Last year was a year of collection! Utilizing the buy nothing groups on Facebook I’ve been collecting materials for my upcoming projects. The following you can expect to see results of this year.
Beyond the Visual
The pinhole camera is a natural example of the LSF (light, sound, form) framework, which categorizes sensory experiences into three types: light, sound, and form. The pinhole camera primarily deals with the visual aspect of the framework and involves the manipulation and capture of light to create an image. The process involves redirecting light rays through a small aperture to create a clear image, representing the “light” aspect of the framework, while the resulting image captures the form of the objects in front of the camera, representing the “form” aspect. In summary, the pinhole camera is an example of the LSF framework, as it illustrates the manipulation and capture of light to create a form or image.
Refractions of the Soul
This project incorporates ancient symbology and mythology into the creation of a reflective light effect using transparent plastic. The use of light in ancient symbology and mythology is often associated with the divine and the spiritual, representing the power and wisdom of the gods. The project builds on this concept by utilizing transparent plastic, a modern material, to create a visual representation of the ancient symbolism of light. Through the use of small strips of transparent plastic, the project creates a unique and visually interesting effect reminiscent of ancient myths and legends. The whisps of light created through this technique evoke images of mystical creatures and magical powers, as described in many ancient myths and legends. The project provides step-by-step instructions for creating the effect, encouraging experimentation and creativity while also teaching basic principles of light and reflection. By incorporating ancient symbology and mythology, the project allows participants to connect with the past while also exploring new artistic techniques and materials.
Cellular Automata
Cellular automata (CA) is a branch of mathematics that studies the behavior of systems that are composed of many identical components. It is commonly used to model physical, biological, and artificial systems. CA models consist of a grid of cells that interact with each other according to a set of rules. Each cell can be in one of a number of different states, such as “on” or “off.” Cellular automata mathematics is based on the idea of a cellular universe, where each cell has a state that can be changed through interactions with other cells. Many natural examples of Cellular Automata that I’m investigating are ready for art production, Magknotic, Electrography, and a few others.
Biomimicry
In regards to Biomimicry, I am creating designs that are inspired by nature. Whether they may be direct imitations or inspirations, nature is a major element in this portfolio. My ‘Aquaware’ artwork depicts 3D printed vases in the shapes of lakes and other bodies of water; my ‘Moth Music’ artwork contains wooden sculptures of the antennae of moths, which is what moths use to hear in nature, and using their shapes to construct contemporary wooden harp-like instruments. Additionally, I am investigating this project through photographing different types of moth antennae.
In concluding this exploration, the convergence of ancient symbology, cellular automata, and biomimicry showcases the diverse avenues through which creativity intertwines with fundamental principles. From harnessing light to evoke ancient mysticism to exploring the intricate patterns of cellular automata and drawing inspiration from the natural world through biomimicry, each endeavor encapsulates a unique fusion of art, science, and history. As we traverse these artistic landscapes, we find ourselves not only engaged in the act of creation but also immersed in a rich tapestry where past meets present and where the foundational elements of light, sound, and form become the threads binding the diverse expressions of human ingenuity. Through these projects, we are not merely observers but active participants in the ongoing dialogue between art and the fundamental elements that shape our perceptual experiences.