle school student’s report outline, Griaule and Dieterlen described this phase in The Pale Fox,

After the first series, that of abstract signs or “trace” bumo, will come the second series, that of the yala “mark” or “image,” executed in dotted lines…”The yala of a thing is like the beginning of the thing.” Therefore, when one builds a house, one delineates the foundation with stones placed at the corners: these stones are the yala, the “marks” of the future dwelling. The term yala also has the meaning of “reflection,” which expresses the future form of the thing represent.”

The third developmental stage refines the image of the thing to be created by filling in the main details of the object or concept. We could say that this third stage would be comparable to a student’s detailed notes to a first draft of the report. In regard to this stage. Griaule and Dieterlen wrote:

The third series of signs is that of the tonu, “figure,” “diagram,” or sometimes “periphery,” of things. The Tonu is a schematic outline of generally separated graphic elements; it is the sketch, the rough draft of the thing or being represented. THe word tonu comes from tono, “to portray,” which also means “to begin,” but in the dynamic sense of the word. it is said that Amma “began things,” amma kize tono, to demonstrate the initial impetus he gave to creation…. the Tonu of the house connotes the pebbles that have been placed between the corner-stones to delimit the walls.”

The fourht and final stage of the creative act is to produce the finished image of the thing to be created. It is interesting that the Dogon make almost no distinction between the representation of an object and the object iteself. Griaule and Dieterlen described this completion stage in The Pale Fox:

The fourth series consists of the “drawings,” toymu (or toy), as realistically representative of the thing as possible. It is also the thing itself. Wen one has finished the building of a house, it is as ife on had made a complte drawing, toymu, of the house. In speaking of the toy and of Ama, one says: “to make the drawing is to make the thing that he (Amma) has in mind. It is, therefore, to represent the thing created in its reality.”

Source; The Science of the Dogon, Laird Scranton

Esoteric Design, Spirituality

The Dogon Creation myth part 1

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Dogon Creation myth is one of the oldest creation myths in existence.

The Dogon say that the stars were created from pellets of earth flung out into space by the one true god, Amma. The sun and the moon were created by a process much like that of making pottery, which was the first known invention of god. The sun is like a pot that has been fired until it is white-hot, then surrounded by a spiral of copper with eight turns. To create the Earth, Amma squeezed a lump of clay in his hand and threw it away from himself in the same manner as he did the stars. The clay spread to the north and to the south (the top and the bottom) in a movement that was horizontal. By nature, the Earth is female. Looking at it flat and considering the cardinal points of the compass as her appendages, it is like a woman lying on her back with her arms and legs spread. The anthill is her female organ. In the course of time, Amma tried to fertilize her, but in what was breach of order in the universe, proper intercourse could not take place. In the universe, there is a principle of twin births, but this flawed union between god and Earth created only one being, the jackal, which became the symbol of disorder and the difficulties of god. Later, having overcome the difficulty, god had intercourse with the Earth again, this time successfully. Water, which is the divine seed, entered the womb of the Earth and resulted in the birth of twins. Two beings were formed, which god created like water. They were green in color and were half human, half serpent. Their bodies were green and sleek all over and shiny like the surface of the water. These spirits were called Nummo, and they were born perfect. They had eight members, and their number was eight, which is also the symbol of speech. They were of divine essence, which is the life force of the world, and is water. The name Nummo is synonymous in the Dogon language with the word for water. To the Dogon, Nummo is water and the Nummo pair is present in all water – whether it is drinking water, water of the river, or water of storms.

Source: The Science of the Dogon, Laird Scranton

Ancient Design, Esoteric Design, P-Articles, Research

Headdresses, surrealism..

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Source: http://vigilantcitizen.com/latestnews/pics-from-1972-rothschild-party-the-elite-were-doing-it-before-gaga/
Before It’s News found an interesting article on a Rothschild Party written by attendee Baron Alexis de Redé. These elite figures truly enjoy walking around with serious faces wearing creepy costumes. You think Gaga is “original”? Nope, she’s making trendy what her masters have been doing for centuries.

“… On 12 December 1972, Marie-Hélène gave her Surrealist Ball at Ferriéres. This time the guests were asked to come in black tie and long dresses with Surrealist heads. The invitation was printed with reversed writing on a blue and cloudy sky, inspired by a painting by Magritte. To decipher the card, it had to be held to a mirror.


Baroness Marie-Hélène de Rothschild and Baron Alexis de Redé.

 

For the evening the chateau was floodlit with moving orange lights to give the impression that it was on fire. The staircase inside was lined by footmen dressed as cats that appeared to have fallen asleep in a variety of staged poses.
Guests had to pass throught a kind of labyrinth of Hell, made of black ribbons to look like cobwebs. The occasional cat appeared to rescue the guests and lead them to the tapestry salon. Here they were greeted by Guy with a hat to resemble a still-life on a platter, and by Marie-Hélène wearing the head of a giant weeping tears made of diamonds.


Hélène Rochas

Marie Hélène proved that she had the flare and imagination to create something unique and worthwhile. None of this was created by charm alone. It needed a degree of ruthless determination. She attended to every minute detail of style in her life and also in her entertaining. She was a great hostess with all the qualities. She loved parties and people. She was forever in quest of new talent and new figures to entertain from the world of the arts, literature, dance and haute couture. She mixed them with the more established set of Paris society. everyone was intrigued. Marie-Hélène’s parties took on such importance that one social figure threatened to commit suicide unless she was invited…

Baron Alexis de Redé in a Dalí designed Hat

It is not possible to repeat such things now for many reasons. But it is fascinanting to look back and to remember these occasions, which dominated our thoughts and plans to such an extent for so many months. I am happy that I took part in so many, and happy that I gave some myself.”
-Baron Alexis de Redé

A commenter said,

It is said that at all Rothschild special events a special place is reserved for a mysterious honored guest, who sometimes decides to make a sudden appearence.
To those who have entertained the Rothschilds as hunted prey chased through the wilds in the “Most Dangerous Game”, rest in the knowledge that you are not forgotten, and your tormentors are not forgiven.

Its no co-incidence that the Egyptians were obsessed with headdresses/masks as well…

Ancient Design, Design, Esoteric Design, P-Articles, Reflections, Research

President Obama’s logo and the Egyptian Connection

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The right is a hieroglyph found in an Egyptian pyramid representing 2012 – change for the greater good. The left is the famous obama logo.

The above image is Atum the Jesus/Lord/Sun/Son beams Aton-like rays of light… Qabbalah says that Atum is,

The atom symbol formed by Thoth is another Egyptian god called Atum. Atum … spelled A T U M … was called the complete one. The finisher of the earth. Atum was the one who returned to the watery chaos at the end of the creative cycle. Remember this characteristic about Atum. He’s the one who returns to watery chaos at the end of the creative cycle.


“That looks like me, look at those ears!” – President Obama. Obama in an Egyptian Hieroglyph found in one of the pyramids.

Some people believe that President Obama is the reincarnation of King Akhenaton.

Akhenaten (often alt: Akhnaten, or rarely Ikhnaton) meaning ‘Effective spirit of Aten’, first known as Amenhotep IV (sometimes read as Amenophis IV and meaning ‘Amun is Satisfied’) before his first year (died 1336 BC or 1334 BC), was a Pharaoh of the Eighteenth dynasty of Egypt. He is especially noted for attempting to compel the Egyptian population in the monotheistic worship of Aten, although there are doubts as to how successful he was at this.

And of course Michelle Obama is King Akhenaten’s Queen, Nefertiti.

Archetypes, Esoteric Design, Research, Symbols

The dreaded Illuminati hand gesture

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Okay. The Illuminati have been a subject I try and avoid because there are so many sites dedicated to that group and the energetic essence around that name is just plain evil. But, there is one gesture/symbol that should be covered. Generally its known as the “OK” symbol, but when placed over one eye it means something completely different. I spoke about the importance of symbols and why they affect us.

The Egyptians record stories of the “Star Walkers”, occasional individuals who, like Enoch, travelled “beyond the Great Eye of Orion” and returned, to walk like gods amongst men. Despite the bleaching of semi-divine beings from modern consciousness, could it be possible, as the ancient texts insist, we are destined to “become as gods”?, are the Mayan “Lords of Light” and the Egyptian/Tibetan “Shining Ones” really a higher form of human?

Gaga does the Eye gesture in pretty much every video.

In the Telephone video, its a featured dance move, when the dancers are dressed in a patriotic outfit surrounded by dead people.


Even Justin Bieber!! 😛

Ancient Design, Esoteric Design, P-Articles, Research

Curious Egyptian hieroglyph

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Relief of Itush
Fifth Dynasty, reign of Djedkare-Isesi
Limestone
Brooklyn Museum of Art

I was researching the other day and came upon this hieroglyph and found it very curious. Here for the first time we see a very human looking figure holding a staff. The Human does not have any Egyptian clothing/headdresses on its body. Around the staff, we see symbols including the ANKH (or light and time*) a double-helix, the “Aquarius” symbol, possibly representing energy, and some unknown symbols. Apparently it is an image of Itush and funny that I had to add “Egyptian Itush” to my google search because “Itush” by itself brought up “Itouch”. HMM!

*ANKH has been interpreted as E=MC2 and the creation of the physical universe.