Category Archives: Blog

Now at Seaporium!

Beginning November 1st you can find my products in Hyannis, MA at Seaporium, a consignment shop that features local artisans and handmade crafts. A little sampling of what you see here on the website will be found there. We will mention that the price may be adjusted to adhere to the rules of the shop.

Consigning is going to part of the next phase in our plan to expand to gain more customers. If you own a shop, or feel that our products will fit your customer base, email me and we can discuss.

 

See what Linda has to say,

So hope this very talented young woman agrees to showcase her items here at Seaporium. Her medium is Electrography. She exposes images by using electricity on an object (plant material) on photo sensitive paper. After they’re developed, she changes to positive on her computer. The electricity exposes the water materials of the plants to give you these beautiful photos! How cool is that?

 

Check out Seaporium on facebook!

The Beast of Shipping

I recently had the fun experience of learning how to ship artwork over to Paris. I had a similar experience in 2014 when I shipped a print over to Venice for the Arte Laguna Prize. However, that contest was a bit different as they didn’t give me the luxury of time that this curator has (BIG THANKS! 🙂 ). I had to get my work over there within 2-3 weeks and I thought it would’ve been more expensive to get it printed and framed there in Italy so I had it shipped and I wasn’t comfortable just blindly sending my images to print over to a country where I didn’t speak the language. Luckily for Venice, it was only one print, so it was only $300… one way… and I was able to “donate” the print to the institution. So the Romanian Institute of Humanistic Research and Culture has a bluebell print! 😀 Anyway, my work, this year was accepted into a group show by an emerging Parisian curator and she was curating a show centered around woman and ecology.

I did my initial research and went to the major companies that I usually ship artwork to UPS – FEDEX. At UPS it was about $600 for 2 framed prints one way … and Fedex was $200… which was doable, but still that was one way. I then went to the option of buying frames in Paris and shipping them to the curator before the exhibition. We decided on that, but she was nice enough to alert me that she had a second option and that was obtaining funding for the exhibition! So the $120 dollars I would’ve spent on frames that I would’ve just left there, is being funded by her organization. And by shipping my prints through one tube via USPS I was able to bring the cost down to $17 (+ customs fees eventually)!!! This is crazy. The price dropped from the initial $600 to $17 through funding and flexibility of those involved.

Also I’ve gotten some interest through my network of my european friends that they’d be interest in seeing the exhibit and some family too, so hopefully that’ll work out!

Save your Soul

I recently left a job opportunity in close proximity to me. It was one of those opportunities that sounded really promising but when it came to do the work itself, everything changed. At least that’s how I perceived it.

I interviewed for a gallery back in June and at the beginning of September the owner contacted me after some thought and said I left an impression (great!). I came in again for a second interview and things seemed to click. However, when I started to get more involved with the position and work, I felt I was treated atrociously and constantly felt being squished and stepped on.

She didn’t respect me… or appeared not to. Micro-managed and didn’t trust me and my background to leave me alone and do the work. Proceeded to push me in a direction that was counter-intuitive than what I was taught and trained to do because she compared me to “most people she had” (and I’m not). When I was working on a graphic design project that I knew very well how to do she almost forced me to do a way (a very inefficient way…) to do the brochure and had a fit whenever I tried to do it “my” way. Those who’ve hired me in the past respected me enough to leave me alone after the first couple of days to do the work alone and then came back to check-in. That wasn’t happening here.

Whenever I tried to fight back, she threw it under the rug and ignored it.

I don’t care if she’s the boss/owner of the business/operation because when you hire someone you need to have a certain level of respect for them – because in return the employee will respect you enough to do the work for you. If the owner doesn’t show respect for you, it’s very hard for the employee to justify to continue to do the work there.

I told her I had 3 pieces of artwork that were accepted into a show out in Worcester which isn’t exactly around the corner from me and the gallery there gave me two days where I happened to be working for her. We agreed that initially Saturday would have been the best day to come in late because she had something later in the afternoon. But I decided to be courteous and ask the gallery if they had an alternative day to drop off artwork and luckily they had. But because of the incident with my prints I described in my last post, “Trick or Treat, Where’s my Prints?” my initial delivery day got bumped to Wednesday fine… Tuesday night I receive an email from my ‘boss’ and she tells me that she’s found reception help for her gallery event that following Thursday and the next day when I originally was scheduled to work after telling her that things weren’t working out but wanted me to come in on Saturday to finish the brochure!! (what?)

So, the point in all of this is that I rearranged my complicated schedule and life to fit her schedule and life, but she dropped me from my scheduled work like it was nothing. Yes, I get that I am an employee — but I wouldn’t even call myself an employee — I was an assistant and she pushed me around as one.

I was also taught that you put the extensions on numbers “th”s, “st”s, etc. on a printed document. My education at Moravian and experience at the print shop taught me this. It looks so much ‘tighter’ and ‘proper’ too, to do this with your numbers in a printed document. I have a friend in my circle whose majored in scheduling and he told me that that’s the right way to do it. However my boss at this gallery told me, “NO you don’t ever put the extensions on numbers in a printed document!!!!”. I never was told this AT ALL. I also got into an argument with someone from my time at Moravian about this and she disagrees with me and that I should “follow” the boss… because she writes the check… really?! I’d be fired from the print shop (and this person I argued with continued to tell me that I wasn’t working at a print shop here… excuse me… same technical rules apply whether or not you work at a print shop when doing PRINT DESIGN) if I constantly made mistakes like that! It’s not like this is the only job I have offered to me.

There were other things there that made me really uncomfortable and that’s why I decided to leave. At this point in my career, I deserve some level of respect and trust when you hire me for the position that I have applied for. I am not looking to be pushed around and treated like crap. I’ve been through too much to put up with that anymore.

Tentative 2016 Solo Show Schedule

More information will be posted on the website as these shows develop.

 

1. Boston Public Library – Dorchester, MA – Dates: TBD in 2016
2. Hyannis Town Hall – Hyannis, MA – Dates: TBD in 2016
3. 42 Maple Contemporary Art Center – Bethlehem, NH in September 2016

 

Trick or Treat where’s my prints?

I had a bit of drama earlier this week with getting ready for my show at Worcester State. I ordered 2 new prints of new work for my exhibit about 2 weeks ago. It takes about a week and a half for them to deliver to me. I expected them to be on my door step last Saturday but they weren’t. The tracking number said it was delivered at the post office last wednesday (the 23rd). I go to the post office this past Monday and explain the situation because they weren’t on my door step. They couldn’t locate them, and told me to call the PO Tuesday morning between 7-8 am to put on hold for delivery so I can pick them up since my drop-off time was schedule for noon that day.

I then proceeded to call and ask my neighbors if a poster tube was delivered by mistake because that often happens with our mail… and none of them saw it. BUT my neighbor next to us on the left and my family have a decent relationship and often looks after the house when we aren’t there… so I am not always there because I am either out at a meeting or something else, and so my dad asked my neighbor to bring packages to the back porch if he notices that we aren’t around.

SO, my dad failed to tell me this initially, with a previous package that was delivered but my neighbor went ahead and put my prints on the back porch and failed to call or leave a message that they were there. So I freaked out for 24 hours because my prints for this show weren’t around and I didn’t want to spend an extra $60 to re-order a new set of prints at a local print shop. 

My client that is based in Marlborough told me a story where she had a package miss delivered that was full of silver semi precious metal jewelry for a show exhibit and she called the PO and they retracked their steps to find the package. But she reassured me to wait at least 24 hours because it might show up (which it did!) and I didn’t have to re-order them. Prints aren’t something that you can return either, so I’d rather NOT spend an extra $60 to re-print them.

Paris, France

I’m super excited to announce that “Pine Needles” and “Pine Needles #2” were accepted into a new exhibition for later this year that will be in the heart of Paris! It’s theme Women and the Environment’s Protection. Intentionally, it is during the international summit for climate change. I know one location is in a city building and a local gallery. Exact information I will release at a later date.

 

Worcester State University

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Happy to announce “Olivo”, “Water #2” and “Kelp” were accepted into The Art of Science/The Science of Art exhibition at Worcester State University’s Mary Cosgrove Dolphin Gallery.

Please join us Thursday evening, October 22, from 5-7 PM for the opening reception for the show. The exhibition will be on view Oct. 22 – Dec. 3, Tuesday – Friday, 11 -5, and Saturdays, 1-5.

Fall Exhibitions

craftboston1. Boston 2050: High Water which debuted in July will end Nov 1st. Bluebells, Flowers and Pine Needles are on view at the Grove Branch of the Boston Public Library.

2. InVision: Landscape – 2d & 3d from September 10th – January 8th where Water #2 will be on view at the Davis Art Gallery in Worcester, MA. Come see work that was created during my residency in Italy.

3. Artists/Artisans 2015 at Paper City Studios from October 9th – 30th with an artist talk on the 15th. Artists of this show participated in the UMASS Arts Extension Services Artists-In-Business training workshop.

4. The Art of Science/The Science of Art at Worcester State University from October 22nd – December 3rd. Please join us Thursday evening, October 22, from 5-7 PM for the opening reception for the show. The gallery will be open Tuesday – Friday, 11 -5, and Saturdays, 1-5. “Olivo”, “Water #2” and “Kelp” will be on view.

5. GAIA at La Maison bleue – Porte de Montmartre from November 18th – December 10th and Galerie Amarrage in January 2016 in Paris, France will host a selection of 24 artists from 12 countries to be apart of an exhibition with the theme of Women and Ecology. The exhibition is intentionally scheduled during the international summit for climate change. Pine Needles and Pine Needles #2 will be exhibited. More info .