Category Archives: Art

A.I.R Gallery and NYC Experience

10411141_943661512313819_5902822009080717149_nLast Wednesday my parents and I left Wellesley, MA and drove the 4.5 hours or so to NYC for my reception in Brookly, NY. This reception was one of the more humbling experiences. It mirrored the experience I felt when I exhibited my work in Provincetown, MA for the first time. NYC, has had a prominent place in my childhood. I started to come to NYC as a scout and continued throughout high school and ended up going to a college that placed an emphasis on going into NYC. By the time I had graduated college I had been to NYC 8 times. As an art major I had always admired the artists I saw exhibiting their work in Soho or Chelsea and kind of dreamed that that would happen to me!

In October, I received notification that my artwork, Bluebells will be making a trip to NYC to be exhibited at the 11th Biennial Exhibition at A.I.R Gallery. A.I.R Gallery is pretty cool as their mission is to support under appreciated women artists and has been in operation since the ’70s! The gallery ended up featuring my artwork as one of the two the were the ‘face’ of the exhibition. This biennial was centered around the theme of making and taking photos and reconsidering what the definition of photography is. Sometimes galleries submit calls for work centered around an already chosen theme, but sometimes that can be tricky to work with especially if your submissions may or may not always be centered around that theme and the exhibition can seem forced. This biennial just so happened to have many artists submit works of art centered around the photographic medium whether it may be painting or mix-media, or in my case traditional processing.

Wednesday we arrived at our hotel in Brooklyn and I knew Brooklyn was mostly of color, but I never expected to feel like I was in a minority and after a day of being there or so, the feeling went away. There were no altercations of our presence on the subways or walking around the neighborhood which was nice, because you never know these days… I was catcalled a few times, but after that catcalling video that was kinda expected. For dinner on Wednesday we went to Cent’Anni’s for dinner and had yummy spinach, pesto raviolis and chocolate cake for desert.

Thursday, we walked around the botanical garden in Brooklyn just to see a bit more of the neighborhood, and walked back to the hotel for to get ready for the reception. I had to really make sure to pace myself in terms of what I could do energetically so I wouldn’t be wiped for the reception. The reception itself was great! I got to meet the juror and see my work. I really had a feeling of, “I made it!” As exhibiting in a NYC gallery had been something I wanted to do for a LONG time. It helped me put my artwork into perspective.

Friday, I met up with my friend Jackie whom I met through the Biophillia residency in September. We had coffee and a pastry at Caffe Reggio. It was good to see her and we talked about future Ayatana opportunities and travel opportunities and caught up on life… then my parents and I walked to the 9/11 memorial to see the reflection pools and we ended up having lunch at Stage Door Pizza. After lunch, we walked a bit further and saw the Christmas tree at Rockefellar center. The following morning, Saturday, we drove home – exhausted and sore. Overall the experience was better than I imagined and I’m really glad I got to see my artwork in NYC!

Editorial – Working Retail

I get it. A job is a job. And in this economy having any type of job is golden. One piece of advice that has been constantly being thrown at me is to work retail or something else if you are in between jobs. While this is practical, sound advice – for my type of career – working retail or some other position will kill it. Why? It will cause a setback and an endless loop. Setbacks aren’t bad per say, but it’s bad if on your resume you list that after working in your field for six months you’re forced to work retail because nothing is up your alley.

I’d rather live at home again, freelancing instead of working retail – and being insanely exhausted all the time that I wouldn’t have the strength and energy to search for another job. Besides working in a field that is NOT your chosen field is so SOUL killing. Freelancing kept the soul alive – if I had worked in a position that was not art it would’ve killed me.

Plus, it’s better to say on your resume that you’ve been freelancing in between instead of working retail in between jobs because you are still gaining experience in your field. While it may be minimal experience, it is STILL experience in the field.

Since Minuteman, I’ve done freelance work for several companies. It helped built up my portfolio while still recovering from that experience. In the end, it helped me land the job I have now. If I had been working in a completely different field to just make money – I wouldn’t have had the strength and energy to continue freelance work. Yes, not having money to pay for my artwork needs sucked, but I was willing to make a bit of a sacrifice and hold back on the artwork to work on my graphic design.

I also get, that some people don’t have the luxury to float around and not have to worry about paying rent, or other expense. While, living at home isn’t the best situation, it’s helped me focus on my career so that one day I can live on my own, doing what I love to do.

Winter Exhibition News

It’s official! The Fall exhibition season is coming to a close and the results for the winter exhibition season are rolling in! Overall the fall exhibition was active. To recap; the ADA24 Celebration exhibition ended in September, On the Wall at Boston City Hall was in September, Surface and Depth ran from September – November, and Autumn show at the Hive Gallery ran from September – November.

This winter there are few exciting exhibitions taking place.

A.I.R Gallery’s 11th Biennial Exhibition1_Beisecker_Bluebells
I recently posted a press release “Making and Taking Pictures Reconsidered” for the biennial exhibition that Bluebells is apart of. The exhibition runs from December 4th – Jan 4th with a reception on December 4th. My family and I are planning on attending the reception for this exhibition as it is my first major exhibition in NYC!

 

 

 

 

8_Beisecker_KelpKathyrn Schults Gallery and University Place Gallery
From December 4th, 2014 through January 16th, 2015 – Kelp will be apart of the PLATINUM exhibition celebrating the Cambridge Art Association. The exhibition will be visiting two galleries in Cambridge, MA. The Kathryn Schultz Gallery (25 Lowell Street, Cambridge MA 02138) and the University Place Gallery (124 Mount Auburn Street, Cambridge MA 02138). Reception on December 5th from 6pm – 8pm with a closing reception on January 16th from 5:30pm – 7:30pm.

 

 

 

3_Beisecker_PineneedlesFountain Street Fine Art Gallery
Pine Needles was accepted into an exhibition at the Fountain Street Fine Art gallery in Framingham, MA from January 2nd to January 25th with a reception on January 3rd from 5pm – 7pm.

 

 

 

 

 

There could be a couple more coming through later in the winter. But I’m excited for these. Last winter was kinda a bust, but my energy was focused in my job and not necessarily my artwork.

Making and Taking: “Pictures” Reconsidered

For immediate release

A.I.R.

Making and Taking: “Pictures” Reconsidered

A.I.R. Gallery’s 11th Biennial Exhibition

December 4, 2014 – January 3, 2015
Opening Reception: Thursday, December 4, 6-9pm Brooklyn, NY – November 2014

Making and Taking: “Pictures” Reconsidered, curated by Nancy Princenthal, is an exhibition of thirty–three artists of diverse backgrounds, from the United States, Canada, and Israel. The exhibition will be on view from December 4, 2014 – January 3, 2015, with an opening reception on December 4th from 6-9pm.

Nancy Princenthal writes: This biennial results from an open invitation to female artists “investigating the intersection of hand produced and photographic pictures.” To dig around a little in the show’s premise, and title: I was thinking, in part, of the old chestnut, “You don’t take a photograph, you make it.” It is a pronouncement made by Ansel Adams, he of the transcendent Western landscapes, seemingly given to him direct by the gods of sunlight, shadow and wind. But like landscape itself, Adams’s images, he tell us, weren’t there until seen and framed—and then shot, printed, and, we now know, manipulated. We know, too, that manipulated photographs go back to the birth of photography; soft-edged, hazily lit and symbolically rich Pictorialist images of the late nineteenth century were not the first to demonstrate that painterly effects could be achieved with a camera, light-sensitive emulsion, and various darkroom maneuvers. It is a tradition rich with women photographers, from Julia Margaret Cameron and Gertrude Käsebier to Sally Mann.

I found, in (the artwork selected), a widely shared pleasure in mixing the digital and the analog and in violating technical protocols; in reversals, inversions, and shadows, and the representation of things that are not quite there. Photography, for these artists, is often a tool of introspection and of memory; painting a way of gorging on photography, of chewing it up and spitting it back out.

Amy Swartele, SKM in the dungeon, 2014, Mixed media on paper, 20" x 28"
Amy Swartele, SKM in the dungeon, 2014, Mixed media on paper, 20″ x 28″

Artists: Temme Barkin – Leeds, Kristi Beisecker, Susan Carnahan, Sophia Chai, Melissa Cowper-Smith, Erin Kyle Danna, Torrie Fox, Margery Freeman Appelbaum, Rose Frisenda, Kristin Furbeck, Karine Giboulo, Shohreh GolAzad, Susan Hambleton, Jasmine Higbee, Monica Hopenwasser, Donna Anderson Kam, Kharis Kennedy, Jessica Maffia, Erika Mahr, Kate McCammon, Ali Miller, Yasaman Moussavi, Josefa Mulaire, Ilona Pachler, Caroline Parks, Rebecca Shavulsky, Amy Swartele, Sarah West, Amanda Wild, Jeanne Wilkinson, Suly Wolff, Greta Young, Mary Zompetti

* Please note the gallery will be closed for the holidays 12/23/14 – 1/1/15


Nancy Princenthal: Nancy Princenthal is a New York-based critic and former Senior Editor of Art in America, for which she continues to write regularly; other publications to which she has contributed include Artforum, Parkett, the Village Voice, and the New York Times. Her monograph on Hannah Wilke was published by Prestel in 2010; she has also written essays for monographs on Michelle Stuart, Shirin Neshat, Doris Salcedo, Robert Mangold and Alfredo Jaar, among others. She is a co-author of two recent books on leading women artists, including The Reckoning: Women Artists of the New Millennium (Prestel, fall 2013). At present Princenthal is writing a book about Agnes Martin. Having taught at the Center for Curatorial Studies, Bard College; Princeton University; Yale University, RISD, Montclair State University and elsewhere, she is currently on the faculty of the School of Visual Arts.

For all press inquiries, please contact; JoAnne McFarland, Co-Director
A.I.R. GALLERY | 111 Front Street, #228 | Brooklyn, NY 11201 | www.airgallery.org | (212) 255 6651 | Wed – Sun 12-6pm

Experimentation in Mixed Media

Since my residency in CA I had been pouring over videos of mixed media artists on youtube and realized that it is not that much different from the way I design in photoshop and in general. My mom does cardmaking so she already had a lot of the supplies. I’ve also been looking for something to keep my mind off a few things and just to have fun. I think mixed media is the way to go! I’m definitely planning on making more this weekend. 🙂

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Statehouse Working to Make Art Buying Tax Exempt

Yesterday, I finally attended the Artist Under the Dome Event!  It is sponsored by the Mass Cultural Council. The event was geared to celebrating artists are who working and living in Massachusetts. The morning was filled with political figures speaking about the work they’re doing to improve the quality of life of artists working and living in Massachusetts. Treasurer Steven Grossman spoke about working to make art buying tax exempt which will encourage potential art collectors to buy more art directly from the artists as they’ll get a tax break as well. I also learned that they are working on improving the quality of life for Independent Contractors.

The afternoon was filled with lunch, networking and trips to our Senators’ offices. Unfortunately mine weren’t around so I just dropped off my press kits in hopes of something coming out of it! You never know. The afternoon had a panel of leaders who are working in the Boston area who hold leadership positions in prominent artist groups that are trying to make things a little easier. They also talked about major issues that keep popping up; finding space, unpaid internships, etc. Most of which I was already aware of.

photophoto2  photo3 photo5

 

#3 The two moments I’ll never forget in my life are…

The third journaling prompt that Spirituality and Health mag suggests to write about are the two moments in your life that you’ll never forget, write them down so they are memorable.

I decided to do these prompts in relation to my career thus far.

1st Memory – In/Finite Earth

The first memory of my career thus far is obviously winning the In/Finite Earth competition. I never win at anything at all, and didn’t think that my photograms was considered as fine art. I guess before this competition I really didn’t know the value that my artwork had. This competition was a serious turning point in my career as I began to realize the significance of my work and the importance it has in the artwork. My professor that I created this work with in college told me that it had the huge possibility of becoming a legacy. This guy was the kind of professor who saw everything, so when I showed him my process and the work I was creating, it really changed his world I think as well.

2nd Memory – Being Hired (and then fired) at Minuteman Press New England

This is something I’ll never forget. I had been searching for a job for three years previously before being hired at Minuteman Press. I had studied graphic design for almost 8 years at the time I was hired. When I was finally hired, my co-workers then (before Minuteman) said I was glowing. I had just gone through a really rough time and it made me question my life as a whole – so entering this new job made me leave the things I was dealing with behind and to move onto a better phase in my life. I felt like I was prepared, but what I wasn’t prepared for was being denied – almost – accommodations for my mental disability. My boss didn’t care that I had such a thing and wasn’t willing to work with me. He also didn’t really understand that the mistakes/errors I was making was due to my mental disability and having my mind actually not being able to see those errors before production. I am now not really in the best place in my life because of that and I don’t really see graphic design as a career path right now. Which I am having a hard time coming to terms with because I had been on this path for almost 10 years now. To leave that dream behind makes me feel like a failure.

– See more at: http://spiritualityhealth.com/articles/30-journaling-prompts-self-discovery#sthash.y6quQYHI.OO0C3ofT.dpuf

Biophilia – Activities – Monday

Monday

1208325_707689345983817_1022789875_nThe following day we had our first hike. Before this hike we drove to a chairlift in the same park and got a look at the foliage. This was the first time of that I got lost! The group van had to be taken into Ottawa to be fixed so we couldn’t drive as a group. We were already running a bit late so we didn’t get to meetup with the arborist, which was a bit of a bummer, but we used the time during the hike to find plant material for the kirlian workshop that night!

Yes that’s right! I was able to do a kirlian workshop with the group. It was really fun to do because everyone was excited to do the workshop and was very enthusiastic about finding plant matter. I also was able to work with plants that I wouldn’t have otherwise had a chance to back home.

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Moss

This day was very long and tiring at 1am I was very glad to be asleep!

 

 

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