All posts by Kristi

Kristi Beisecker is a graphic designer, photographer, printmaker and alternative scientist whose interested in making images through two contrasting elements. She is also a blogger in lifestyle, travel, wellness and health, art and design, beauty and fashion.

Planning, thoughts, and new phases!

I love my desk at home (see above). It feels more like an office now than the desk I had previously. _MG_3644_460w03However, sometimes I’d just like to be in an office setting, around people, away from home and connected to amenities and networking opportunities.  I find it more often stimulating, rather than distracting. I’ve learned this especially with working at Hafta Havit, I work in one cubical area, alone, except to meet with the bosses throughout the day and it is isolating! I had a hard time getting used to it. So I’m looking to try out Oficio – a co-working space on Newbury street. I’m thinking of working one day a month to start and then after Italy, maybe buying a “Some Time” membership.

It might give me a breath of fresh air, new ideas and will get me out of the house a bit more. I’m thinking of doing like the Wednesday that I have off and go in around 12-1pm.

We’ll see! But I do like the idea though.

Believe! in the things you can do

This is more apt for a New Year’s post, but I feel inspired to write it now. I keep a physical journal on my desk with the word “Believe” on it that I have stored away for use for writing down project ideas. My intention is to use it as an idea journal. But this is for projects only, not necessarily for career goals and accomplishments. I’m getting a better sense of my direction as an artist, where my artwork falls and who appreciates it, and what to do with it and as a result finding opportunities that are more apt to my interests as an artist.

I believe in the spoken word rule, meaning if I speak it before I have solid foundation on the opportunity, I more often than not will loose that chance! So I have given up on the Art Contest series that I was doing in the fall and will just keep quiet on the things that I do submit to – these opportunities below I have no submitted to but plan to.

On facebook there is a nice way to save links now and I have been saving things that I want to do as an artist in the future – gives me ideas to keep busy!

 

Continue reading Believe! in the things you can do

Hyannis, Hyarts Shanty Acceptance

I am really excited about this! My artwork was accepted to do a week in an artist shanty in Hyannis during 4th of July! This is the first time I’ve really got to an opportunity to sell my work in a retail setting. I’ve already started to think about the inventory and such. I still have to sign a contract and start paying for it. The week I have is 6/29-7/5 so I’ll end with July 4th.

Visual Alchemy Press Release

FOR IMMEDIATE RELEASE

 

Fountain Street Fine Art presents

VISUAL ALCHEMY Group Show,

juried by Elizabeth Devlin, founder of Flux-Boston

January 2 –25, 2015

Reception Saturday, January 3, 2014, 57pm

FountainStreetFineArt.com

 

Fountain Street Fine Art in Framingham will host its eighth Juried Show, VISUAL ALCHEMY, from January 2 – 25, 2015. A Reception will be held Saturday, January 3rd from 5-7pm.

 

Artists were asked to explore “Visual Alchemy: tangible evidence of experimentation, discovery and transformation” and submit artwork in any media that they felt interpreted the theme. Nearly 200 artists from across the country submitted about three hundred works of art. Forty-two pieces by thirty-four artists were selected for inclusion into the show.

 

Juror Elizabeth Devlin commented that “this was definitely the most difficult “blind” judging I have ever done, which speaks to the quality of applicants. I combed through the entries SO many times, and had to make tough decisions since so many were aesthetically beautiful.”

 

 

Fountain Street Fine Art exhibits contemporary work by emerging and mid-career artists that is skillfully executed, exciting and new. Solo shows by member artists alternate with collaborative projects, installations and group shows.

 

Juror Elizabeth Devlin is an independent curator, art consultant, and founder of FLUX. Boston, an online resource for artists and art enthusiasts in the Boston area and beyond.

 

Contact:                Cheryl Clinton 508.740.4431 or Marie Craig 774.286.1800

Fountain Street Fine Art, 59 Fountain Street, Framingham MA 01702

GALLERY HOURS Thurs-Sun, 11-5 and by appointment 508-879-4200

fountainstfineart@gmail.com                     http://www.FountainStreetFineArt.com

 

Yay!

10864787_735021453240879_1938084366_nI’m getting really excited for some the things I’ve been doing at work. I started to work on a product catalog but that catalog will be in a more artistic slight than interior design/’professional’. The website for them is going well too and I’m excited to see that taking shape.

It’s interesting working for someone whose so visual because I’m so used to working with people who aren’t as visual. It’s nice in a way because usually when I show him the work I do, he generally likes it. When I try to explain it to him sometimes the idea doesn’t come across as appealing as when I translate it into visuals. When I work on a project, I look for that. When the client starts to not like what I’m translating into visuals, that’s when the project starts to fail and crumble. I think it’s also because he has a clear idea of where the direction of the store is heading in and based on my design style and his idea it’s a good fit.

I had a phone interview yesterday with a start-up travel/lifestyle blogger position. I reached out to them because I wanted to get more experience in this area of my skills. And I figured a start-up would be a good place for that. I am also in the middle of doing an infographic for another blogging position and recently reconnected with a design group out in philly for a project to start in January. Lots of things going on!

 

A.I.R Gallery and NYC Experience

10411141_943661512313819_5902822009080717149_nLast Wednesday my parents and I left Wellesley, MA and drove the 4.5 hours or so to NYC for my reception in Brookly, NY. This reception was one of the more humbling experiences. It mirrored the experience I felt when I exhibited my work in Provincetown, MA for the first time. NYC, has had a prominent place in my childhood. I started to come to NYC as a scout and continued throughout high school and ended up going to a college that placed an emphasis on going into NYC. By the time I had graduated college I had been to NYC 8 times. As an art major I had always admired the artists I saw exhibiting their work in Soho or Chelsea and kind of dreamed that that would happen to me!

In October, I received notification that my artwork, Bluebells will be making a trip to NYC to be exhibited at the 11th Biennial Exhibition at A.I.R Gallery. A.I.R Gallery is pretty cool as their mission is to support under appreciated women artists and has been in operation since the ’70s! The gallery ended up featuring my artwork as one of the two the were the ‘face’ of the exhibition. This biennial was centered around the theme of making and taking photos and reconsidering what the definition of photography is. Sometimes galleries submit calls for work centered around an already chosen theme, but sometimes that can be tricky to work with especially if your submissions may or may not always be centered around that theme and the exhibition can seem forced. This biennial just so happened to have many artists submit works of art centered around the photographic medium whether it may be painting or mix-media, or in my case traditional processing.

Wednesday we arrived at our hotel in Brooklyn and I knew Brooklyn was mostly of color, but I never expected to feel like I was in a minority and after a day of being there or so, the feeling went away. There were no altercations of our presence on the subways or walking around the neighborhood which was nice, because you never know these days… I was catcalled a few times, but after that catcalling video that was kinda expected. For dinner on Wednesday we went to Cent’Anni’s for dinner and had yummy spinach, pesto raviolis and chocolate cake for desert.

Thursday, we walked around the botanical garden in Brooklyn just to see a bit more of the neighborhood, and walked back to the hotel for to get ready for the reception. I had to really make sure to pace myself in terms of what I could do energetically so I wouldn’t be wiped for the reception. The reception itself was great! I got to meet the juror and see my work. I really had a feeling of, “I made it!” As exhibiting in a NYC gallery had been something I wanted to do for a LONG time. It helped me put my artwork into perspective.

Friday, I met up with my friend Jackie whom I met through the Biophillia residency in September. We had coffee and a pastry at Caffe Reggio. It was good to see her and we talked about future Ayatana opportunities and travel opportunities and caught up on life… then my parents and I walked to the 9/11 memorial to see the reflection pools and we ended up having lunch at Stage Door Pizza. After lunch, we walked a bit further and saw the Christmas tree at Rockefellar center. The following morning, Saturday, we drove home – exhausted and sore. Overall the experience was better than I imagined and I’m really glad I got to see my artwork in NYC!

5 Tricks to Selling Oneself

In the freelance world, selling oneself is crucial to gaining new clients. Sometimes it’s difficult to do this, but the easiest way to do this is to put yourself in your client’s shoes. Giving a detailed description of your experience in your cover letter may not be of best interest especially if your experience is not related to the client in anyway. Instead of giving a detailed description, one should highlight general responsibilities that relate directly to the client. If the client is soliciting resumes for a project that is to design a series of marketing print collateral then you would want to describe briefly your experiences with designing that. You wouldn’t want to send a cover letter describing your experiences in print to an internet based job for example.

There are a few other things to include that a client is looking for.

1) Expertise and skill level
You don’t have to mention the number of years as that should be on your resume itself, but rate what level you are in the skills that you know. In graphic design the three big programs used are, Adobe Indesign, Illustrator and Photoshop. Mentioning you’re an expert in these programs sets you apart from someone who may or may not have mentioned it at all, or mentions that they are beginning level.

2) Client Feedback
In my cover letters I like to mention something that most of my clients seem to enjoy working with me. In my letters I say that clients enjoy working with me because of quick turnaround and being respectful to their budgets. Many freelancers feel that since they are the only ones working under their name they should charge more; I am often seeing graphic designers charge $20-$40 an hour for their efforts. While this may be practical financially, it isn’t necessarily the best way to attract more. Prospective clients look to experience, and with more experience you can charge more. However, I found that it’s better to have several one-time clients paying you $15 per hour than having one client that will pay you $40 per hour. Why? In the end you’ll end up with the same amount of money made, and that one client may drop the ball and you’ll loose that $40 per hour. While on the other hand, if you have 10 clients at once paying you $15 per hour per project, you make more quickly. Some think that quality is better than quantity, but if you are trying to make a living in this field, sometimes quantity is better than quality.

3) Personality on Paper
One of the things my high school taught me about applying to colleges is you have to put your personality on paper. College admissions get 10s of 1,000s of applications each year and if you don’t express yourself in your application, you wouldn’t be as interesting as someone else may be. The same rule applies to your job application. I put my awards and honors on my resume because I can’t tell you how many times it has gotten me an interview… it’s not every day you get an applicant whose work has been at the Smithsonian! The same thing goes for cover letters, state something unique about your process.. did you start in high school? do you have a specialty? formal training (for me it’s printing)? Stating those quirks of your skill set will really set you apart.

4) End something that exudes confidence! 
I like to end the cover letter with something that you know you can do well. For me, it is “If you choose to work with me you will not be disappointed.” This is a risky statement because it means that everyone who comes my way, is expecting to not be disappointed by the work I do. While I find this is generally hard to accomplish and many times customer disappointment is due to lack of communication and understanding of the field from the customer. I have had many supporters around me say my work is really good and that is better than most designers at my level of experience – so I feel that I can say “If you choose to work with me you will not be disappointed” because more often than not, the clients that have chosen to work with me take home designs that they are happy with! So, pick something you know you can do really well… if you’re really good at typography you can state something like, “My typographic work will make any project that is tossed my way into a work of art!”

5) Add any essential information
Sometimes potential clients would like to know about your home setup, or pay rate (F.Y.I – adding your pay rate I find helps gain responses, especially if you are priced competitively and fairly), if you have transportation, or what your communication setup may be like. Can you do skype meetings? Phone? Email? In person meetings? Adding this info right off the bat, helps the potential client understand your communication strengths. Don’t be put off by someone requesting an in person meeting – a lot can get done in one meeting than trying to communicate through phone or email.

Editorial – Working Retail

I get it. A job is a job. And in this economy having any type of job is golden. One piece of advice that has been constantly being thrown at me is to work retail or something else if you are in between jobs. While this is practical, sound advice – for my type of career – working retail or some other position will kill it. Why? It will cause a setback and an endless loop. Setbacks aren’t bad per say, but it’s bad if on your resume you list that after working in your field for six months you’re forced to work retail because nothing is up your alley.

I’d rather live at home again, freelancing instead of working retail – and being insanely exhausted all the time that I wouldn’t have the strength and energy to search for another job. Besides working in a field that is NOT your chosen field is so SOUL killing. Freelancing kept the soul alive – if I had worked in a position that was not art it would’ve killed me.

Plus, it’s better to say on your resume that you’ve been freelancing in between instead of working retail in between jobs because you are still gaining experience in your field. While it may be minimal experience, it is STILL experience in the field.

Since Minuteman, I’ve done freelance work for several companies. It helped built up my portfolio while still recovering from that experience. In the end, it helped me land the job I have now. If I had been working in a completely different field to just make money – I wouldn’t have had the strength and energy to continue freelance work. Yes, not having money to pay for my artwork needs sucked, but I was willing to make a bit of a sacrifice and hold back on the artwork to work on my graphic design.

I also get, that some people don’t have the luxury to float around and not have to worry about paying rent, or other expense. While, living at home isn’t the best situation, it’s helped me focus on my career so that one day I can live on my own, doing what I love to do.

Winter Exhibition News

It’s official! The Fall exhibition season is coming to a close and the results for the winter exhibition season are rolling in! Overall the fall exhibition was active. To recap; the ADA24 Celebration exhibition ended in September, On the Wall at Boston City Hall was in September, Surface and Depth ran from September – November, and Autumn show at the Hive Gallery ran from September – November.

This winter there are few exciting exhibitions taking place.

A.I.R Gallery’s 11th Biennial Exhibition1_Beisecker_Bluebells
I recently posted a press release “Making and Taking Pictures Reconsidered” for the biennial exhibition that Bluebells is apart of. The exhibition runs from December 4th – Jan 4th with a reception on December 4th. My family and I are planning on attending the reception for this exhibition as it is my first major exhibition in NYC!

 

 

 

 

8_Beisecker_KelpKathyrn Schults Gallery and University Place Gallery
From December 4th, 2014 through January 16th, 2015 – Kelp will be apart of the PLATINUM exhibition celebrating the Cambridge Art Association. The exhibition will be visiting two galleries in Cambridge, MA. The Kathryn Schultz Gallery (25 Lowell Street, Cambridge MA 02138) and the University Place Gallery (124 Mount Auburn Street, Cambridge MA 02138). Reception on December 5th from 6pm – 8pm with a closing reception on January 16th from 5:30pm – 7:30pm.

 

 

 

3_Beisecker_PineneedlesFountain Street Fine Art Gallery
Pine Needles was accepted into an exhibition at the Fountain Street Fine Art gallery in Framingham, MA from January 2nd to January 25th with a reception on January 3rd from 5pm – 7pm.

 

 

 

 

 

There could be a couple more coming through later in the winter. But I’m excited for these. Last winter was kinda a bust, but my energy was focused in my job and not necessarily my artwork.

Making and Taking: “Pictures” Reconsidered

For immediate release

A.I.R.

Making and Taking: “Pictures” Reconsidered

A.I.R. Gallery’s 11th Biennial Exhibition

December 4, 2014 – January 3, 2015
Opening Reception: Thursday, December 4, 6-9pm Brooklyn, NY – November 2014

Making and Taking: “Pictures” Reconsidered, curated by Nancy Princenthal, is an exhibition of thirty–three artists of diverse backgrounds, from the United States, Canada, and Israel. The exhibition will be on view from December 4, 2014 – January 3, 2015, with an opening reception on December 4th from 6-9pm.

Nancy Princenthal writes: This biennial results from an open invitation to female artists “investigating the intersection of hand produced and photographic pictures.” To dig around a little in the show’s premise, and title: I was thinking, in part, of the old chestnut, “You don’t take a photograph, you make it.” It is a pronouncement made by Ansel Adams, he of the transcendent Western landscapes, seemingly given to him direct by the gods of sunlight, shadow and wind. But like landscape itself, Adams’s images, he tell us, weren’t there until seen and framed—and then shot, printed, and, we now know, manipulated. We know, too, that manipulated photographs go back to the birth of photography; soft-edged, hazily lit and symbolically rich Pictorialist images of the late nineteenth century were not the first to demonstrate that painterly effects could be achieved with a camera, light-sensitive emulsion, and various darkroom maneuvers. It is a tradition rich with women photographers, from Julia Margaret Cameron and Gertrude Käsebier to Sally Mann.

I found, in (the artwork selected), a widely shared pleasure in mixing the digital and the analog and in violating technical protocols; in reversals, inversions, and shadows, and the representation of things that are not quite there. Photography, for these artists, is often a tool of introspection and of memory; painting a way of gorging on photography, of chewing it up and spitting it back out.

Amy Swartele, SKM in the dungeon, 2014, Mixed media on paper, 20" x 28"
Amy Swartele, SKM in the dungeon, 2014, Mixed media on paper, 20″ x 28″

Artists: Temme Barkin – Leeds, Kristi Beisecker, Susan Carnahan, Sophia Chai, Melissa Cowper-Smith, Erin Kyle Danna, Torrie Fox, Margery Freeman Appelbaum, Rose Frisenda, Kristin Furbeck, Karine Giboulo, Shohreh GolAzad, Susan Hambleton, Jasmine Higbee, Monica Hopenwasser, Donna Anderson Kam, Kharis Kennedy, Jessica Maffia, Erika Mahr, Kate McCammon, Ali Miller, Yasaman Moussavi, Josefa Mulaire, Ilona Pachler, Caroline Parks, Rebecca Shavulsky, Amy Swartele, Sarah West, Amanda Wild, Jeanne Wilkinson, Suly Wolff, Greta Young, Mary Zompetti

* Please note the gallery will be closed for the holidays 12/23/14 – 1/1/15


Nancy Princenthal: Nancy Princenthal is a New York-based critic and former Senior Editor of Art in America, for which she continues to write regularly; other publications to which she has contributed include Artforum, Parkett, the Village Voice, and the New York Times. Her monograph on Hannah Wilke was published by Prestel in 2010; she has also written essays for monographs on Michelle Stuart, Shirin Neshat, Doris Salcedo, Robert Mangold and Alfredo Jaar, among others. She is a co-author of two recent books on leading women artists, including The Reckoning: Women Artists of the New Millennium (Prestel, fall 2013). At present Princenthal is writing a book about Agnes Martin. Having taught at the Center for Curatorial Studies, Bard College; Princeton University; Yale University, RISD, Montclair State University and elsewhere, she is currently on the faculty of the School of Visual Arts.

For all press inquiries, please contact; JoAnne McFarland, Co-Director
A.I.R. GALLERY | 111 Front Street, #228 | Brooklyn, NY 11201 | www.airgallery.org | (212) 255 6651 | Wed – Sun 12-6pm