Category Archives: Blog

Lifestyle: Apothecary – Urban Moonshine

One of the best things about working at a food cooperative is having access to their robust Wellness Department. I have never been to a store where you can get Apothecary grade products readily available in person without having to order online. With recent developments I have been utilizing this department more so. In my first week back I was experiencing vertigo and the last time I did was when I had surgery in my ear – that time I used ginger powder to combat symptoms and ginger powder worked this time too. Though I ended up using more of a ginger syrup for this type of thing. Ginger also has been a great detoxing agent for me.

Additionally I had been enjoying an aromatherapy diffusor and the Eucalyptus scent. It’s been a great mental clearer as well as helps reduce stress and anxiety. I have been working on making my apartment stress free and finding ways to create a relaxing ambiance.

Lastly, to help with my insomnia I have been enjoying the Urban Moonshine Herbal Apothecary Simmer Down Tonic with Calming Adaptogens, Ashwagandha and Tulsi. I have been making an effort to move away from OTC drugs for everyday use and just consume prescription medicine. URBHA Simmer Down Tonic is a great solution to insomnia and sleepless nights due to stress. Though do keep it mind it won’t eliminate it just help reduce symptoms and promote restful sleep.

Less Stress, More Rest
A calming, adaptogenic formula that helps deeply replenish and restore the nervous system.* Certified Organic. Gluten Free.

  1. Promotes a mellow mood*
  2. Encourages restful sleep*
  3. Soothes nervousness, stress & irritability*
  4. Protects against the depleting effects of stress*
  5. Non-sedating—take any time of day

News: Greenland Research Trip

I am excited to announce that I will be going to Greenland next spring! I will officially be launching my ‘around the zone‘ project and will be investigating precipitation (water) in organic materials in the tundra climate zone under different imaging techniques. Since I have to stop in Iceland on the way over, I may include Iceland as a tourist but we’ll see how planning goes. More details to come as it gets closer.

Truth about Artist-in-Residencies?

As an emerging artist, I yearned to be more apart of the art world in a more exclusive way; by participating in the elusive artist-in-residencies and other opportunities for professional development. However, I think my marketing background gets the best of me sometimes because I see both sides. When I look at it from a marketing perspective the so-called artist opportunities and residencies are just that, marketing ploys to help the organization and artist and it becomes a two-way deal. However, sometimes this isn’t always the case and the organization often offers way-too-good-to-be-true opportunities and artists get sucked in and then they end up paying for most of it. The best things and most rewarding things in life are free and the best things that have happened to my career have been free. A lot of the time I do try to see it from the organization’s perspective and if I like them enough – do go ahead and pay that entry-fee or that one-third for an experience. 

I spent 3.5 years applying for opportunities and projects on a consistent basis and got rejected by most. Until I realized that most of these opportunities are just marketing ploys to help grow an organization. I have been to a few residencies and done a few projects with the artist community but other than that nothing too large scale. But yet again, my marketing/business background is showing me the other side of things. It’s telling me that with the right planning, connections, proposals, funding, etc. you don’t need those artist opportunities because the people behind all of that have done that already. It’s part of their programming and capacity building of the organization. I think these opportunities are great for emerging artists or those who are stuck within their practice. But your success as an artist shouldn’t be based off of what you can put down in a resume/cv, as always it should be what you can put in a portfolio, depending on what your approach is of course. Since those rejections, I have realized this and am now ready to focus on building a portfolio around a strong artist statement and a vision. 

SWU: July 2018

Since January, I’ve been working on a few projects. I’ve finished up my sponsored travel for the year and released a limited edition of Valley Moments of all the articles and photos I’ve taken on my trips. Additionally, I’ve launched my online store. This store is just more for personal endeavors as I make and launch things and redesigned my homepage to fit this store’s theme. I’ve been really working on organizing my work into themes/ideas; ‘Inquiry’, ‘realize’, ‘wanderlust’, ‘multimedia’, ‘on view’ – by doing so this helps me see where each project goes into my portfolio as I continue to work with brands and institutions and larger organizations. 

I have also been working on setting up my physical studio. This month I purchased a workstation from Ikea and was able to move and unpack my darkroom photography equipment to that shelving/workspace. I moved my microscope and just feel a bit more put together and ready to work. Sometimes I hate feeling the need to have my space be ‘ready’ in order for me to do things, but I’ve always felt this way, it makes me motivated. 

I am also no longer with the Pioneer Valley Mycological Association. I’ve explained why more in-depth in a previous post but I felt they completely took advantage and wasted my time and accused me of being difficult to work with when in reality all I’ve done was provide professional services with opportunities to learn why it should be done this way. They also didn’t understand that the rigidity of a brand identity is part of why it makes it a brand identity and not something you can continue to change with each edition of something. 

I’ve continued with my music practice, and started to learn Bach’s Bwv1009 and Eine Klein Nachtmusik on the keyboard. I’ve also started to learn a bit more about how to record strings and I think I’ve got to see it as not a midi signal but more of the sound of string instruments, so record them as if I was playing a string instrument rather than a keyboard/piano.

No Longer with PVMA

I have spent a year with a certain mycology group providing professional marketing and branding services on my own time because I genuinely enjoy this group of people, however I am appalled by the way I have been treated as a volunteer.

My logo project back in January was hijacked by the president at the time for trying to push group forward faster as we were forming into a non-profit. They used my trip to Guatemala as a justifiable reason (the trip was only 5 days) to push forward saying I had not worked on the logo fast enough (yet never provided me with a deadline) and wanted to use something they had slapped together in illustrator. I had responded to a disarray of feedback in a timely, yet professional manor and explained in great detail the danger of releasing an unfinished logo to the public at large. During this, I stated that as the publicity chair I felt that I was in a position to make decisions and that the president shouldn’t have made an ‘executive decision’ regarding a project that they weren’t even involved with. We were going to involve them towards the end of the project once everyone has voted on the logo to move forward. 

The president at the time decided to step down as a result of this and the founder moved her to the newsletter piece and someone else took her place. Between the time of the logo and the second newsletter of the year, a brand identity was created and finalized by said people who worked on the logo, including myself. With my instruction this identity was meant to be used on all marketing pieces moving forward.

To my dismay and disappointment the brand identity that I had spent several hours of my time on was not used without my knowledge upon release. Colors were changed, and the layout from what I had done was completely changed. It looked amateur and unprofessional.

I sent a disappointing email to the people involved expressing my frustrations and both presidents had unfriended me on facebook and continue to avoid addressing the ‘issue’. Once a brand identity is created the rigidity of it is not an option. It makes a group look unprofessional and unorganized, not to mention if you solicit money from prospective members who may not know who we are very well it puts on an unprofessional face to the outside world. I have provided numerous attempts at educating the group on branding and marketing because I realize that not everyone will understand these concepts if they do not work in the business industry.

If you cannot accept the rigidity of the use of a brand identity the group is not ready to accept and receive professional marketing and branding services. No body has the time nor energy to continuously fight for their contributions to be used as a volunteer. I am extremely disappointed in all of this.

I will also not work with people who feel they need to make executive decisions all the time, that’s not how to run an organization – the people in charge of specific committees should be confident enough to work with the president to come together to make decisions. The founder even briefly agree with me on this because she was afraid of this happening with the former president. It’s extremely disappointing because the rest of the group seems to understand that I knew what I was doing.  I have been at a loss as to how this has all come to an end, but frankly a bit relieved this tension is gone from my life.

SWU – January 2018

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Studio Wrap Up (SWU) – January 2018

 

 

The first month of 2018 is over, and it was filled with juggling a lot of things as usual. Although like most things in my life, it never all happens at once, which is a good thing as I wouldn’t be able to manage it all.

 

 

The beginning of the month, I spent celebrating birthdays in my family (as well as mine) and spent most of my free time going back and forth to home. In the midst of celebrations I also finally cut off a toxic client relationship in my life. It truly sadden me to do so as I stood behind their business and brand for so long and believed in it, but they had no concept of collaboration as well as respect for one’s time and talents. So far it has been for the best and all that has been lost is time and money. I have been cutting back my freelance graphic design work a ton since working full-time because I wanted to make sure I had the energy to put into the work at my day job.

 

 

Mid-month I began my volunteer duties as publicity chair in the Pioneer Valley Mycological Association. It was a rough start with a misuse of power in a significant project resulting in a member stepping down. I never like to make drama, as there is so much of it in my life in all of my projects, however, sometimes to prevent something from happening you have to make noise. They were making an unauthorized move and essentially ‘took over’ a project that wasn’t theirs to begin with, all in the name of ‘to get things going’ when there was no rush in the first place. It was a slap to my face and expertise as well as volunteered time. Thankfully the group recovered for the most part and we have moved on to releasing the first newsletter with a new design of the new year.

 

 

Not to mention this project drama happened while I was in Guatemala, celebrating my birthday and on a vacation and received a very hurtful email all the while. I check my emails at least once during every trip because of drama like that. The person in question used my trip as an reason to ‘act’ on the project in not the best way which made it seem like they went behind my back to make this decision while I was away. I check my emails for a reason, to stay on top of projects and to keep things in check. Thankfully most of the group was behind me in this one and not a lot of damage was done.

 

 

I ended the month with recovery from traveling to Guatemala as well as wrapping up the trip in several blog posts and a handful of photos and a video. This was not a PR trip as I didn’t want to feel pressured to produce something, but I wanted to practice a few techniques and skills in video and often use travel as a inspiration do to so.

 

I also began deeper work on my water quality project. I had ordered a small sketchbook and placed everything I have gathered about water quality in one place. From Masaru Emoto’s research on human consciousness affecting the molecules of water to my own water testing out here in western Massachusetts. I have started research and study on photographic sculptures because my hope is that the water quality project morphs into a photographic outcome that visually depicts the quality of water in a given body of water. I made color-coded vector graphics of the first water testing I did but then realized that particular body of water was on a private property where I am not living anymore. I now have to redo the testing on a more accessible body of water – perhaps somewhere close in Belchertown.

 

Additionally, I had also put out a call for a ghostwriter and met up with someone local. They had the interest and background education that I was looking for. We also seem to click on an interpersonal level which is important to me when collaborating and working with someone. I hope to have them be a constant contributor in the research department and put out monthly articles as well as help me with a book project. One of the things that is lacking in my career is the research side as I had to leave it for 3-4 years while I focused on the art and design. It’s time to return to that now.

 

 

Finally, I am now brushing up on my piano and instrumental skills 1-2 hours everyday. That, too, I had to put aside while I worked on the art and design and I am learning new pieces on the piano (and keyboard). I mastered Für Elise, Come Thou Font of Every Blessing, Simple Gifts and Amazing Grace in the span of the last several weeks. I would learn the melody and harmony and then arrange a piece for the keyboard with strings. I simply love playing the appropriate chords with the melodies and how closely it sounds to a real orchestra.

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Study: Photographic Sculptures

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I have been working on my water quality project, and have been thinking about how to turn the vector graphics I have made into something a bit more photographic as that is my determined medium. I’ve been doing a bit of a search on ‘photographic sculptures’ and James Nizam‘s work came up. He has used lighting as a way to form sculptures in a designated space. For example, the piece above he’s used a shipping container, reflectance paint and light elements to form a 3Dimensional image and his work looks computer generated (not in a bad way) but in the light that the craftsmanship looks really good. I think I could take the form of the body of water (shipping container), light source and other similar materials and use that as a guide. Hmm, time to do a bit more research on that!

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How to Not Work with a Graphic Designer

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I can’t believe I’m making this post in 2018. The graphic design field has been around a long time and with it has come from many changes. To this day, my biggest fear is automation and templating taking over custom design work, and in some ways it has. But custom design is only going to be reformatted so it will become custom template design. Anyway, how in 2018 are we still having issues with clients ripping off designers and screwing them over for their hours and work?

 

I recently had a negative experience regarding a former client relationship that has made me feel extremely defeated in regards to my own work. It was so disappointing that I no longer feel comfortable wearing their product and giving them free press. I will probably eventually donate the product or give it to a women’s homeless shelter. Because the experience has left such a bad taste in my mouth, I no longer want their energy around me. And due to legal reasons, I will never mention them or their brand on any of my websites – portfolio or personal again, and will delete any posts mentioning them.

 

Unfortunately, more often than not, lack of communication within projects is the cause for failure and that was certainly the case with this client relationship. When they first signed me on, I loved what their brand stood for, their identity, the work and effort that was put into it, their cause, the results that they were getting, everything! However the structure within this particular brand was abysmal. At the rebirth of this client relationship I suggested forming a contract with these people and to be honest, I am SO glad nothing formal ever got signed, and honestly I don’t know if a contract would have made all of this easier. I take it as a HUGE red flag that they ignored my requests to work with me through my refined and simplified processes and failed to work with me on developing structure. They wanted their work done their way or the highway and I’m sorry but that attitude won’t get you ANYWHERE. At almost 28, I’ve been in this field for awhile now, and have learned and grew from my own mistakes and one of those mistakes is to never work with a brand who refuses to collaborate with an external employee with their work-style. If they had hired me as a full-time employee, that’s one thing, but otherwise as a freelancer/external employee, I am not obligated to work with them in any work-style whatsoever. Them however, they never really owned up to their mistakes and continued to take it out on me.

 

Secondly, they had based my understanding of graphic design based off their shoddy communication style and accused my work of being basic. I’m sorry, but I’ve been in this field for several years, with success with working with other brands. Telling a designer their work and understanding is basic after what I’ve gone through is an insult and extremely immature. They also took issue with the fact I included the work done with them in my portfolio when no communication was ever given me to say no. I will assume that it will be okay unless you specifically tell me or depending on the company I will ask. I have always asked if work done with a company will be OK to put in a portfolio. Any other company has, especially at larger companies, I had to sign a waiver saying work done with them was to be discreet or secret and that never happened here.

 

They also refused to pay me right way. The main issue was I had done their work and requests within a week to meet a deadline, all the while working at my 9-5 job and during every waking minute. By the end of that week, the person in charge halted the project because they accused me that my short and to the point emails as being hostile and rude… yet, refused to give clear instructions after I asked every single time when they gave instructions. I wasted an ENORMOUS amount of time working on this and my paying hours at my 9-5 was also wasted. You do work, and get paid that’s it. Creativity in a tight span of time is also not an option, it doest not work that way. Creativity takes time and therefore you also have to pay for that time and like any transaction you get the job done and then get paid for it, no if, ands or butts.

 

They also had to hire (and take advantage of) a high school student to finish the job. That is a slap in the face and a testimony to the fact that they do not value time, work and value a trained professional to do the job and wanted something cheap. If they were willing to work with me from the start none of this would have happened. If you wanted something above standard, you PAY for it.

 

I am extremely disappointed in this experience and I am also not ashamed to say that it has affected me emotionally as well as psychologically. It also happened during a period of time that was high-stress in my life and now I seem to be phasing out of that.  The one thing that it has helped me understand is that it’s becoming ever more clear that I need to phase out of freelance work and put that energy into other areas of my artistic practice.

 

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Happy New Year!

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It’s 2018! I can’t believe it’s already the second week into the new year. This year I am really looking forward to getting my life in order and to really start to organize some sort of routine. Since moving and starting a new job last year I have put a lot of personal projects on the back burner as well as my research. One of the biggest goals of this year is to work on my photography and videography. Therefore, one bigger project this year is to develop a music video for one of my compositions. I am also traveling again, which is extremely therapeutic for me, not to mention a source of huge inspiration. Therefore, I also have at least one trip planned through August and possibly September – which is a mix of PR and personal travel.

 

 

I am also hoping to get back into research writing, and hope to publish at least one article a month on this site and to get back into that way of thinking. Additionally, I also hope to work a practice schedule into everything. I have already started to do this once I moved, since my studio room is still not in order music is one of the few things I can still practice. And finally to get my studio room in order! I’ve started picking out furniture and forming some sort of budget. I hope it will become a small, but mighty room that encompasses everything I do; musical recording, graphic design/photography/videography, and basic laboratory equipment for furthering research. Because of the multifunctional aspect, it’s one of the reasons why I haven’t yet done much to that room as I wanted to really think about how to make the most of the space.

 

 

I haven’t really talked about this because it’s still up in the air as I’m waiting on additional information, but I have the week long Microscopy intensive course at MDI Laboratory in May 2018 as well as the project with the Smithsonian to work on. The SERC project has been put on the back burner at bit after the fail of a fundraiser I had last September. I am regrouping and trying to figure out to cut costs down and to possibly see how I can still make use of the experience but possibly using my studio room and doing the work there, rather than on site, and just travel to Maryland for consultations and other discussions. This is tricky because due to grant restrictions my research has certain fundamental points that I have to stick to, so it can be considered for funding in the future. Additionally, I have been asked to be the publicity chair for the Pioneer Valley Mycological Association and through this group to not only expand my knowledge of mycology but to build a better understanding of scientific and research-based thinking and projects. This group focuses on the citizen science aspect of mycology research.

 

 

As mentioned, for my musical practice, I am also looking around for some sort of musical group to join. Since I haven’t had much practice after graduating college, I don’t feel comfortable enough to join a group just yet, this is why I am going to focus on building up my skills again this coming year and the towards the end of 2018 really start to look for some sort of group. Additionally, I am hoping to exhibit my artwork more in western Mass. I plan to get connected with the Vermont Center for Photography more and plan on submitting a proposal, as well as updating my application materials so I can start to submit them to local galleries. I have missed exhibiting and going to receptions as that is one of the many ways I connect to the greater community not only to establish connections but to learn from others.

 

 

I am also launching an ecommerce store that is essentially an extension of this site. I hope that it will become a place where I can sell artwork and other creative pieces. I have partnered with Copycat Printing in Northampton as a vendor for the printed products of the shop. I have been working with them on and off this past year through my client projects. I am also working with a few other on-demand printing shops such as Gooten for more unique items. I am quite excited about this venture as I think it would create a nice element to my artistic practice.

 

 

Before all of this happens however, there are a few stressors in my life at the time of writing this that I have to resolve that are also financially restricting me. This, I hope to resolve by March/April in 2018. However, before then, I am working on organization and regrouping aspects of my life so when that time comes, I have a better handle of everything. Most people uproot their lives to move across state and/or start a new job; however this has been one of the most difficult transitions for me for many reasons because it seems that I have halted my life. I have cut back on things and reworked things for this new element in my life. I am very happy otherwise to be in western Mass. I have the space that I have been lacking as well as a job that keeps me entertained and look forward to what 2018 brings me.

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