All posts by Kristi
Spiritual Relationships
What is a Spiritual Relationship? A spiritual relationship is one where you feel a deep, strong emotional bond to another but there may be distinct physical barriers (age, marriage, another partner, status, position of power, etc) and the emotional relationship exists to teach the other a lesson – whatever that may be.
These relationships are often deep and tend to happen when the other person involved is attached. They are meant to cause a transformation which may be disguised as Love. But it it isn’t love – it has never been about love – although the person in question may feel it. Transformations are about internal changes that shake your world. Transformations cause a paradigm shift in the other – opening their world view and expanding it. And once the person is done transforming – they toss you out – and depending on their personality it could end it heartbreak or if you’re lucky just sadness. Most people cannot handle these deep relationships as it impacts their other partner and it leaves them confused and afraid.
These relationships have plagued my entire life. I am thankful for them as they have made me stronger and have finally come to terms with them. Now, with the next one, I may even fear it – as the loss of the relationship causes me a lot of pain. For awhile, it was something I yearned for in a romantic relationship – to have someone you love and have it returned, but at the same time have a deep spiritual connection – what more could you want from that?! But in my experience these spiritual relationships the other is never available in a romantic sense. And these relationships do not last – usually 6 months tops if it lasts beyond 2 years, than that’s something – but usually means it’s riddled with lessons.
This last spiritual relationship was between me and my boss. Now, I will probably never know what he’ll truly think of his experience with working with me or what he felt – but this past relationship has taught me what second chances felt like. Second chances as a lesson within a spiritual relationship? As I’m sure you can imagine, it was a pretty powerful experience. But being the person with all the power – who had his own issues – it was a relationship where I began to feel powerless. No matter what I could do or say, it wouldn’t fix the situation and I think I know why. He wasn’t learning his lessons within the spiritual relationship that I was teaching him; valuing relationships over money, understanding others who have disadvantages, among other things. Some people cannot handle the deepness of the relationship and often struggle to break it off. A spiritual relationship is a mirror – the other a mirror of oneself – since it is a spiritual lesson, energy is exchanged – it’s a two-way operation. Yes, he wasn’t learning his lessons because I couldn’t seem to change – so I am at fault too, of course. But lesson learning requires both partners to have the courage to develop the relationship and that’s where it failed. One person usually backs out, out of fear because most people are afraid of change and transformation.
Spring into Festival Season!
Spring weather is here (currently enjoying 73 degree weather and bright sun) and so is the festival season!
Since I don’t have a full time job anymore, I am focusing my energy on the festivals that I will be participating in at the end of April and May. It will help me move on from the experience and just process the emotions. I probably won’t be as active in the exhibition area though since I don’t have a steady income.
This week we have the Cambridge Science Festival that starts from April 18th – 27th. The purpose of my participating is to broaden my audience as an artist – so it is more of a marketing experience. I got really good news today in regards to funding and I don’t have to fund the rental space out of pocket! This weekend I created an informational brochure about my process and a brief explanation of the science behind it.
Next Festival will be happening during the same time, but it won’t be a workshop but an exhibition. It is the Appearances: Provincetown Green Arts Festival. My artwork is going to be displayed at Larkin Hall in the Center for Coastal Studies in Provincetown, MA. My family and I are planning on checking it out the last weekend in April.
Then in May we have the Mayfair Festival of the Arts in Allentown, PA. I am planning on attending, I just need to figure out sleeping arrangements. If I do go, it’ll definitely be weird coming back to the area just two years after I’ve graduated from Moravian! My artwork will be participating in an exhibition that is new to the Festival.
A chapter has ended
I am no longer going to be working at Minuteman Press New England.
A decision made by my boss because he couldn’t keep up with my mistakes – mistakes in the sense that when he saw the final product it was wrong. It was also a decision prompted by a series of events that I did not intend to have it perceived the way it did.
I am a little startled that it has ended the way it has and did not expect it to end so ‘soon’. I guess I was lucky that I even lasted this long and I don’t blame my boss because I see his perspective. But if you say you don’t care that I have mental issues that I can’t seem to change and that you can’t seem to learn and understand what I struggle with, then it wasn’t the right fit to begin with.
I should’ve known that when I started to heal and feel strong I knew I wouldn’t be working there much longer. I feel like the sole reason for me being there is to heal me because my working relationship with my boss certainly has helped me do so in a strange sort of way. I no longer feel confusion, no longer wish for second chances, no longer wonder about that relationship because I have fully moved on and healed. He has taught me what second chances felt like, because I haven’t had many in my life. I fully understand what it means and what it feels when being given a second chance and that I think is the biggest lesson I can take away from this chapter in my life.
The only thing I am suffering from all of this is the loss of closeness that I once felt. The closeness was something that kept me going because he was the only person I felt close to in my life at the time and the first person I felt closeness with since my heartbreak. But even then, as months wore on it started to pull at me because of the way I was being treated and the up-and-down of the working relationship. It caused me a different kind of confusion and I seriously did not like the way felt – it left me confused and defeated. One day we’d be working together fine, and then the next day he’d be screaming at me for doing something I did wrong. And yesterday all day I felt dread, a separation – like I never was really a part of the team. Seen as if I was a fly on the wall… and that hurt the most. Also to put all the time and energy and heart into something and to have it probably never noticed also hurts.
So now I’m at cross roads. I’ve been searching for another job so I can stay in this area, but I’ll have to think about the next chapter in my life and moving on from this. I will miss the Minuteman Press crew as they are a lovely bunch of people. But I won’t miss the emotional turmoil it has caused me over the past 6 months. I loved the work and the people I worked with, but the up-and-down is something I cannot handle. At this point in my life I am looking for some type of stability.
Photos from the Arsenale of Venice Main Exhibition
Photography: Transitions
Collection: Transitions
Year: 2014
A series of photographs taken at a time of transition.
Gallery 263: Massachusetts!
On Friday I left work early to go into Cambridge, MA for two receptions. The first one, at this year’s VSA competition (the one that accepted my works into the Smithsonian) from the Massachusetts chapter. I ran across the blog and am going to submit my story to it (when I have a chance to write it). I met the one of the members who connected me to this reception who happened to grow up in Longmeadow! Crazy. The reception was nice and the gallery was nice but small. Afterwords, I sent the executive director an email seeing if they’d let me do a solo show at the Open Doors Gallery (where it was held).
Then I went to the other side of the river for the reception at Gallery 263: Massachusetts! A former high school teacher of mine came to the reception as well as my uncle and my brother. As you can probably tell from my photos, it was PACKED. It was probably the most crowded reception I have been in! (This is the reception where I was mentioned in the press release). Overall fun night, despite battling Boston rush hour traffic. Ugh!
PS: If you click the photo about it’ll take you to the facebook photo gallery.
The Journal of Paramanu: the science and research of light, vibration and form!
The Journal of Paramanu – the science and research of light, vibration and form is an ongoing investigation of the reality that we live in. This is a collection of well-researched articles with scientific basis supporting a well thought-out theory.
I’m so excited! I finally figured out the most appropriate way to publish my writings. I’ve been subscribing to some research journals such as the Rosicrucian Digest and the Journal of Borderland Research and concluded my writings are fit for a research journal type publication.
Since the research changes all the time, having multiple volumes would be really beneficial.
I am still working on the table of contents but I’ve started on writing it too and gathering my blog posts and writings and such and starting to put them all together.
My goal is to have a physical printed copy at the end of the year.
Biennial Roadshow Marfa
The results for the Biennial Roadshow Marfa!
Jurying was like choosing between candy and MORE candy.
THE WINNERS ARE:
Best in Show (what we like to call the Golden Armadillo):
Federico Delfrati & Ieva Jakusonoka
The sensibilities of Federico Delfrati and Ieva Jakusonoka are so well-matched that they seemed to be one person. Their installation “An uncertain map of the known universe made of wax, wood, clay, ropes and various paper.” was a universal hit with the judges, and we’re proud to be featuring them on the Roadshow.
Photography: Adamo Macri
Video: Luke Boggia
Performance: Christine Comeau
Painting: Hildy Maze
Sculpture: Artemis Herber
Digital Art: Nick Nazzaro
Mixed Media: Judith Kindler
Anna’s Choice Award: David Turner
Eric’s Choice Award: Katherine Sweetman
Lizzy’s Choice Award: Laura Krasnow
Sonia’s Choice Award: Dennis Miller
Stephanie’s Choice Award: Nicole Duennebier
Accepted Artists featured in the Biennial Roadshow Marfa exhibit:
(alphabetically by first name)
Adamo Macri
Adrienne Lichliter
Alan Lerner
Amy Butowicz
Anthony Astone
Anya Klepacki
Artemis Herber
Benjamin Phillips
Benjamin Phillips
Brandy-Michelle Byard
Brendan Mahoney
Calvin Pressley
Carol Stensrud
Charlene Liska
Charlie Lemay
Christina Macal
Christine Comeau
Christopher Deris
Ciara Duffy
Claudia Sbrissa
Claudio Scardino
David Turner
Dennis Miller
Elizabeth Harris
Eric Charlton
Federico Delfrati
Flair Robinson
Frances Berry
Ginny Barrett
Hildy Maze
Jenny Zoe Casey
John Lawson
Joshua Zerangue
Judith Kindler
Julie Weitz
Karen Rosenkrantz
Karina Bania
Kate Mackay
Katherine Sweetman
Kelly Jo Shows
Kristen Freitas
Kristi Beisecker
Larry Alford
Laura Krasnow
Laura Scandrett
Leigh Hall
Luke Boggia
Maggie Fishman
Marjorie Kaye
Matthew Mazzotta
Michael St.Germain
Mitchel Ahern
Molly Radecki
Nebras Hoveizavi
Nick Nazzaro
Nicole Duennebier
Nyssa Juneau
Paul Sisson
R. Prost
Renato Koledic
Robert Festa
Robyn Day
Stephanie Angelo
Stephanie Goode
Susan Fitzsimmons
Tom Estes
Tyler Beard
Vanessa Thompson
Walter Kopec
Yana Clark
Copyright © 2014 Biennial Roadshow, All rights reserved.
Sketch Therapy
I have been recently doing ball point pen sketches as a form of art therapy. It’s helped me just release whatever is going on in my head at the moment and just focusing on creating something. Since I create things all day every day during the week on a fast-paced basis sometimes its nice to just slow down and create on your own time.
I had been wanting to draw a self portrait of me creating kirlian photograms. Didn’t quite come out exactly what I had pictured, but perhaps I should work with it – take it a step further. For now, I like the sketch.
Gallery 263 – Massachusetts!
FOR IMMEDIATE RELEASE 03.4.2014
Massachusetts
On view: March 20 – April 12, 2014
Gallery Hours: W-Sa/12-7pm; Su/event dependent Artists’ Reception: Friday March 28, 7-9pm
Cambridge, MA – Gallery 263 is pleased to present Massachusetts, a juried exhibition selected by Dina Deitsch (Curator of Contemporary Art, deCordova Museum and Sculpture Park, Lincoln, MA).
Massachusetts is the second part of a two-part juried exhibition series celebrating five years of art, music and people at Gallery 263. Turning our attention towards artists living and working in the Bay State, Massachusetts features 38 local artists and 41 contemporary artworks.
This diverse group of Massachusetts artwork is pertinent to contemporary American cultural topics and technical choices. Massachusetts artists McCool, Pattison and Thorne comment on the digitization and packaging of our experiences, while the work of Leone, Martini, Kim and Yeol relates to health, mutation and scientific experimentation. MA residents will surely resonate with representations of strong local individuals present and past, from McMahon’s personal story of recovery from the indelible Boston tragedy last April, to Cann’s depiction of Emily Dickenson and her parting words. A more macrocosmic look at American consciousness is made by Marcoux’s picture of pride in Provincetown, as well as by Crowell’s found object assemblage that investigates a “new American ethnic identity”. In terms of technique, the use of gold as a surface material is employed in several works, by Photopoulos, Brister and Layzer. Other unusual technical approaches include Beisecker’s electrically exposed parsley on photo paper, and Gregg’s fiber and acrylic piece, illustrating an entire text listing for a “Call for Art”. Massachusetts truly celebrates contemporary MA artists, who Gallery 263 is proud to represent. Thank you for taking a stake in our success, Massachusetts!
Guest juror, Dina Deitsch, pioneered the deCordova’s Biennial programming in 2010, and has organized numerous solo and large-scale group exhibitions since. Prior to working at the deCordova, Deitsch held curatorial positions at the Williams College Museum of Art, and the Museum of Fine Arts, Boston. In addition to working as an independent curator locally and regionally, Deitsch served as the guest juror for the 2012 Northeast Issue of New American Painting. Gallery 263 appreciates Deitsch’s support in selecting the artwork for Massachusetts.
Works by the following artists are included in the show:
Freedom Baird / Jim Banks / Kristi Beisecker / Lauren Bennett / Kaca Bradonjic / Erik Brisson / Kathriel Brister / Connie Cann / Cyrille Conan / Charlie Crowell / Steven Duede / Claire Elliott / Arlene Fins / Tatiana Flis / Sharon Freed / Sandy Gregg / Lydia Harris / Helena Hsieh / Yeol Jung / Natanya Khashan / Sawool Kim / Molly Lamb / Jennifer Layzer / Lauren Leone / Brittany Marcoux / Julie Martini / Timothy McCool / Ryan McMahon / Noritaka Minami / Laura Miner / Yola Monakhov / Jeanette O’Connor / Todd Pattison / Alexandra Photopoulos / Alex Sewell / Kyle Thorne / Timothy Wilson / Mong-jane Wu
Gallery 263 is a nonprofit arts organization in Cambridge, MA. Our mission is to provide a place for local and regional artists of all media to exhibit work and engage the community. Gallery 263 exhibits are free and open to the public.
263 Pearl Street Cambridge, MA 02139 www.gallery263.com contact@gallery263.com
Melatonin Update
I was talking to my co-designer at work about my first night with melatonin and my boss already began noticing a difference the following day. And this was without my thyroid medication – imagine what it would be like WITH my thyroid medication + my salt lamp!
I was also thinking about my sensitivity to light and my psychic ability. The psychic ability is said to be activated through the third-eye which is known as the pineal gland in the brain in the body. When you’re psychic the pineal gland is always active, it is ‘always’ on as in some traditions it’s believed to be the ‘seat of the soul’ and other things associated with it. Since it produces electrical activity when active, I have personally felt it vibrate – especially when I’m about to go to sleep. In normal people, the eye is shut at night as it produces the melatonin that helps make you sleep. I think since my pineal gland is always active it never really has a chance to keep up with producing the melatonin that I need in order to sleep. When in darkness, the eye is shut and produces melatonin – when in the daylight, the eye is awake and the melatonin tapers off. Light activates the pineal gland.
How I found out about the Melatonin Deficiency in the first place is through the full moon. The full moon is illuminated by the Sun which produces a huge amount of Negative Ions. At night, these ions pass through our atmosphere and become polarized which creates Positive Ions. As stated in an article I found, “Hormonal reactions to increased positive ions in the air (Full Moon Effect) cause hyperactivity, depression, violent behavior, road rage, higher occurrences of migraines and asthma.”. This increase of positive ions initiates serotonin to be produced.
The article quotes a leading Israeli Doctor that says, “serotonin is not found in the urine of “normal” people except when they are under considerable emotional stress or anxiety.” Considering the huge amount of emotional distress I have been in for the past year and a half or so I am NOT surprised to read this. The article further states, “In the 25% of the general population during higher positive ion ratios, short term increase in productivity occurs (attributed to hyperactive adrenaline production). After extended exposure or duration to positive ions, this increase in productivity quickly turns into poor performance (attributed to a weakened or exhausted adrenaline gland).” Earlier the same article states, “Bank employees went from an error rate of 2.5% before negative ion generators were installed, to an error rate of 0.5% while working in negative ion enriched air.” Well then, it’s not a surprise that I am making mistakes. But not being able to recover from my mistakes quickly enough makes sense as well.
BUT there’s another side of this.
An article from the Chicago Tribune wrote about how the blue light associated to the monitors keep regular citizens from producing melatonin, “Because blue light is especially prominent in daylight, our bodies associate it with daytime, which may be why exposure to blue light can make us more alert and improve our response times. It also has been shown to suppress melatonin, a hormone that helps regulate sleep and is not produced during the day.” So I guess, it’s really no surprise that since I stare at a monitor all day pretty much 24/7 that I am experiencing a melatonin deficiency.
And the positive ion thing is interesting too, because that triggers serotonin the hormone that supposedly that helps you regulate certain parts of your brain. High levels of serotonin initiates things such as, “Appetite cycles, sleep cycles, cognition (memory, learning, etc), mood, body temperature, endocrine regulation, age regulation, etc.” Most of which I have been struggling with.
In conclusion, because the light from the full moon generates positive ions which triggers the production of serotonin and the emotional stress and anxiety I have been dealing with for the past year and a half or so causes high levels of serotonin to be in my system affects certain parts of my brain that is regulated through secretion of melatonin which is suppressed by long amounts of exposure to blue light through the use of a screen, psychic ability or other sources causes me to have poor performance and to loose the cognition ability to recover from it.








